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‘UnPrisoned’ Depicts the Burden of Incarceration With a Light Touch

Delroy Lindo and Kerry Washington discuss their series, which finds humor and struggle in a father and daughter repairing their relationship after a long prison term.

“UnPrisoned” on Hulu is the rare show to focus on the aftermath of incarceration and its ongoing effects on families rather than on imprisonment itself.

Created by Tracy McMillan and loosely based on her 2011 memoir, “I Love You and I’m Leaving You Anyway,” the series stars Delroy Lindo and Kerry Washington as Edwin and Paige, a father and daughter trying to repair their relationship when Edwin comes back into Paige’s life after serving 17 years in prison.

The first season explored the emotional injury that Edwin’s long absence inflicted upon Paige, an avid Instagrammer, therapist and single mother who struggles with a string of unhealthy romantic partners. Season 2, premiering Wednesday, delves deeper into how the issues of abandonment, anxiety and mistrust have been passed down through three generations, and it depicts the hard work it takes for the family to break the trauma cycle and begin to heal.

Though the show spotlights a serious societal problem — mass incarceration — it does so with a light touch, finding humor as well as difficulty in the challenges of re-entry. Such nuance is what drew both Lindo and Washington to this story about, as Lindo put it, “the problems of families that have been decimated by the penal system and their trying to reconnect.”

“Shining light on that process and on one individual who has been imprisoned for as long as my character was, while also doing it somewhat comedically, was genuinely very, very interesting to me,” he said.

Washington helped develop “UnPrisoned” through her production company, Simpson Street. She said Lindo was her only choice for Edwin because she needed someone who could handle the comedy while also being able to convey the complexity and charisma of McMillan’s father, who inspired the character.

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Source: Television - nytimes.com


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