‘When Fall Is Coming’ Review: Cooking Up a Mystery
With her kind eyes and guileless smile, Hélène Vincent plays a sweet old French lady. But looks can be deceiving in this François Ozon film.For “When Fall Is Coming,” the French filmmaker François Ozon has cooked up a little mystery and an enigmatic heroine. A sleek, modestly scaled entertainment about families, secrets and obligations, it features fine performances and some picture-postcard Burgundian locations. It’s there in the heart of France, in a picturesque village in a large, pretty house, that Michelle (Hélène Vincent) makes her home. With her kind eyes, guileless smile and upswept hair, she looks the very picture of a sweet old lady. Looks can be deceiving, though, as we’re reminded, and as Ozon’s movie goes along, that picture grows amusingly slyer.Ozon’s efficiency and polished style are among his appeals — his films include “Under the Sand” and “Swimming Pool” — and he lays out this movie with silky ease. In precise, illustrative scenes he takes you on the rounds with Michelle, mapping her pleasant environs, charting her routines and introducing her small circle of intimates, including another local, Marie-Claude (Josiane Balasko), a longtime, charmingly earthy friend. For the most part, the pieces fit together, though a few things seem off. For one, Marie-Claude’s son, Vincent (Pierre Lottin), is in jail when the movie opens (though soon out); for another, Michelle’s daughter, Valérie (Ludivine Sagnier), is viscerally, inexplicably, hostile to her mother.Michelle’s life and the setup seem so pacific that the movie initially teeters on the soporific; which works as a sneaky bit of misdirection. Because just when everything seems a little too frictionless, someone prepares poisonous mushrooms for lunch, and someone else eats them, a turn that puts you on alert (where you stay). Ozon, who also wrote the script, continues to lightly thicken the plot but also withholds information, and before you know it, this obvious story has become an intrigue. One bad thing leads to another (and another), and the air crackles with menace. Michelle and Valérie argue, Marie-Claude falls seriously ill, Vincent takes a suspicious trip. Yet the more that things happen, the less you know.Ozon sprinkles the story with hints, summons up the ghost of Claude Chabrol (bonjour!) and, during one vividly hued autumn walk, evokes Grimm’s fairy-tale “Snow-White and Rose-Red,” about two sisters. He also foregrounds doubles: The sisterly Michelle and Marie-Claude don’t have partners, and each has a difficult adult kid. Despite their nominal similarities, Valérie and Vincent are notably different; he and his mom are openly loving, for one. By contrast, the minute that Valérie and her son, Lucas (Garlan Erlos), drive in from Paris to visit Michelle, the mood turns ugly. Valérie is petulant and nakedly greedy, and she soon asks for Michelle’s house. “I’ll owe less in taxes when you die,” she says before taking a swig of wine.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More