Applying Richard Foreman’s Off-Kilter Aesthetic (and Ducks) to Opera
The composer Michael Gordon collaborated with Foreman on “What to Wear” in 2006. The opera makes its belated New York premiere at BAM on Thursday. More
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The composer Michael Gordon collaborated with Foreman on “What to Wear” in 2006. The opera makes its belated New York premiere at BAM on Thursday. More
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in MusicPerforming “Vanessa” is just what the Boston Symphony should be doing. But its concert staging came off as drab and ineffective. More
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in MusicThe opera, which has performed at the arts center since 1971, was concerned about declines in attendance and donations during President Trump’s second term. More
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in MusicMatthias Pintscher’s first opera in 20 years invites audiences to find their own meaning in a macabre 19th-century tale. More
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in MusicHe helped build the ad agency BBDO International into a powerhouse before channeling his passion for opera into managing the Met and revitalizing Lincoln Center. More
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in MusicSemyon Bychkov will be the musical director for a period when the opera’s performance spaces are under renovation. It’s a chance to add symphonic seasons, like at La Scala. More
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in MusicBeth Morrison has shepherded dozens of new works into existence over the past 20 years. And her footprint continues to grow. More
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in MusicThe busy mezzo-soprano Marina Viotti has made a career out of versatility: “I think generally people should not do only one thing in their lives.” More
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in MusicCharles Edwards’s deceptively traditional, exceptionally sung production of Bellini’s “I Puritani” makes space for its stars. More
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