Easygoing days of drama and comedy are just a few hours away (or even closer) in New York, Connecticut and Massachusetts.
Summer used to be when playgoing in the city came to a full stop. With no air-conditioning, most shows closed, at least until fall.
But now that urban theater is a year-round sport, Memorial Day is more like a comma than a period. Notable productions play straight through the hot months — some even opening in August, even on Broadway.
So what has happened to the regional festivals, straw-hat theaters and avant-garde outposts that once flourished as the city languished? Many are struggling. Yet others are surging.
Regardless, they’re worth visiting.
There’s something different about summer theater outside the city. Subways are rarely involved, though a train ride or overnight stay at a lovely inn might be. Dress is casual — by which I mean “more casual than usual” because I’ve seen people at Shakespeare in the Park in pajamas. And the fare is more varied, including not just the prestige and tourist-bait extremes of the spectrum but also the hokey, offbeat and silly stuff in between.
Another plus: what you spend on that inn, you’ll save on the tickets.
So here’s a selection of theater that will help you get out of the city — or at least make you feel like you did.
The Big Magnets
Formerly the jewel of the summer theater circuit, famous for classics and knotty new works, the Williamstown Theater Festival, in Williamstown, Mass., is regrouping after its production model, dependent on unpaid labor, collapsed. This season includes just one fully staged production: David Ives’s detective drama, “Pamela Palmer” (starting July 23). But much more is going on, including a multigenre, multistage event called “WTF Is Next” (Aug. 1-4). Think of it not as crisis management but as a tasting platter of ideas for the future.
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Source: Theater - nytimes.com