The anonymous woman withdrew her sex abuse suit last month, but the entertainer says in court papers she has since admitted her account was fabricated. She and her lawyer deny that.Jay-Z filed a lawsuit on Monday against the anonymous woman who withdrew her rape lawsuit against him last month, asserting that she and her lawyers knew the allegations were false but proceeded with the claim anyway.The lawsuit, brought in federal court in Alabama, where the woman lives, was filed against both the accuser and her lawyers, Tony Buzbee and David Fortney. In the suit, Jay-Z, born Shawn Carter, said the woman had admitted to his representatives that she had made up the story.But in a statement, Mr. Buzbee said the suit has “no legal merit” and that the woman continues to stand by her account.The woman originally sued Jay-Z last year, naming him as a defendant in one of the dozens of cases that have accused Sean Combs of sexual abuse. In this case, the plaintiff accused Mr. Carter and Mr. Combs of raping her when she was 13, at an after-party following the MTV Video Music Awards in 2000. After an NBC News interview with the plaintiff highlighted inconsistencies in her account, the plaintiff acknowledged that she had “made some mistakes” in presenting the allegations.For about two months, the plaintiff’s lawyers defended the veracity of her allegations in court papers, but last month, they withdrew her claim with no public explanation.In the new lawsuit, lawyers for Mr. Carter assert that the plaintiff — who is not identified — has “voluntarily admitted directly to representatives of Mr. Carter that the story brought before the world in court and on global television was just that: a false, malicious story.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Mr. Brown kept time for a group that combined funk, disco, R&B and jazz to create some of the most memorable pop songs of the 1970s.George Brown, a founding member and drummer of the group Kool & the Gang, who played on funk, disco and pop hits that featured prominently in movies and have been sampled numerous times, died on Thursday in Long Beach, Calif. He was 74.His death, at a hospital, was confirmed in a statement by the band’s publicist, who said the cause was cancer. Mr. Brown had said publicly that he had lung cancer.Mr. Brown, known as Funky, was a key contributor to several of the band’s biggest hits, including “Ladies Night,” “Jungle Boogie” and the party anthem “Celebration.”In a July interview with NPR, he described Kool & the Gang as “the sound of happiness.”In 1964, Mr. Brown linked up with Ricky Westfield and the brothers Ronald Khalis Bell and Robert “Kool” Bell, as well as other friends — Spike Mickens, Dennis “Dee Tee” Thomas and Charles Smith — to form a band that would combine jazz, funk, disco and R&B and create some of the most memorable pop songs of their era.Formed in Jersey City, N.J., the band first played jazz while members attended Lincoln High School. The band performed under several names, including the Jazziacs, but eventually settled on Kool & the Gang in the late 1960s.One of the band’s early names was Kool and the Flames but the group changed the Flames to the Gang to avoid confusion with James Brown’s group, the Famous Flames.Kool & the Gang in the 1970s. Michael Ochs Archives/Getty ImagesGeorge Brown was born on Jan. 15, 1949. His father, George Melvin Brown Sr., worked in the coal industry while his mother, Eleanor White Brown, was a maid in Fort Lee, N.J., and also worked as a key puncher.Both made music a constant part of Mr. Brown’s upbringing, Mr. Brown recalled in his memoir released this year, “Too Hot: Kool & the Gang & Me.”Mr. Brown, who took to drumming at a young age, wrote that he saved up from a newspaper delivery route to buy his first drum set.In a 2015 interview with Red Bull Music Academy, Mr. Brown described using butter knives as drum sticks when he first started playing.“Then I went down to a music store on Newark Avenue in Jersey City and took a $3 lesson from a gentleman who used to play with the Shirelles. He said, ‘Hey man, you’re a natural!’” Mr. Brown recalled. “So he gave me ‘Buddy Rich’s 16 Essential Snare Drum Rudiments’ book. I took one more lesson and never went back.”The band was signed by the producer Gene Redd to De-Lite Records 1969.The members were in an early recording session in New York for their instrumental debut album, “Kool and the Gang,” when Mr. Redd encouraged Mr. Brown and Ronald Bell to just “do something.” It led to a freewheeling recording session that produced songs like “Raw Hamburger” and the album opener, “Kool & the Gang.”“It just flowed. And we’re just grooving,” Mr. Brown told The New York Times in an interview last year.George Brown on drums in 1974.Getty ImagesThe sound carried over into the 1970s as the band found fame and added the vocalist J.T. Taylor.Songs like “Jungle Boogie” “Hollywood Swinging” and “Funky Stuff” became Billboard chart staples. “Celebration” — with its cheery chorus “Celebrate good times, come on!” — made it all the way to the top.The group would go on to release dozens of albums, tour worldwide and appeared on the “Saturday Night Fever” soundtrack, which won a Grammy Award for Album of the Year in 1978.The group’s songs have frequently appeared on film and television soundtracks, including for “Pulp Fiction” in 1994.In 2015, the band was awarded a star on the Hollywood Walk of Fame.Mr. Brown was a producer on an album that the band released this year, called “People Just Want To Have Fun” in anticipation of the group’s 60th anniversary.Kool & the Gang had a broad influence, particularly in hip-hop.According to the website WhoSampled, the band has been sampled in almost 2,000 songs, among the highest of all time. The band’s song “Summer Madness” accounts for 249 samples, by artists including Ice Cube, Snoop Dogg and Mary J. Blige.Ronald Khalis Bell, a singer, songwriter and saxophonist for the band, died in 2020. Mr. Thomas, who played saxophone, died in 2021.Mr. Brown is survived by his wife, Hanh Brown, and five children: Dorian Melvin Brown, Jorge Lewis Brown, Gregory Brown, Jordan Xuan Clarence Brown and Aaron Tien Joseph Brown.Three years ago, Mr. Brown was diagnosed with lung cancer, according to an interview broadcast with the television station KCAL in Los Angeles. After surgery and chemotherapy, Mr. Brown recovered and returned to touring in 2022. But this year, the cancer returned.“I didn’t plan on being in a band known around the world, but I welcomed it when it came,” Mr. Brown wrote in his book. “I didn’t know where the music would lead me, but I knew that if I remained focused and persevered, it would happen as God had intended. And it did.” More

Musician, singer, songwriter, producer and more, he collaborated with Madonna and a raft of other artists and helped resuscitate the career of the Beach Boys’ Brian Wilson.Andy Paley, a music producer, composer and rock ’n’ roll chameleon who worked with artists as varied as Madonna, Jerry Lee Lewis and Jonathan Richman, and who helped resuscitate the career of the Beach Boys mastermind Brian Wilson after his much-chronicled emotional flameout, died on Nov. 20 in Colchester, Vt. He was 73.The death, at a hospice facility, was caused by cancer, his wife, Heather Crist Paley, said.A curator of the spirit of classic 1960s pop, Mr. Paley played many roles over an ever-evolving career. He got his start in the late 1960s as the frontman for a Boston-area power pop outfit called the Sidewinders, which briefly included the future FM radio staple Billy Squier on guitar and opened for groups like Aerosmith.Later that decade, he banded with his younger brother, Jonathan, to form a highly regarded, if short-lived, pop duo, the Paley Brothers. With their winsome looks and mops of blond hair, they appeared in the pages of teen bibles like 16 Magazine and Tiger Beat and toured with the pop confection Shaun Cassidy.A skilled multi-instrumentalist, Mr. Paley often went on the road with his close friend Mr. Richman and filled in on keyboards on Patti Smith’s 1976 tour of Europe.During the 1980s, he began to produce for Seymour Stein, the visionary label chief of Sire Records. Influenced by studio wizards like Phil Spector, Mr. Paley produced songs for numerous performers, including Debbie Harry, K.D. Lang, NRBQ, Little Richard and Brenda Lee.From left, Darlene Love, Phil Spector, Joey Ramone, Mr. Paley and Jonathan Paley in 1978. Even as an intimate of musical luminaries, Mr. Paley maintained the wide-eyed wonder of a fan throughout his career.Bob MerlisWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

This month, we look at the legacy of Blue Note Records, perhaps the best-known label in jazz, with its instantly recognizable blue-and-white vinyl center labels and decades-long run of landmark albums, some of which have become cornerstones in the genre.Founded in 1939 by the German American record executive Alfred Lion and the writer Max Margulis, Blue Note began as a passion project for Lion, who visited the recently opened Café Society club to talk about recording music with the pianists Meade Lux Lewis and Albert Ammons. Soon after, Lion paid the artists to play in a Manhattan studio, later pressing up the music from the session and releasing it as the first album ever on Blue Note Records.Over the next decade, Blue Note would become the most prolific label in jazz, releasing albums from future legends like Thelonious Monk, Art Blakey and Bud Powell. Then the label hit its stride in the ’50s: Records from Lee Morgan, Horace Silver, Sonny Rollins and Lou Donaldson came in rapid succession, helping solidify Blue Note as the go-to label of the moment. Now, 86 years into its run, as a label still releasing straight-ahead jazz but also jazz-meets-hip-hop-and-funk, Blue Note truly needs no introduction.Below, we asked 14 musicians and writers to name a favorite song to introduce someone to the Blue Note catalog. Listen to the playlists below the article, and don’t forget to leave your own picks in the comments.◆ ◆ ◆Wayne Shorter, “Speak No Evil”Don Was, president of Blue Note RecordsWayne ShorterAndrew Putler/Redferns, via Getty ImagesIn February 1971, temperatures dropped below zero in Ann Arbor, Mich. I was a 19-year-old college dropout — draftable and without a car or job. My life was veering off track but there was one ritual that always provided comfort, direction and hope: turning down the lights and listening to Wayne Shorter’s Blue Note masterpiece, “Speak No Evil.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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Bassist Dave ‘Phoenix’ Farrell reveals on the Dan Really Likes Wine livestream that the band had actually begun working on new ideas just before COVID-19 forced people into isolation.
Apr 29, 2020
AceShowbiz – The coronavirus outbreak has forced rockers Linkin Park to press pause on the band’s first new material since the death of frontman Chester Bennington.
The “Crawling” hitmakers went on hiatus following Bennington’s tragic suicide in 2017, but they regrouped for a memorial show in Los Angeles that October, and in 2018, co-vocalist Mike Shinoda admitted he was open to touring with his bandmates again, if they were ready.
Last year (19), group DJ Joe Hahn explained the musicians had started discussions about their recording future, and now bassist Dave Farrell has revealed they had actually begun working on new ideas just before the COVID-19 pandemic forced people into isolation.
“For us, with the band, we’ve been kinda writing and doing that before this all started,” Farrell shared during a recent appearance on the “Dan Really Likes Wine” livestream.
Although the global health crisis has prevented the surviving bandmates from regrouping in person, they have made time to connect virtually.
“Casually at this point, we’re doing Zoom (video) meetings to eat lunch together and say, ‘Hi,’ ” he continued. “But we’re not able to get together and write or do that whole bit. So (we’re) working at home a little bit, working up ideas.”
And Farrell has been using the extra downtime to perfect a new musical skill – while also enjoying a little alone time away from his family. “I’ve been playing a lot of drums, just to do something new – I’ve been doing that for the last year, year and a half,” he said, “and purposely making as much noise as possible to create my own space in the house.”

Linkin Park’s last album, “One More Light”, was released in May 2017, just two months before Bennington’s death.

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