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    7 New Movies Our Critics Are Talking About This Week

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    Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about even if you’re not planning to see them.Critic’s PickA hot-button movie people are arguing over.Kirsten Dunst plays a war photographer in Alex Garland’s “Civil War.” A24, via Associated Press‘Civil War’Alex Garland’s “Civil War” is set in a near-future when the United States is at war with itself and something called the Western Front, made up of Texas and California, is fighting the federal government.From our review:It’s mourning again in America, and it’s mesmerizingly, horribly gripping. Filled with bullets, consuming fires and terrific actors like Kirsten Dunst running for cover, the movie is a what-if nightmare stoked by memories of Jan. 6. As in what if the visions of some rioters had been realized, what if the nation was again broken by Civil War, what if the democratic experiment called America had come undone? If that sounds harrowing, you’re right.In theaters. Read the full review.Critic’s PickThe rare reboot that gets it right.Donielle Hansley Jr. and Simone Joy Jones in “Don’t Tell Mom the Babysitter’s Dead.”2024 Fence 2021 Films LLC‘Don’t Tell Mom the Babysitter’s Dead’After the babysitter hired to watch them for the summer keels over, a 17-year-old slacker named Tanya (Simone Joy Jones) is forced to support her even lazier younger siblings.From our review:Don’t tell helicopter parents, but the gleefully transgressive flicks that entertained a generation of latchkey wildlings are coming back in style. Wade Allain-Marcus’s rollicking update of the 1991 cult favorite keeps the plot … and amps up the immoral humor. It’s a snappy, gutsy comedy about how kids are spoiled and ignorant, and yet the adult workplace is only passingly more mature.In theaters. Read the full review.Critic’s PickA deceptive horror film where the good guys aren’t so good.Ramesha Nawal in “In Flames.”Game Theory Films‘In Flames’In Pakistan, 20-something Mariam, her widowed mother, Fariha, and her younger brother are struggling when Uncle Nasir suddenly becomes very interested in the relatives he had been neglecting.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      How ‘3 Body Problem’ Created a Spectacular Disaster, With Strings Attached

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      Technical artists used a combination of digital and practical effects to slice an oil tanker into pieces in the fifth episode. Here’s how they did it.It begins slowly, almost soundlessly. As an oil tanker glides through the Panama Canal, the flow of a hose slows to a trickle. The hose has been sliced in two. Then the man holding the hose falls apart, his body severed at the knees and waist. Strands of nanofibers, each a hundredth the thickness of a human hair and strung across the canal at its narrowest point, knife through the ship, cutting smoothly through walls, through pipes, through flesh and bone. The sundered ship fans out like a deck of cards then collapses, smoldering. Every soul onboard — a thousand people, many of them children — has been killed.This harrowing sequence occurs in the fifth episode of the first season of “3 Body Problem,” the new Netflix adaptation of a popular science-fiction trilogy by the Chinese author Liu Cixin. Occurring in the first book, it lasts just a few pages and as a plot driver, it is minor. (The ship is destroyed to obtain a hard drive containing messages from an alien race.) But onscreen, as a marvel of televisual imagination and an example of a seamless integration of practical and computer-generated effects, the scene is unforgettable.“It’s basically an egg slicer going through this big tanker,” Stefen Fangmeier, a supervisor of visual effects, said. “You’ve never seen anything like that.”In the episode, nanomaterials created by Auggie Salazar (played by Eiza González as perhaps the world’s most beautiful materials physicist) are employed to deadly effect. To understand how the science might work, the series creators — David Benioff, D.B. Weiss and Alexander Woo — consulted Matt Kenzie, a physics professor at the University of Cambridge whose father had worked with Benioff and Weiss on “Game of Thrones.”Together they imagined how nanomaterials that don’t yet exist — or exist only in minute quantities in carefully controlled lab conditions — could be deployed. The goal wasn’t necessarily realism — “It’s a science-fiction show, so in some cases the fiction has to take precedence,” Kenzie said — but a sense of plausibility given current technology.“You try not to veer into things that just look wrong or cannot be possible,” Kenzie said.The opening moments of the sequence depict the nanofibers slicing through first a hose and then the man using it.NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares149 Views

      in Music

      What We Know About Sean Combs Lawsuits, Raids and Federal Investigation

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      Federal agents executed search warrants at his homes in Los Angeles and Miami Beach, and he faces several civil lawsuits accusing him of rape and sexual assault.Since federal agents raided two of Sean Combs’s homes in Los Angeles and the Miami area this week, the investigation into the hip-hop mogul has become the subject of intense public interest and speculation.The raids were conducted by Homeland Security Investigations, which has said very little about the focus of its inquiry. No criminal charges have been filed against Mr. Combs in relation to the case.But the footage of federal officers brandishing weapons while entering Mr. Combs’s sprawling Los Angeles mansion, where they confiscated computers and other devices, has raised questions about the nature of the investigation and how it might relate to a series of civil sexual assault lawsuits filed against Mr. Combs in recent months.Mr. Combs — a high-profile music producer and artist for decades who has been lauded as one of the architects of hip-hop’s commercial rise — has vehemently denied all the accusations, and his lawyer called the raids a “witch hunt based on meritless accusations made in civil lawsuits.”As details about the federal investigation gradually emerge, here is what we know about Mr. Combs’s legal troubles.Homeland Security Investigation agents putting boxes into a van after searching Mr. Combs’s home in Miami Beach.Giorgio Viera/Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      ‘Dune: Part Two’: Here’s Everything You Need to Know

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      Before you see the second film in Denis Villeneuve’s adaptation of the sci-fi epic, try this refresher on spice, the Imperium and the Kwisatz Haderach.Since the weird, wild universe of “Dune” emerged from the pages of Frank Herbert’s novel in 1965, filmmakers have yearned to bring it to the screen. In the 1970s, Alejandro Jodorowsky was thwarted in his attempt to turn his elaborate vision into cinematic reality. In 1984, David Lynch was forced to cram volumes of lore into two hours, and the result was an ugly-beautiful disaster. In the latest foray, Denis Villeneuve has created an engrossing, believable world, smartly dividing the first book in the series into two parts. “Dune: Part One” was a critical and box office hit when it was released in 2021, and now “Part Two,” which opens in theaters nationwide on Friday, is poised to pick up where the last film left off. Here’s a primer to bring you up to speed.Where are we?In the film, Paul Atreides becomes a member of the Fremen, a native people of the planet Arrakis living mostly in its hidden corners. Niko Tavernise/Warner Bros.“Dune” is set about 20,000 years in the future, and much of the series takes place on the desert planet of Arrakis. Part of the galactic empire of the Imperium, which is ruled by the Padishah Emperor Shaddam, Arrakis is vital because it offers a necessary resource — spice — that exists nowhere else. In “Part One,” the emperor transferred control of Arrakis from the brutes of House Harkonnen to their longtime foes, House Atreides. But the gift was a trap, something Duke Leto Atreides suspected but hoped to turn to his advantage by establishing an alliance with the Fremen, a native people of Arrakis who live mostly in its hidden corners. Before Leto’s plans could bear fruit, the emperor secretly sent his elite force to aid Baron Vladimir Harkonnen (Stellan Skarsgard) in regaining control of the planet and in destroying Leto’s troops and family. (In the process, Leto died.)Why is spice so important?“Part Two” opens with the words “Power over spice is power over all.” After a religious revolt against robots millenniums before the start of the series, the use of intelligent machines was banned. People have since relied on preternatural abilities that are developed through training and the use of psychotropic drugs such as spice, which can expand consciousness and extend life. The resource is particularly crucial to the navigators, who enable interstellar travel.What’s the deal with Paul Atreides?Paul Atreides battling Feyd-Rautha Harkonnen (Austin Butler) to determine who will control the spice — and the universe.Niko Tavernise/Warner Bros.Paul Atreides (Timothée Chalamet) is the son of Leto and his concubine, Lady Jessica (Rebecca Ferguson), who is a member of the Bene Gesserit, a mystical sisterhood that surreptitiously manipulates the levers of power. It has been seeding self-serving myths and conducting a breeding program for generations. The relationship between Leto and Jessica had been arranged in hopes that she would give birth to a daughter who could then conceive the Kwisatz Haderach — a male Bene Gesserit with “a mind powerful enough to bridge all space and time.” Instead, Jessica bore Leto the son he desired. (A Bene Gesserit can control everything that goes on in her body.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      36 Hours in Austin: Things to Do and See

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      9 a.m.
      Embrace Austin’s breakfast taco addiction
      Breakfast tacos are essential in Austin, and Veracruz All Natural is a top spot for them; the yummy smoothies are a gratifying bonus. The sisters Reyna and Maritza Vazquez opened their first Austin food trailer in 2008, and now there are seven Veracruz locations, including East Austin, South Austin and inside the Line hotel — visit whichever is closest. The meat is consistently tender and well seasoned, and the tortillas are pillowy. Try the popular migas taco, with fluffy eggs and avocado, or the (somewhat) healthier La Reyna, which is loaded with veggies. Pair with fresh juices like the Mr. Verde, a combo of celery, green apple, spinach and more, or smoothies like the Mexico Lindo, with lime juice and cantaloupe, for an ideal, all-in-one morning stop. Most tacos and smoothies cost around $5. More

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      in Theater

      Live Performance in New York: Here’s What to See This Spring

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      “The Notebook” and “Cabaret” land on Broadway. Olivia Rodrigo’s tour stops in Manhattan. Plus: Herbie Hancock, Heartbeat Opera and Trisha Brown Dance Company.BroadwayTHE NOTEBOOK Nicholas Sparks’s 1996 novel (adapted for the screen in 2004) is now a sweeping musical tale of romantic idealism and the decades-long love between Allie and Noah. The Chicago Tribune gave a glowing review to the 2022 Chicago Shakespeare Theater premiere, and several performers from the Chicago cast, including Maryann Plunkett as Older Allie, will reprise their roles. The show features a book by Bekah Brunstetter (“This Is Us”) and music and lyrics by Ingrid Michaelson, with Michael Greif and Schele Williams directing. Now playing at the Schoenfeld Theater, Manhattan.THE WHO’S TOMMY The show, with music and lyrics by Pete Townshend who wrote the book with Des McAnuff, was on Broadway 30 years ago, but this new take, which had its premiere at the Goodman Theater in Chicago, is very heavy on visual spectacle (and, egad, how theatrical effects have changed in three decades!). Tommy is a traumatized child who witnesses violence and loses his ability to see, hear and speak. He plays mean pinball, though, and in the strange spectacle becomes something of a messiah. The leads, including Ali Louis Bourzgui (Tommy), Alison Luff (Mrs. Walker) and Adam Jacobs (Captain Walker), are revisiting the roles they played at the Goodman. Choreography is by Lorin Latarro (“Waitress”), and McAnuff directs. Performances begin March 8 at the Nederlander Theater, Manhattan.Louis Bourzgui in “The Who’s Tommy.”Liz LaurenLEMPICKA The life of the Art Deco painter Tamara de Lempicka was not a screamingly obvious topic for a Broadway musical, but an impressive team has collaborated on this show. The Polish-born Lempicka (1898-1980), who was married, twice, to men, but had female lovers as well, lived through two world wars, surrounded by cultural and political change in Russia, Paris and California. Rachel Chavkin directs a cast led by Eden Espinosa as Lempicka, who returns to the role that wowed critics in productions at the Williamstown Theater Festival and La Jolla Playhouse. The show features music by Matt Gould and lyrics by Carson Kreitzer; they collaborated on the book. Performances begin March 19 at the Longacre Theater, Manhattan.SUFFS The hard-fought passage of the 19th amendment, which codified women’s right to vote in 1919, is the focus of this musical by Shaina Taub. In addition to the challenge of being book writer, lyricist and composer, Taub also stars as Alice Paul (1885-1977), a leader of the National Woman’s Party. She and a group of like-minded women, including Ida B. Wells (Nikki M. James) and Carrie Chapman Catt (Jenn Colella), battle the patriarchy and, at times, one another. Directed by Leigh Silverman. Performances begin March 26 at the Music Box Theater, Manhattan.HELL’S KITCHEN Alicia Keys makes her Broadway debut with this semi-autobiographical jukebox musical about a 17-year-old girl named Ali, raised in a small Manhattan apartment by her protective single mother alongside a community of artists. The show features music and lyrics by Keys, a mix of hits, including “Fallin’” and “Empire State of Mind,” and new songs. The show’s premiere last year at the Public Theater received decent, if not exceptional, reviews, but c’mon, this girl is on fire. The book is by Kristoffer Diaz and choreography by Camille A. Brown. Maleah Joi Moon, Shoshana Bean and Brandon Victor Dixon will reprise their roles. The busy Michael Greif (see also “The Notebook”) directs. Performances begin March 28 at the Shubert Theater, Manhattan.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More