A high-ranking Nazi leader attempts to whitewash his legacy in this disturbing, if single-note, documentary by Vanessa Lapa.
Albert Speer — one of Hitler’s closest advisers and his minister of Armaments and War Production — doesn’t actually go to Hollywood, but he does get bafflingly close. After serving 20 years in prison (he was the highest-ranking Nazi to avoid a death sentence at the Nuremberg Trials) Speer wrote “Inside the Third Reich,” a best-selling memoir that perked up the ears of the movie industry. In 1971, Paramount Pictures nearly took the bait and hired the screenwriter Andrew Birkin to hash out a script.
Based on audio recordings of conversations between Speer and Birkin, rendered in voice-over narration by Anno Köhler and Jeremy Portnoi, “Speer Goes to Hollywood,” directed by Vanessa Lapa, relies on this chilling disparity: the grisly reality of the war and the guiltless, even cavalier attitude of one of its central architects.
Speer repeatedly denies knowing that concentration camps existed, blaming his involvement with the Nazi party on his careerist objectives and his devotion to his work. His words stand in disturbing contrast to the onslaught of the visuals — a parade of striking (if haphazard) World War II archival images, material drawn from the Nuremberg Trials and footage from Speer’s European publicity tours for his book.
Despite the power of this setup, the film is pockmarked with unanswered questions: Why did Birkin sign on to the project? How exactly did the production fall through? “Speer” is an intriguing document, highlighting the ease with which the most reprehensible figures are able to whitewash their legacies. But once you settle into its wavelength, the documentary begins to feel simplistic, like a one-track excuse to roll out rare film clips and testimony.
Speer Goes to Hollywood
Not rated. Running time: 1 hour 37 minutes. In theaters.
Source: Movies - nytimes.com
