Nadia Quinn had been warned about bringing her show of wacky comic songs to the Fringe Festival in Edinburgh. Facebook groups, Reddit posts and friends suggested that taking on the 77-year-old festival as an unestablished performer was too daunting.
One episode of “Baby Reindeer,” the hit Netflix series that took off at the 2019 Fringe, mines the humiliation that Richard Gadd, the show’s creator, faced performing there in a pub. With nearly 3,500 shows and with comics and clowns vying for attention throughout the month of August, how would Quinn find a venue, housing and people to fill her seats for even a week? She had never even been to the festival, which has the potential to turn unknowns into stars.
“Everyone is telling me you can’t understand the Fringe until you go to the Fringe,” Quinn said earlier this month before flying to Scotland from New York. “I’m hoping to make the right decisions and I’m very excited, but I also feel like throwing up every day, which I guess is part of the process.”
You may have seen Quinn, a vibrant, vocally gifted actress in Steven Spielberg’s “West Side Story,” or on Broadway in the 2010 production of “Bloody Bloody Andrew Jackson.” Maybe you’ve seen her on “Unbreakable Kimmy Schmidt” or in TV commercials, or at 54 Below, the Midtown cabaret venue. She has worked in New York for 22 years, performing original songs with Aaron Quinn, her husband. (A recent one, about making bongs out of just about anything, was a huge hit on TikTok before censors took it down.)
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Source: Theater - nytimes.com
