‘Playground’ Is Throwback Reality TV, in More Ways Than One

Time-loop shows are everywhere these days, and now TV itself is looping back, scooping up folks from shows of yesteryear to bring their skills and wisdom to the present fight. “Playground,” which arrives Friday on Hulu, is ostensibly a new reality show set in a Los Angeles dance studio.

But the series is also multiple throwbacks in one, a new team reassembled from the people and vibes of earlier reality programming. The second episode includes a 2000s-themed birthday party; meanwhile, “Playground” is itself a 2000s-style show.

An awful lot of contemporary reality shows follow a Bravo model of contrivance and repetition, in which seasons use the same segments so many times they feel like reruns of themselves. Based on the two episodes available for review, “Playground” does not, to its tremendous credit, play like a descendant of “Vanderpump Rules” — its closer ancestor is “The Hills.” Oh, the testy al fresco lunches! Oh, the intriguing young women who debase themselves for the attentions of immature men!

Long-term fans of dance shows will spot a few familiar faces immediately (in addition to Megan Thee Stallion, who is an executive producer, and Tinashe, among other stars). Robin Antin and Kenny Wormald not only run Playground LA; they’ve also both been on dance reality shows before — Antin on multiple Pussycat Dolls shows in the late aughts and Wormald on the single-season “Dancelife.” (Not to be confused with the recent Australian reality show “Dance Life,” which is also great.) Here, they’re the prickly mom and dad to a family bursting with talent and strife.

Part of what makes “Playground” so perfect in its electric garbage way is the conflict between Alexis, the golden child, and Deanna, who proudly describes herself as “Satan’s daughter.” Those of us raised in the faith of days-long “Real World” marathons require angry people on TV shouting “Say it to my face!” in order to have a full life, and “Playground” delivers, largely via Deanna.

For all its retro glory, “Playground” also feels refreshingly new in its editing and momentum. Many streaming reality shows mimic the pacing of basic cable (especially now that plenty of streamers also include commercials). But those filler recapitulations that come after each commercial break are tedious enough — and in a streaming context are vestigial at best. “Playground” doesn’t bother with them and is instead filled with real material: dancing, squabbling, vying, gossiping, all the essential food groups of a summer show.