After a wave of lawsuits accusing Mr. Combs of sexual assault, the two are “completely separated and dissociated from each other,” the company’s chief executive said.Sean Combs, the hip-hop mogul who has been facing mounting legal scrutiny over allegations of sexual and physical abuse, has sold his majority stake in Revolt, the media company that he founded, the organization announced Tuesday.The largest shareholder group at Revolt, a private company, is now made up of employees, its chief executive, Detavio Samuels, said in an interview ahead of the announcement.Now known best for popular video podcasts such as “Drink Champs,” “The Jason Lee Show” and “Caresha Please,” Revolt was started by Mr. Combs more than a decade ago as a music industry-focused cable channel meant to boost Black representation on television.In January, after a wave of lawsuits were filed against Mr. Combs, he agreed to start the process of separation from Revolt, Mr. Samuels said.Mr. Combs’s business empire has shrunk significantly since November, when Casandra Ventura — his former girlfriend, who performs music as Cassie — filed a lawsuit accusing him of years of physical and sexual abuse. The suit was settled in a day, but five more followed from women who accused Mr. Combs of sexual assault.Mr. Combs, 54, who is also known as Puff and Diddy, said last year that the lawsuits contained “sickening allegations” from “individuals looking for a quick payday.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

For decades, recordings left at studios have languished in storage rooms and basements. Master Tape Rescue, a company of two industry vets, is coming to save them.In late 2020, Brian Kehew was working at the venerable Hollywood studio Sunset Sound when the owner asked him to help identify some tapes the Who had left behind. It was not an unusual request for Kehew, who has done tape transfers and mixes on hundreds of archival recording projects over the last 30 years, and serves as a tech and sometime backing musician for the band. He expected to find some overdubs or a safety copy of a master, nothing particularly important.When he got his hands on the reels, he was shocked: The studio was sitting on all the original two-inch multitracks of the group’s 1975 album, “The Who by Numbers,” as well as previously unreleased songs from those sessions.“I immediately contacted Pete Townshend, and we arranged to send the tapes back to England,” Kehew, a blond-haired Southern California native, said in a recent interview at his North Hollywood studio, which was lined with rare, vintage and obsolete tape machines. “The band had been looking for the tapes for years, but this was one place they hadn’t thought to check.”For Kehew, a producer of Fiona Apple’s “Extraordinary Machine” and an expert on both the Beatles and Moog synthesizers, the recovery of the Who recordings underscored the fact that significant tapes “might be sitting in someone’s attic or barn or basement” and not where they belong, in a record company vault or an artist’s archive. “The obstacle to getting these tapes back in the right hands has always been the time and effort involved,” he said. “But what if there was a facile way to connect everyone that doesn’t involve a lot of hassle or red tape?”The answer may be Master Tape Rescue, a company recently started by Kehew and his partner, Danny White, a fellow music industry veteran. The company acts as an archival matchmaking service of sorts, cataloging recordings from studios or private collections and then vetting and connecting rights holders with tape holders.Shelves of recordings in an archive room above Sunset Sound, a studio in Los Angeles.Tag Christof for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

After Russia invaded Ukraine, the soprano lost work in the West because of her past support of President Vladimir V. Putin. She was invited to sing this month in Monaco.Anna Netrebko, the superstar soprano whose international career crumbled after the invasion of Ukraine because of her past support of President Vladimir V. Putin of Russia, has been invited to sing in Monaco this month at the Opéra de Monte-Carlo.Ms. Netrebko was initially scheduled to sing the title role of Puccini’s “Turandot” at the Metropolitan Opera in New York at the end of April, but the company, like many in the West, parted ways with her over concerns that she had failed to sufficiently distance herself from Mr. Putin after he began the war in Ukraine.Instead, Ms. Netrebko will now appear in Monaco, singing the title role in another Puccini opera, “Manon Lescaut,” in four performances at the Opéra de Monte-Carlo, the company announced on Thursday. They will be her first engagements since the invasion began in late February, but she has other appearances planned later this spring.“I am overjoyed to be unexpectedly making my stage debut at the Monte Carlo Opera,” Ms. Netrebko said in a statement. “It is going to be made even more special by performing with my husband, tenor Yusif Eyvazov, in the same Puccini masterpiece that marked our first encounter at the Rome Opera in 2014.”Ms. Netrebko has faced a wave of cancellations at leading opera houses. She once endorsed Mr. Putin’s re-election and, in 2014, she was photographed holding a flag used by Russia-backed separatists in Ukraine.After initially denouncing the war but remaining silent on Mr. Putin, Ms. Netrebko saw her engagements in the West evaporate. So Ms. Netrebko issued a new statement last month seeking to distance herself from Mr. Putin, saying she had only met him a few times and stating that she was not “allied with any leader of Russia.” Her words prompted a backlash in Russia, with a theater in Novosibirsk, Siberia, canceling an appearance and a senior lawmaker denouncing her as a traitor.Opéra de Monte-Carlo on Thursday defended its decision to hire Ms. Netrebko, saying she had done enough to distance herself from the war.“Anna Netrebko made a statement two weeks ago regarding the war and her relationship with Putin,” Christiane Ribeiro, a spokeswoman for the opera house, said in an email. “She has taken a clear position against the war in Ukraine. As a consequence, she has been declared an ‘enemy of the homeland’ by the speaker of the Duma and a theater in Novosibirsk canceled her appearance.”Opéra de Monte-Carlo described its decision as artistic, noting that Ms. Netrebko is to replace the Italian soprano Maria Agresta, who canceled because of illness.In her statement, Ms. Netrebko said, “I wish my friend and colleague Maria Agresta a full and speedy recovery.”How the Ukraine War Is Affecting the Cultural WorldCard 1 of 7Valentin Silvestrov. More

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After the ‘Godzilla’ rapper addressed their beef in his latest album ‘Music to Be Murdered By’, MGK hints that the bad blood isn’t over as he brags about killing Em in his new diss song.
Mar 14, 2020
AceShowbiz – Machine Gun Kelly continues to take shot at Eminem. While the “Godzilla” hitmaker claimed an end to their beef in a track off his “Music to Be Murdered By” album, the “Rap Devil” rapper released on Friday, March 13 a brand new single, “Bullets with Names”, that has him bragging about killing the former.
Produced by Wonda and Ronny J, “Bullets with Names” hears MGK spitting, “Killed me a goat so my jacket got stains on it/ Wipin’ my nose like I got some cocaine on it/ Pulled out his coffin and ate me a plate on it/ Called up his bitch, showed my dick, let ’em lay on it.” It features Young Thug, Lil Duke and RJMRLA.
This fresh track will be included in the “Bad Things” hitmaker’s upcoming fifth studio album, “Tickets to My Downfall”, that is set to be released later this year via Interscope and Bad Boy Records. The LP, which is a collaborative project with Blink-182’s Travis Barker, itself is a follow-up to his 2019 album “Hotel Diablo”.
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As for MGK’s feud with Em, “Bullets with Names” was not the first shade he threw at the “Lose Yourself” hitmaker following the release of “Music to Be Murdered By”. In late January, he took to Twitter to seemingly comment on Em’s take on viral Dolly Parton challenge, “50 year old artists tryna be relevant to the youth by posting trending meme’s is something i never thought i’d see #2020,” his later-deleted tweet read.
Em and MGK started their feud back in 2018 after the “Bird Box” actor thirsting over his daughter Hailie. Hitting back, MGK came out with a diss track called “Rap Devil”. In response, Em let out “Killshot”. In mid-January 2020, however, Em appeared to call for a truce through new track titled “Unaccommodating”.
Despite Em’s claim that their war is finished, MGK appeared reluctance in squashing their beef. “mad af I just stepped out a loud room to hear this bulls**t,” he wrote on Twitter. “he’s been rich and mad for 20 years straight.”

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At 82, the musician known for his work with Miles Davis and Keith Jarrett will perform a rare solo concert on his first instrument: the piano.In the early 1960s, Jack DeJohnette, a pianist from Chicago, took a weeklong gig at the Showboat club in Philadelphia with the saxophonist Eddie Harris and played his second instrument: the drums. (A bandmate had left a set at his house.) At one point, Harris, an older player whose career was starting to gain steam, took DeJohnette aside.“Eddie said to me, he said, ‘Man, you play nice piano,’” DeJohnette recalled last month, sitting at the kitchen table of the cabin-style home near Woodstock, N.Y., where he and his wife, Lydia, have lived for around 50 years. “‘But something about your drumming — you’re a natural on drums. And you’ve got to decide which one’s going to be your main instrument.’”To anyone who has followed jazz the past 50-plus years, his eventual choice will be obvious. DeJohnette, now 82, is drumming royalty.Starting in the mid-60s, he fearlessly tackled the era’s new hybrid sounds, anchoring a quartet led by the saxophonist and flutist Charles Lloyd that became a surprise crossover success. He then moved on to the game-changing early fusion outfits of Miles Davis, who wrote in his autobiography that DeJohnette “gave me a certain deep groove that I just loved to play over.” Later, he excelled in a wide variety of contexts, including the state-of-the-art traditionalism of Keith Jarrett’s so-called Standards Trio — which endured for more than three decades — and the expansive explorations of the trumpeter Wadada Leo Smith, summoning hurtling energy or impressionistic calm as needed.“He is in the pantheon of our greatest drummers,” Lloyd wrote of DeJohnette in an email. “From the first time we played together there was a deep simpatico.” In a phone interview, Jarrett, who also shared time with DeJohnette in Lloyd’s and Davis’s bands, described the drummer’s contributions as “just a natural flow of what needed to be done.”As his reputation on drums grew, DeJohnette never stopped playing piano, a fact he will underscore at a rare solo concert on Sept. 28 at the Woodstock Playhouse, where he will perform on the instrument. As heard on “Return,” a 2016 vinyl-only LP that was his first unaccompanied piano full-length and featured mostly his own compositions, his style is unhurried and luminous, technically sound but primarily focused on finely honed mood-setting.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More