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LL Cool J Can’t Stop, Won’t Stop. (And Why Would He?)

At a dusty studio space in an industrial corner of Los Angeles, LL Cool J bounced and vibed in black satin and bulging, size 13 Balenciaga boots.

The actor and rap luminary was filming a video for a sexy track, “Proclivities,” from his new album — but he wasn’t in front of the cameras, or rehearsing. He was just cheerfully shooting the you-know-what, with a late night of production ahead of him. Background players in feathered dresses floated by; his security circled. He did a little dance, demonstrating the inspiration for another song. He walks with a swagger and stands with a spring, too much rhythm in his 6-foot-3 frame to keep still. “Making fantasies happen,” he said, grinning, taking all of it in.

LL Cool J is 56, and has been a hip-hop eminence for 40 years: His whole life is a stretch into realizing the improbable, including a sneakily successful pivot into network television. Even before adulthood, he strode with a preternatural confidence in his abilities, and a willingness to dig into the work. His rap career is not now — and, to hear him tell it, has never been — about the money, the trappings of celebrity or the cultural prestige.

“I do it because I love it,” he said. “I love a fresh beat. A new lyric, a chord, the feeling — and then sharing that. Putting that on the easel of life, so to speak, for people to walk through the sonic gallery and listen to this, these vibes. I love that. I wanted my voice to be heard, and I wanted to share.”

Because he started so young, the first to sign to the then-fledgling label Def Jam, when he was just 16 — and when hip-hop itself was only a decade old — he influenced an entire pantheon of artists who followed, including contemporaries his same age. Hits like the bruising, Grammy-winning “Mama Said Knock You Out,” from 1990, and plaintive grooves from his lovelorn Lothario persona (“I Need Love”; “Around the Way Girl”), cemented his legacy as a crossover pop superstar.

LL Cool J outside a concert in the late 1980s. He was the label Def Jam’s first signing, when he was just 16 years old.Michael Ochs Archives/Getty Images

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Source: Music - nytimes.com


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