in

How Ella Jenkins Revolutionized Children’s Music

Over seven decades, she brought a world of genres and ideas to songs for the young. On her centennial, what she would really like to do is perform again.

When Ella Jenkins began recording young people’s music in the 1950s and ’60s, her albums featured tracks that many of that era’s parents and teachers would probably never have dreamed of playing for children: a love chant from North Africa. A Mexican hand-clapping song. A Maori Indian battle chant. And even “Another Man Done Gone,” an American chain-gang lament whose lyrics she changed, turning it into a freedom cry.

“She found this way of introducing children to sometimes very difficult topics and material, but with a kind of gentleness,” said Gayle Wald, a professor of American studies at George Washington University and the author of a forthcoming biography of Jenkins. “She never lied to them. She certainly never talked down to them.”

Jenkins’s unorthodox approach became a huge success: She is the best-selling individual artist in the history of Smithsonian Folkways Recordings, surpassing even such stalwarts of the label as Woody Guthrie and her friend Pete Seeger. A champion of diversity long before the term became popular, Jenkins helped revolutionize music for the young, purposefully encouraging Black children.

Jenkins at a Grammy ceremony where she received a special honor.R. Diamond/WireImage

In addition to introducing global material, which she often recorded with children’s choruses, she wrote original, interactive compositions like “You’ll Sing a Song and I’ll Sing a Song,” now part of the Library of Congress’s National Recording Registry.

“Before Ella, very few people actually composed for children,” Wald said in a video interview.

You might think that Jenkins, who will celebrate her 100th birthday on Tuesday, would now want to relax and savor her many accolades, among them lifetime achievement awards from both the Grammys and ASCAP, the music licensing agency, as well as a designation as a National Endowment for the Arts Heritage Fellow. But in a brief telephone conversation from her home in an assisted-living center in Chicago, she seemed unconcerned with plans for her centenary in the city, which include a Tuesday morning celebration with young students from the Old Town School of Folk Music, and a showcase on Wednesday with performances by children from Kids on the Move Summer Camp.

We are having trouble retrieving the article content.

Please enable JavaScript in your browser settings.


Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.


Thank you for your patience while we verify access.

Already a subscriber? Log in.

Want all of The Times? Subscribe.

Source: Music - nytimes.com


Tagcloud:

Charli XCX slips curves into unbuttoned micro shorts to grind with Billie Eilish

Walter Arlen, Holocaust Refugee and Belated Composer, Is Dead at 103