15 Donald Sutherland Movies to Stream: ‘Hunger Games,’ ‘M*A*S*H’ and More

A lithe and seductively charming actor who worked consistently for more than six decades in Hollywood, often as a leading man, Donald Sutherland died on Thursday at 88. As a thinking man’s sex symbol whose versatility made him equally persuasive in irreverent comedies and heart-rending dramas, Sutherland worked with major directors across multiple eras, including Robert Altman, Federico Fellini and Clint Eastwood and looked comfortable in both modern dress and period garb. His unusual height — he was 6-foot-4 — and sonorous voice gave Sutherland an authoritative gait, but he was given more toward gentle-giant sensitivity than masculine swagger. Narrowing his great performances down to 15 films is no easy task — there’s at least another 15 where these came from — but this selection of streamable titles is a testament to his immense talent and range.

1970

‘M*A*S*H’

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Kicking off a decade in which counterculture rebellion would seep into American studio movies — and a decade in which, not unrelatedly, Sutherland would become a big star — Robert Altman’s irreverent comedy about a medical unit during the Korean War doubled as a stealth commentary on the then-ongoing quagmire in Vietnam. Sutherland and Elliott Gould embody the film’s coarse iconoclasm and soul as two skilled combat surgeons who fill the downtime between harrowing emergencies with pranks, sarcastic quips and a fair bit of womanizing, often at the expense of the head nurse (Sally Kellerman). A hit in theaters, “M*A*S*H” was a popular long-running TV comedy, but the film remains significantly pricklier.

1970

‘Alex in Wonderland’

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The central joke of Paul Mazursky’s clever riff on Fellini’s “8 ½” is that “Alex in Wonderland” was only the second film Mazursky had directed, following “Bob & Ted & Carol & Alice,” and thus he had not nearly the mileage Fellini had accumulated when his onscreen alter ego suffers a nervous breakdown after eight films and major international success. Here, Sutherland has the comic humility to play Mazursky’s hyper-neurotic surrogate, who is rendered nearly catatonic in his panic over his future in Hollywood and whether he should shift to a more commercial direction. It’s an unusual role for Sutherland, whose gravitas makes him more naturally assured, but he’s counterbalanced nicely by Ellen Burstyn as his wife, who manages his ego while exerting a subtle influence over his decision-making.