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    Saying Goodbye to the Messy, Murderous World of ‘Elite’

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    A diverse cast of characters and a murder to solve each school year have helped make this teen drama one of Netflix’s longest-running original shows.Shooting the eighth and final season of Netflix’s teen crime drama “Elite” last November, crew members yelled “silencio” so often it could have been mistaken for a chant.Dozens of young actors, dressed in black tie, talked and laughed as they milled around a set on the outskirts of Madrid that depicted a nightclub. The Brazilian actor André Lamoglia seemed used to the chaos as he waited, perching on the bar in a black suit with white trim, to lead another of the show’s rowdy party scenes.After the cameras finally started rolling, and with the extras making much less noise, Lamoglia’s character, Iván, took a seemingly casual selfie with his half sister Chloe (Mirela Balic) that was actually part of a scheme to discover who murdered his friend.Unruly teenagers, expensive clothes and mysterious dead bodies are all typical for the Spanish-language show which, since its premiere in 2018, has become one of Netflix’s most popular original titles, and one of the longest-running. (The final season is being released Friday.)In its first season, “Elite” used a setup familiar from other successful teen shows, including “Gossip Girl” and “Beverly Hills, 90210”: inserting beautiful outsiders into an exclusive social setting. In this case, three scholarship students join Las Encinas, an expensive private high school. But at Las Encinas, every year (and season) there is also a murder for students and the police to investigate.This blending of soapy teen drama and tense murder mystery has helped the show run for eight seasons, and by its fourth, “Elite” was ranking in Netflix’s weekly Top 10 chart in more than 70 countries, according to data from the streamer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Decameron’ Review: They Take a Holiday. Death Doesn’t.

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      A loose Netflix adaptation turns Boccaccio’s story cycle into a gleeful satire of class war in plague times.TV audiences have an appetite for a good class-conscious satire of rich people on holiday in a fabulous location — say, a stunning Italian getaway — and the servants who attend them. The new Netflix series “The Decameron” draws on medieval literature to offer a raucous twist on this premise, heightened with the looming threat of bubonic plague.“The White Lotus,” meet the Black Death.In the 14th-century work by Giovanni Boccaccio, a precursor to Chaucer’s “Canterbury Tales,” 10 young people flee to a rural estate from disease-ridden Florence, entertaining one another by telling stories both dramatic and raunchy. The 10 tales per refugee, as told over 10 days, makes for a cycle of 100 stories, proving that even before streaming media, creators know how to stretch out material to series length.The eight-episode Netflix series, arriving Thursday, is a loose adaptation — very loose, like a caftan. It borrows Boccaccio’s character names and setting, with some nods to the source stories. But the creator, Kathleen Jordan (of the gone-too-soon “Teenage Bounty Hunters”), reimagines it as a rollicking social comedy of striving and survival.Jordan introduces four sets of characters, offered respite at a villa in, as the invitation puts it, “the beautiful, not-infected countryside.”We meet Pampinea (Zosia Mamet), a noblewoman anxious about being unmarried as “a shriveled-up, 28-year-old maid,” and her perhaps-too-devoted servant, Misia (Saoirse-Monica Jackson); Tindaro (Douggie McMeekin), a sickly and pompous young noble attended by his quackish physician, Dioneo (Amar Chadha-Patel); the devout and secretly randy Neifile (Lou Gala) and her social-climbing husband, Panfilo (Karan Gill); and Licisca (Tanya Reynolds), the eccentric and put-upon handmaiden to the imperious Filomena (Jessica Plummer).The holiday offers a chance at life, solace and social advancement — especially for Pampinea, who has managed a sight-unseen engagement to the villa’s absent lord. But despite the estate’s gorgeous furnishings and manicured maze gardens, there are deceptions and dangers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Elizabeth Debicki Discusses Her Second Emmy Nomination for Princess Diana

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      Elizabeth Debicki earned an Emmy nomination for outstanding supporting actress in a drama series on Wednesday, her second nomination for playing Princess Diana on “The Crown.”The Australian actress took over the role from Emma Corrin starting in Season 5 of the Netflix series about the British royal family and embodied Diana through the implosion of her marriage to Prince Charles. Season 6, the show’s final one, includes the 1997 car crash that killed Diana, her boyfriend Dodi Fayed and their driver, Henri Paul, as they fled the paparazzi in Paris.The final season of “The Crown” received 18 nominations overall, including for outstanding drama series. Other acting nominations went to Dominic West as Prince Charles, for lead actor in a drama series; Imelda Staunton as Queen Elizabeth II, for lead actress; Jonathan Pryce as Prince Philip, for supporting actor; and Claire Foy for reprising her role as a younger Elizabeth, for guest actor.Debicki will also be competing against Lesley Manville, who played Princess Margaret, in the supporting actress race.For Debicki, receiving the nomination was a bittersweet cap on the experience of playing Diana.“It dawns on you that it’s done,” she said by phone just after the Emmy nominations were announced on Wednesday. “You don’t get to go back. You know while you’re doing it that this will be a totally one-off experience. Nothing will touch this. Nothing is like this. That’s the pill to swallow as the actor.”In a brief interview, Debicki discussed playing Diana and receiving the nomination. These are edited excerpts from the conversation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Baby Reindeer’ Star Jessica Gunning on Her First Emmy Nomination

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      Jessica Gunning is still a little stunned by the size of the audience “Baby Reindeer” has found, and the acclaim that has followed.A Netflix drama about a comedian and his stalker, “Baby Reindeer” picked up 11 Emmy nominations on Wednesday, including one for best limited series and one for Gunning, her first, for supporting actress in a limited series.The show follows the aspiring comedian, Donny Dunn, as he is tormented by a woman named Martha. Richard Gadd, the Scottish comedian who created the series and also received an acting nod, plays Dunn; Gunning plays Martha. The series is billed as a true story based on Gadd’s experience.In an interview shortly after the Emmy nominations were announced, Gunning said she and other members of the show are “still pinching ourselves” over the fact that so many millions of people have found their work. As to the 11 nominations, she added, “I literally can’t quite believe it.”“I think if someone had said three months ago when the show came out that it and the Emmys would even be included in the same sentence, I’m sure Richard would agree that we would have thought we were being pranked,” she added in a video interview from her parents’ house, several hours’ drive from her home in London.These are edited excerpts from the conversation.Some folks have called “Baby Reindeer” a surprise hit. Were you expecting this kind of audience and acclaim for the show?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Expect From Wednesday’s Emmy Nominations

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      The top nominees are announced at 11:30 a.m. ET. “Shogun” and “The Bear” are poised to have a big day.Just six months after a strike-delayed ceremony, the Emmys are back.Nominations for television’s most prestigious award show will be unveiled on Wednesday morning. “Shogun,” the lush period drama, and “The Bear,” the anxiety-inducing comedy, are poised to have a big day. Netflix’s “Baby Reindeer” is expected to stand out among limited series.There is a considerable cloud hanging over Emmy nomination day this year. Last year’s double strikes, along with several years of cost cutting, have put the industry in the throes of a contraction. The Peak TV era is now firmly in the rearview mirror. To wit, the number of shows submitted for Emmy consideration this year plummeted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Saudi Arabia Sentences Producer to 13 Years in Prison Over Netflix Show

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      In a video plea for help, Abdulaziz Almuzaini — a dual Saudi-American citizen — described how the authorities had accused him of promoting extremism through a cartoon franchise.From the outside, the past few years looked like the peak of Abdulaziz Almuzaini’s career.As the head of an animation studio in Saudi Arabia, he signed a five-year deal with Netflix in 2020. A sardonic cartoon franchise that he helped create, “Masameer,” likened to a Saudi version of “South Park,” was soon streaming to audiences around the world. And as the conservative Islamic kingdom loosened up, Mr. Almuzaini was being publicly celebrated — as recently as a few months ago — as one of the homegrown talents shaping its nascent entertainment industry.Behind the scenes, though, he was on trial in an opaque national security court, as Saudi prosecutors — who accused him of promoting extremism through the cartoon series and social media posts — sought to ensure that he would spend the rest of his life in prison or under a travel ban.Mr. Almuzaini, a dual U.S.-Saudi citizen and father of three, recently described his plight in a video pleading for the Saudi leadership to intervene, saying that he was awaiting a final ruling from the kingdom’s Supreme Court.“I might bear the consequences of what happens after this, and I’m ready,” he said in the 18-minute video, which he said he was filming at his home in the Saudi capital.The video was published on his social media accounts late last month and deleted the same day. In it, Mr. Almuzaini, sporting a black beard graying around the edges, spoke in front of a wall covered with colorful sticky notes.A screen shot from a video posted on Mr. Almuzaini’s social media accounts late last month that was later deleted.via XWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Best Movies and TV Shows Coming to Netflix in July

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      This month brings the arrival of “Lost” and the return of Eddie Murphy as Axel Foley.Every month, Netflix adds movies and TV shows to its library. Here are our picks for some of July’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)‘Lost’ Seasons 1-6Starts streaming: July 1This enormously entertaining and frequently surprising science-fiction epic comes back to Netflix, just in time for the 20th anniversary of its debut episode. What begins as a story about a seemingly random group of airline passengers crash-landing on an uncharted island grows over the course of six seasons into a centuries-spanning saga, as the castaways stumble across the mysteries and history of their strange and dangerous new home. An innovative flashback structure balances on-island adventure with smaller stories about these people’s lives before they crashed. “Lost” works as both a rich character-driven drama and an addicting puzzle, littered with clues and curiosities. It will be interesting to see if a new generation of fans becomes as obsessed as TV watchers were in the early 2000s — and if they argue just as much about the way the show ends.‘Beverly Hills Cop: Axel F’Starts streaming: July 3Arriving 30 years after “Beverly Hills Cop III,” this long-gestating sequel sees Eddie Murphy return to one of his most memorable roles: Axel Foley, the savvy and wisecracking Detroit policeman who somehow keeps finding himself back in Los Angeles, solving crimes. In “Axel F,” the old-school action hero shows up to help out his estranged daughter, Jane (Taylour Paige), a defense attorney whose life may be in danger. While working alongside Jane’s ex-boyfriend, Detective Bobby Abbott (Joseph Gordon-Levitt), Foley runs into a lot of old friends, including Billy Rosewood (Judge Reinhold), John Taggart (John Ashton), Jeffrey Friedman (Paul Reiser) and Serge (Bronson Pinchot). The movie is being pitched as a full-scale 1980s throwback, with big stunts and R-rated jokes.‘Cobra Kai’ Season 6, Part 1Starts streaming: July 18The sequel series to “The Karate Kid” movie franchise is coming to an end, with a season divided into three parts, starting with five episodes in July. “Cobra Kai” started as a simple twist on the original 1984 film, turning its jerky villain Johnny Lawrence (William Zabka) into more of an underdog and its hero, Daniel LaRusso (Ralph Macchio), into someone out of touch with his humble roots. As the series has gone on, these characters — and their children, who also compete in martial arts tournaments — have evolved in ways that make their motivations and relationships more complex. The story has expanded to encompass more parts of the “Karate Kid” mythology, but it has remained a surprisingly sensitive look at how people overcome the family histories and socioeconomic circumstances that initially shape them.‘Skywalkers: A Love Story’Starts streaming: July 19Acrophobes should probably clear of this dizzying documentary, about a pair of famous Russian “roof-toppers” who climb as high as they can onto towering buildings then take pictures to preserve the achievement. Angela Nikolau and Ivan Beerkus fell in love while pursuing this passion for extreme climbing. When their relationship started to falter, they tried rekindling the romance by making plans to break into the upper floors of the world’s second-tallest skyscraper, in Kuala Lumpur. Because Nikolau and Beerkus have documented and shared so many of their adventures on social media, the “Skywalkers” director, Jeff Zimbalist, and his co-director, Maria Bukhonina, have ample footage to work with. They tell a story that is partly about a risky act of criminal trespass and partly about a couple who have to learn to trust each other in order to survive their big stunt.‘The Decameron’ Season 1Starts streaming: July 25Based loosely on Giovanni Boccaccio’s influential 14th-century story collection, “The Decameron” is set in Florence during the time of the Black Plague and follows an eclectic group of aristocrats and their servants as they shelter from the pestilence at a rural villa. Created by Kathleen Jordan (best known for the wry satire “Teenage Bounty Hunters”), the mini-series features a cast of distinctive comic actors, including Zosia Mamet (“Girls”), Tanya Reynolds (“Sex Education”), Saoirse-Monica Jackson (“Derry Girls”) and Tony Hale (“Arrested Development”). Rather than the wide-ranging anthology format of the book, this version covers the misadventures of the houseguests, as days of isolation and anxiety lead to a breakdown in social and sexual inhibitions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Netflix and Amazon Drive Bump in TV Show Market

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      Netflix and Amazon are driving a small bump in the market for TV shows after a major slowdown.It has been nearly seven months since Hollywood resolved its strikes, but momentum still hasn’t taken hold in the entertainment industry. “Survive till ’25” has become an informal slogan among entertainment workers.But the global market for ordering new TV shows is beginning to show some signs of life, and it’s been overwhelmingly driven by two players — Netflix and Amazon.Netflix greenlit more scripted television projects through the first quarter of this year than in any quarter since 2022, according to Ampere Analysis, a research firm. Amazon had its most active quarter since Ampere started tracking market activity five years ago, the firm said.Many of their competitors are still taking a more cautious approach. As a result, Netflix and Amazon collectively accounted for 53 percent of the scripted television series orders among the major studios through the first three months of the year, according to Ampere.Most of the series orders have been made internationally. Netflix has been particularly active in Britain, Germany, Spain and South Korea, the research showed, while Amazon has been investing aggressively in India.Netflix and Amazon have also purchased more projects in the United States compared with the tail end of 2023, but the increases have been more modest. Netflix had its most active quarter domestically since the first quarter of last year. Amazon had its biggest quarter since the spring of last year, according to the research.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Can Japan’s First Same-Sex Dating Reality Show Change Hearts and Minds?

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      Producers of “The Boyfriend” on Netflix hope it will encourage broader acceptance of the L.G.B.T.Q. community in Japan, which still has not legalized same-sex unions.Japan is the only country among the world’s wealthiest democracies that has not legalized same-sex unions. Few celebrities are openly gay. Conservative groups oppose legislative efforts to protect the L.G.B.T.Q. community.But now, Netflix is introducing the country’s first same-sex dating reality series.Over 10 episodes of “The Boyfriend,” which will be available in 190 countries beginning on July 9, a group of nine men gather in a luxury beach house outside Tokyo. The format evokes Japan’s most popular romantic reality show, “Terrace House,” with its assembly of clean cut and exceedingly polite cast members, overseen by a panel of jovial commentators.The vibe is wholesome and mostly chaste. The men, who range in age from 22 to 36, operate a coffee truck during the day and cook dinner at night, with occasional forays outside for dates. One of the biggest (among very few) conflicts of the series revolves around the cost of buying raw chicken to make protein shakes for a club dancer who is trying to maintain his physique. Sex rarely comes up, and friendship and self-improvement feature as prominently as romance.In Japan, the handful of openly gay and transgender performers who regularly appear on television are typically flamboyant, effeminate comic foils who are shoehorned into exaggerated stereotypes. With “The Boyfriend,” Dai Ota, the executive producer, said he wanted to “portray same-sex relationships as they really are.”Mr. Ota, who was also a producer of “Terrace House,” which was made by Fuji TV and licensed and distributed globally by Netflix, said he had avoided “the approach of ‘let’s include people who cause problems.’”“The Boyfriend,” he said, represents diversity in another way — with cast members of South Korean, Taiwanese and multiethnic heritages.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More