A young woman training for a horse dancing competition confronts a medical crisis in this conventional family melodrama.
The art of Mexican horse dancing becomes the backdrop for a formulaic family melodrama in “Centurion: The Dancing Stallion,” which stars a stable of equine and human performers gamely mounting a Nicholas Sparks-like story line complete with romance across social classes, a conniving antagonist and grave health crises.
The movie begins as the breezy Ellissia (Amber Midthunder), the daughter of a ranch owner (Billy Zane), is training to compete in a local horse dancing competition. The event may sound like fun and games — the animals are clomping crowd-pleasers — but there are also stakes: Ellissia’s family insists a top prize will put their ranch “on the map.” She finds a staunch supporter in Danny (Aramis Knight), a hunky stable hand tasked with caring for Ellissia’s newest mount: the finicky white beauty Centurion.
The director, Dana Gonzales, seems at times to embrace an atmosphere of camp. A near-constant stream of slow-motion montages amplifies bouts of action or histrionics, and establishing shots of the homestead, the barn or the outlying fields seem to appear every few scenes, even if the characters have barely moved locations.
During its climax, “Centurion: The Dancing Stallion” rather ambitiously aligns the fates of Ellissia and Centurion, intercutting their struggles as they confront parallel medical emergencies. The sequence briefly gestures at the intriguing idea of a psychic alliance between the pair, similar to the one in “E.T. the Extra-Terrestrial.” But then the moment passes, and any challenging questions are pushed aside in favor of third-act mechanics.
Centurion: The Dancing Stallion
Rated PG. Running time: 1 hour 38 minutes. Available to rent or buy on most major platforms.
Source: Movies - nytimes.com
