In 20 years and several “Resident Evil” films, the couple has found their love language in action — and a lot of blood and dust.
The filmmaker Paul W. S. Anderson has directed Milla Jovovich in no less than four films in the apocalyptic “Resident Evil” franchise, and written two more she starred in. That’s in addition to directing her in “Monster Hunter” (2020) and a 2011 version of “The Three Musketeers.”
But what might sound like a series of genre nightmares is in fact a dream arrangement: Anderson and Jovovich are married, with three children. A shared love of visual storytelling — often in the form of Jovovich destroying monsters in Anderson’s postindustrial wastelands — has energized them during a 20-odd-year collaboration, which began with “Resident Evil” (2002), an adaptation of a video game that both had played. (A separate “Resident Evil” series is now on Netflix.)
On a recent video call, I spoke with the cheery couple about their partnership: Jovovich, 46, from Los Angeles, having recently wrapped “Breathe,” a dystopian thriller; Anderson, 57, from Krakow, Poland, where he is in preproduction on their next project, “In the Lost Lands,” based on a short story by George R. R. Martin. The family business continues with their daughter Ever Anderson, who stars as Wendy in David Lowery’s forthcoming “Peter Pan & Wendy.” This interview has been condensed and edited.
How did you first meet?
PAUL W.S. ANDERSON We were going into Pinewood Studios [outside London] to start production on “Event Horizon,” and they were tearing down these really cool-looking sets for “The Fifth Element” [starring Jovovich] that had just finished shooting. Our paths almost crossed there. And then we were at a premiere together, separately.
MILLA JOVOVICH A premiere?
ANDERSON Yeah! A Drew Barrymore movie. “Never Been Kissed.”
JOVOVICH I can never imagine you watching a rom-com like that! That’s hilarious.
ANDERSON I was obviously drawn for another reason, because you were there. Then I finally met Milla officially for the first time in 2000, right before we did “Resident Evil.” She was sitting on the steps outside my office. I thought she was the coolest-looking woman in the world. And I had just seen this really cool truck parked on the street outside — and it was her truck.
What was it like giving notes on your first movie together?
JOVOVICH Oh, my God, it was a disaster. I had read for a certain version of the movie, and I got the new rewrite the night before I had to go to Berlin [to shoot]. Paul had pretty much written me out of the movie. I was the damsel in distress that Michelle Rodriguez was saving constantly — the “Look out! Behind you!” girl. So by the time I got to the hotel, Paul’s very sweet producing partner was there with flowers, and I grabbed the flowers and said, “I want to see Paul in my room within the hour. There won’t be any script readings in the morning!” Then I quickly changed, did my makeup, put on a really low-cut top and met for some script revisions. [Laughs] He said, “What’s the problem?” I said, “OK, let’s start: Page 1!”
Do you work together at all on writing the stories now?
JOVOVICH Paul is the writer, I just ask questions, trying to understand where my character fits in. He does the heavy lifting, and I come in and put a kink in the works occasionally.
ANDERSON But that’s a hugely important part of the process, and Milla’s really good on script. I remember on “Resident Evil: Afterlife” [2010], I’d written the script, and Milla was like, “It’s just missing something. It needs some signature action scene where I do something, some kind of aerial combat. And I had a dream last night: I was jumping down an elevator shaft.” And I thought, oh, my God, that’s a great idea. I went away and did a big rewrite. And “Resident Evil: Afterlife” opens with this needle-dive sequence, where it’s in this underground skyscraper. She was right!
What do you feel are each other’s strengths in terms of filming action?
JOVOVICH Paul is the action master. It made a lot of sense when I found out that he was the Dungeon Master [as a kid] because you have to have that imagination to direct five nerds playing Dungeons & Dragons for 18 hours at a time. And he still does it with our kids now. It’s so much fun. I’ve always been fascinated by the way Paul’s mind works, because you’re the nicest guy, but in your head you’ve got these horrifying, disgusting visions and fantasies.
ANDERSON Monsters from the id!
JOVOVICH Who knows what would have happened if you couldn’t take it out in your movies? You’d be having this conversation from prison.
Milla, your mother was an actor. Was that an influence for you?
JOVOVICH My mother was a movie star in the former Soviet Union. We defected in 1981 or something to America, my parents literally starting from zero. My mom tried to teach me what she knew to help us get a leg up in a new country. So for me, acting was not really a choice. It was more of a necessity. I feel like maybe part of the reason it’s so hard for me to watch myself onscreen is because I never truly had that belief in myself that I could be as good as her. But I don’t resent my mom for it; now I’m really grateful for it, because with my own daughter [Ever Anderson], I feel like I really nurtured her talent.
Paul, were there filmmakers that have inspired you?
ANDERSON The Scott brothers were a huge inspiration, because Ridley and Tony came from the north of England as well. It used to be shipbuilding and coal mining, and by the time I was a kid, it was all industrial decay and unemployment.
Is the industrial decay a key to all the postapocalyptic landscapes in these movies?
JOVOVICH Paul is the king of industrial decay. My mom always complains. [Russian accent] “Why you never put her in evening gown and make beautiful, glamorous hair. Always dirty. Always filthy. Always blood. Always horrible locations. Disgusting.” [Anderson laughs]
ANDERSON I remember going into the makeup trailer of “Resident Evil: Extinction” in the desert in Mexico [on a visit to the set of the 2007 film directed by Russell Mulcahy]. Milla’s in there and the makeup artist was just putting on so much dirt. I’m like, that’s enough dirt! And you could see Milla was a little disgruntled. I see her outside a minute later, she’s chasing a truck around, because it’s kicking up all this dust. And she’s just trying to get extra dirty!
JOVOVICH I’m telling you, nothing suits me better than blood and dust.
Source: Movies - nytimes.com
