More stories

  • in

    Chuck Scarborough to Step Down as WNBC News Anchor After 50-Year Career

    The celebrated broadcaster, who started at the New York station in 1974, announced that he would wrap up his anchoring career on Dec. 12.Chuck Scarborough, the broadcaster who for 50 years brought New Yorkers news of blizzards, financial collapses, terror attacks and assassinations, said Thursday that he would step down from his anchoring duties at WNBC.“The time has come to pass the torch,” Mr. Scarborough said at the end of the 6 p.m. newscast. “Fifty years, eight months and 17 days after I walked into the door here at the headquarters of the National Broadcasting Company, I will step away from this anchor desk.”Mr. Scarborough, 81, said his last broadcast as anchor will be on Dec. 12. He will not leave WNBC entirely, and will contribute periodically to special projects, NBC 4 New York said in a statement.Beginning with “Good evening, I’m Chuck Scarborough,” Mr. Scarborough became an institution in New York over the decades he delivered the news about everything from storms and financial crises to protests and plane crashes. He announced the shooting of John Lennon in 1980, helmed newscasts in the aftermath of the Sept. 11 attacks and won praise with his team for its coverage of the Covid pandemic.Mr. Scarborough anchored WNBC’s 6 p.m. and 11 p.m. weekday news shows for more than 40 years. In 2016, he stepped down from the late broadcast and continued as the co-anchor at 6 p.m. The station said his replacement will be announced later.“Chuck Scarborough is the gold standard in American broadcast journalism,” Eric Lerner, the president and general manager of NBC 4 New York, said in a statement.A native of Pittsburgh, Mr. Scarborough was in the U.S. Air Force for four years before he set off on a career in journalism. He received a bachelor’s degree from the University of Southern Mississippi, and served as an anchor at two stations in the state.That was followed by anchoring jobs in Atlanta and Boston before Mr. Scarborough landed at WNBC in 1974.When he marked his half-century as an anchor in New York in March, Mr. Scarborough hailed what he described as the city’s resilience.“Each time it was knocked down, people were saying, ‘That’s it, New York can’t possibly survive,’” he told The New York Times. “And each time, we would recover.” More

  • in

    The Nation’s Politics Are Dramatic. Now Its Dramas Are Political.

    For the second year in a row, a play about the Constitution is the most-staged in America. And a farce about a terrible president is also pretty popular.The United States is in the final stages of a dramatic election year, with an unexpected change of candidates, two assassination attempts, and a remarkably close contest. Now it turns out that many of the nation’s theaters are leaning into the politics of the moment, programming shows that explore, or mock, the state of affairs.For the second year in a row, the most-staged play in America will be “What the Constitution Means to Me,” Heidi Schreck’s look at this country’s fundamental legal document, seen through the lens of gender and autobiography. Further down the list: “POTUS,” Selina Fillinger’s farce about a group of women caught up in a male president’s scandals.An annual survey by American Theater magazine finds that there will be 16 productions this year of “What the Constitution Means to Me,” which ran on Broadway in 2019. There will be 14 productions each of “Fat Ham,” James Ijames’s Pulitzer-winning riff on “Hamlet,” and “King James,” Rajiv Joseph’s buddy drama about two LeBron James fans. And not far behind, with 13: “Primary Trust,” Eboni Booth’s Pulitzer-winning play about loneliness, kindness, and a man who loves mai tais.The survey found 11 local productions of “POTUS,” and of the musicals “Jersey Boys” and “Waitress.”The most-produced playwrights around the country will be Joseph, whose “Guards at the Taj” is also popular, and Kate Hamill, who has written adaptations of works including “Pride and Prejudice” and “Sense and Sensibility.” (The survey does not include work by Shakespeare, or productions and adaptations of “A Christmas Carol,” because those would swamp the list each year.)One striking result of the magazine’s survey: The overall number of shows being staged at nonprofits that are members of the trade organization Theater Communications Group (which publishes American Theater magazine) is continuing to fall, as cash-strapped regional theaters cut back productions to try to control costs. The survey found 1,281 productions planned this season, down from 1,560 in last year’s survey, and 2,229 in the 2019 survey, before the pandemic, according to Rob Weinert-Kendt, the magazine’s editor in chief. More

  • in

    Paul Sperry, Tenor Who Specialized in American Song, Dies at 90

    He carved out a niche by singing songs by living composers from his own country, and was praised by critics at home and abroad.Paul Sperry, a tenor who championed little-known American art song and spiky contemporary works, and was praised for his incisive performances of the classics, died on June 13 in Manhattan. He was 90.His death, in a hospital, was caused by heart failure, his son Ethan said.In a discipline where his peers tended to stick to tried-and-true German and French classics from the 19th and 20th centuries, Mr. Sperry carved out a niche, singing songs by living composers from his own country. But he also took on some of the most difficult late-20th-century Europeans, like Karlheinz Stockhausen and Hans Werner Henze, who had been shunned by many singers. That boldness earned him steady work, his son recalled.Mr. Sperry, a Harvard Business School graduate who eschewed a career in real estate and turned to singing, his first love, in his late 20s, was a low-key performer who consistently earned high marks from music critics over three decades. They cited his intelligent approach to song, his understanding of texts, and his imaginative programs.“Paul Sperry is a true connoisseur’s singer — he may not have the most glamorous tenor voice imaginable, but he does some wonderful things with it, and his programing is always interesting and exploratory,” the critic Peter G. Davis wrote in The New York Times in 1975 about a recital of lieder, including by little-known 18th century composers who preceded Schubert.Mr. Sperry in 1985. After graduating from Harvard Business School, he turned to singing, his first love.via Sperry familyWhen critics found fault with his voice — Mr. Sperry was most comfortable in deeper registers — they still praised the intellect and musicianship behind it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Howard University Votes to Revoke Sean Combs’s Honorary Degree

    In a unanimous decision, the university’s board of trustees also moved to disband a scholarship in Mr. Combs’s name amid investigations into abuse allegations.Howard University announced on Friday that it would revoke an honorary degree that was awarded to the hip-hop mogul Sean “Diddy” Combs in 2014. The decision comes in the wake of Mr. Combs’s admission that he physically abused a former girlfriend, in addition to a slew of other allegations of abuse that have surfaced in recent months.At the conclusion of a meeting of the Howard University board of trustees, the body voted unanimously “to accept the return by Mr. Sean Combs of the honorary degree,” according to a statement released by the university. Howard also said that it would revoke all honors and privileges associated with the degree.Mr. Combs, 54, also known as “Puff” and “Diddy,” attended the university from 1987 to 1989 but left before graduating. In 2016, he pledged $1 million to establish the Sean Combs Scholarship Fund, which went to students in need of financial aid.Video footage surfaced last month of Mr. Combs striking, kicking and dragging his former girlfriend, Casandra Ventura, known professionally as Cassie, in 2016.“Mr. Combs’s behavior as captured in a recently released video is so fundamentally incompatible with Howard University’s core values and beliefs that he is deemed no longer worthy to hold the institution’s highest honor,” the statement said.Howard University did not immediately respond to additional requests for comment.In November 2023, Ms. Ventura filed a lawsuit accusing Mr. Combs of rape and physical abuse; they reached a settlement the next day. Then, in May, CNN published surveillance footage it had acquired from a Los Angeles hotel that showed Mr. Combs attacking Ms. Ventura near the building’s elevators.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Why Britain Keeps Giving Classic Movies New Ratings

    As the attitudes of moviegoers evolve, so do the guidelines of the ratings board, which has reclassified dozens of films including “Mary Poppins” and “Rocky.”The British Board of Film Classification has been busy.Last year, the group rerated more than 30 older films to meet contemporary standards. In February, it gave a stricter rating to “Mary Poppins” because of racial slurs. And last week, it began using an updated set of guidelines after surveying thousands of British moviegoers to gauge shifting public attitudes.Based on that survey, the new guidelines acknowledge that audiences have grown more lenient about depictions of cannabis use but are more concerned about intense violence and, for younger viewers, bad language.“We follow what people tell us, and we update our standards as societal attitudes change,” said David Austin, the board’s chief executive.When distributors rerelease movies in theaters, on streaming services or on DVD, they may be required to resubmit the films to the ratings board. Many voluntarily choose to do so, Austin said, in hopes of receiving a lower rating or to ensure that the rating matches the content. What was once considered acceptable onscreen may no longer be.Under the newest guidelines, the board said, both the 2018 Transformers movie, “Bumblebee,” and the 1963 James Bond classic, “From Russia With Love,” would be rated 12A instead of PG if they were resubmitted for updated ratings.(The ratings for theatrical releases are U, for universal; PG, for parental guidance; 12A, 15 and 18, for certain age restrictions; and R18, for pornographic content.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More