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‘The Apprentice’ Gets a Young Trump Ready for His Close-Up

Beyond its story of Donald Trump’s early years in business, “The Apprentice” traces his origins as a media celebrity.

“The Apprentice” is a movie about the early adult life of Donald J. Trump, but it ends with his birth.

In the film’s final scene, Mr. Trump (Sebastian Stan) is meeting with Tony Schwartz (Eoin Duffy), the writer with whom he will collaborate on “The Art of the Deal.” Mr. Trump, as the film makes clear, was a known quantity before then. But with the best-selling book, a celebrity was born.

The book, published in 1987, vaulted him from regional tabloid name to pop-culture phenomenon, portrayed in skits on “Saturday Night Live,” playing himself in sitcom and movie cameos, becoming an all-purpose media symbol of ostentatious wealth. The book helped make him a TV star — Mark Burnett, the producer of the reality-TV show “The Apprentice,” was a fan — and that stardom helped make him president.

All that, however, comes after the events of the movie “The Apprentice.” Directed by Ali Abbasi, the film focuses on how the young Mr. Trump was molded by two father figures. His actual father, Fred Trump (Martin Donovan), instilled the belief that a man’s highest aspiration is to be a “killer.” His moral father, the lawyer, fixer and onetime Joseph McCarthy henchman Roy Cohn (Jeremy Strong), taught him that life is a constant fight with three rules: Attack, attack, attack; deny, deny, deny; and never admit defeat.

But it is also about how a local real estate developer’s son evolved into the media-bestriding character we know. Cohn, whose life as a closeted gay man was famously captured in Tony Kushner’s “Angels in America,” kept a busy social calendar and believed in the value of information and social capital, of knowing people and being seen.

To that end, the Mr. Cohn of the movie gives his young disciple a directive more consequential than any tips on beating housing discrimination lawsuits: “Keep your name in the papers.” The young Mr. Trump, not yet the media hound who lives for the camera lights, requires some teaching. In a memorable scene, he takes a phone call in Mr. Cohn’s car for an early newspaper profile, with Mr. Cohn coaching, correcting, almost puppeteering him.

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Source: Television - nytimes.com


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