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    Lourdes Portillo, Oscar-Nominated Documentary Filmmaker, Dies at 80

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    Her films centered on Latin American experiences and received wide acclaim.Lourdes Portillo, an Oscar-nominated Mexican-born documentary filmmaker whose work explored Latin American social issues, died on Saturday at her home in San Francisco. She was 80.Her death was confirmed by her friend Soco Aguilar. No cause was given.One of Ms. Portillo’s best-known works is her 1994 documentary “The Devil Never Sleeps,” a murder-mystery in which she investigates the strange death of her multimillionaire uncle, whose widow claimed he had died of a self-inflicted gunshot wound. In 2020, the Library of Congress selected the film for the National Film Registry.“Using vintage snapshots, old home movies and interviews, the film builds a biographical portrait of Oscar Ruiz Almeida, a Mexican rancher who amassed a fortune exporting vegetables to the United States and went on to become a powerful politician and businessman,” Stephen Holden, a Times movie critic, wrote in a 1995 review of the film.The documentary had the tenor of a telenovela and presented open questions about Mr. Ruiz Almeida’s mysterious life and death and the people who could have had a motive for the murder.“The more Oscar is discussed, the more enigmatic he seems,” Mr. Holden wrote.Ms. Portillo crafted the film’s story line from the information her mother relayed over the phone while Ms. Portillo was living in New York, she said in a talk at the Academy Museum of Motion Pictures in Los Angeles last year.The museum screened the movie last year as part of a series honoring Ms. Portillo and other filmmakers who have made significant contributions to cinema.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Zone of Interest’ Oscars Speech Is Defended by Jewish Film Artists

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      Remarks about Israel that the director Jonathan Glazer made as he accepted an Oscar for “The Zone of Interest” drew a letter of support after facing criticism last month.More than 150 Jewish actors, filmmakers and other artists signed an open letter that was published on Friday in defense of remarks about Jewishness and the war in Gaza that the director Jonathan Glazer made in his Oscars acceptance speech for “The Zone of Interest,” his film about the Holocaust.Glazer’s speech has become one of the most hotly debated in Oscars history, drawing an open letter of strong denunciation from other Jewish film professionals last month and now one of support.“Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people,” Glazer, who is Jewish, said at the Academy Awards on March 10. “Whether the victims of October the 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization, how do we resist?”The new letter expresses support for Glazer. “In his speech, Glazer asked how we can resist the dehumanization that has led to mass atrocities throughout history,” it says. “For such a statement to be taken as an affront only underscores its urgency.”Its signatories included the actors Joaquin Phoenix, Hari Nef and Debra Winger; the directors Joel Coen, Nicole Holofcener and Boots Riley; the playwright and screenwriter Tom Stoppard; and the artist Nan Goldin, according to Variety, which reported the existence of the letter on Friday. Its signatories were confirmed by Sarah Sophie Flicker, an artist and cultural organizer who helped organize the letter.“We stand with all those calling for a permanent cease-fire, including the safe return of all hostages and the immediate delivery of aid into Gaza, and an end to Israel’s ongoing bombardment of and siege on Gaza,” the letter says.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Louis Gossett Jr., 87, Dies; ‘An Officer and a Gentleman’ and ‘Roots’ Actor

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      His portrayal of a drill instructor earned him the Oscar for best supporting actor. He was the first Black performer to win in that category.Louis Gossett Jr., who took home an Academy Award for “An Officer and a Gentleman” and an Emmy for “Roots,” both times playing a mature man who guides a younger one taking on a new role — but in drastically different circumstances — died early Friday in Santa Monica, Calif. He was 87.Mr. Gossett’s first cousin Neal L. Gossett confirmed the death. He did not specify a cause.Mr. Gossett with Susan Sarandon and Christopher Reeve after winning the Oscar for “An Officer and a Gentleman” in 1983.Associated PressMr. Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in “An Officer and a Gentleman” (1982). Reviewing the movie in The New York Times, Vincent Canby described Sergeant Foley as a cruel taskmaster “recycled as a man of recognizable cunning, dedication and humor” revealed in “the kind of performance that wins awards.”Paramount, via Everett CollectionMr. Gossett told The Times that he had recognized the role’s worth immediately. “The words just tasted good,” he recalled.When he accepted the Oscar for best supporting actor in 1983, he was the first Black performer to win in that category — and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Louis Gossett Jr. Streaming Guide: ‘An Officer and a Gentleman’ to ‘The Color Purple’

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      His range was wide, as evidenced by performances in projects as different as “Roots,” “An Officer and a Gentleman” and “Diggstown.”When most people think of the venerable character actor Louis Gossett Jr., who died Friday at 87, they understandably summon up his Oscar-winning turn in the 1982 drama “An Officer and a Gentleman.” But he accumulated over 200 credits over a screen, stage and television career that spanned more than 60 years, and brought a skill set that included not only drama but also comedy, science fiction, action and horror. Here are a few highlights from his illustrious career and where to stream them.1977‘Roots’Rent or buy it on most major platforms.Gossett had already established himself as an actor of note onstage, and in television guest shots and small but memorable appearances on film (“The Landlord,” “Skin Game”) when he was cast in the ABC mini-series adaptation of Alex Haley’s best seller. He plays the key role of Fiddler, an older enslaved man who becomes a mentor to the central character, Kunta Kinte (LeVar Burton). Fiddler allows Gossett to display several of the gifts that would distinguish him throughout his career: an inherent dignity, a no-nonsense toughness and a (seemingly contradictory) warmth and humanity. The mini-series was a cultural sensation, breaking records for television viewership, and Gossett would win an Emmy for his unforgettable work.1982‘An Officer and a Gentleman’Stream it on Max; rent or buy it on major platforms.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jewish Film Professionals Denounce Jonathan Glazer’s ‘Zone of Interest’ Speech

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      An open letter condemned remarks critical of Israel that Jonathan Glazer made when he accepted an Oscar for the film, which is about the Holocaust.Hundreds of Jewish actors, producers and others in the film industry have signed a letter condemning remarks critical of Israel that the director Jonathan Glazer made when he accepted an Oscar for his film about the Holocaust, “The Zone of Interest.”Described as a “statement from Jewish Hollywood professionals,” the letter was signed by the actors Debra Messing and Julianna Margulies; the producers Lawrence Bender and Amy Pascal; and the writer and showrunner Amy Sherman-Palladino, according to Variety, which first reported on it on Monday evening.The signatories were confirmed Tuesday by Allison Josephs, an activist who has promoted Jewish representation in films and television and who helped with outreach for the letter. She said that by Tuesday morning it had nearly a thousand signatures.The letter criticized a speech Glazer made when he accepted the Oscar for international feature at the Academy Awards earlier this month for “The Zone of Interest,” which follows the Nazi commandant who runs Auschwitz and his family as they lead quiet domestic lives just beyond the walls of the camp.“All our choices were made to reflect and confront us in the present,” Glazer, who is Jewish, said as he accepted the Oscar. “Not to say ‘Look what they did then,’ rather, ‘Look what we do now.’ Our film shows where dehumanization leads, at its worst.”“Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people,” he said. “Whether the victims of October the 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization, how do we resist?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      David Seidler, Oscar-Winning Writer of ‘The King’s Speech,’ Dies at 86

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      He drew on his own painful experiences with a stutter in depicting King George VI’s struggles to overcome his impediment and rally Britain in World War II.David Seidler, a screenwriter whose Oscar-winning script for “The King’s Speech” — about King George VI conquering a stutter to rally Britain at the outset of World War II — drew on his own painful experience with a childhood stammer, died on Saturday on a fly-fishing trip in New Zealand. He was 86 and lived in Santa Fe, N.M.His manager, Jeff Aghassi, disclosed the death in a statement but did not cite a cause. “David was in the place he loved most in the world — New Zealand — doing what gave him the greatest peace, which was fly-fishing,” Mr. Aghassi said. “If given the chance, it is exactly as he would have scripted it.”On winning the Academy Award for best original screenplay for “The King’s Speech” (2010), Mr. Seidler said from the Hollywood stage that he was accepting on behalf of all stutterers. “We have a voice; we have been heard,’’ he said.The movie, a historical drama in the form of a buddy picture about an afflicted future monarch (Colin Firth) and his talented but unlicensed speech therapist (Geoffrey Rush), was a commercial and critical success. It also won Oscars for best picture, best director (Tom Hooper) and best actor (Mr. Firth).Colin Firth in the 2010 film “The King’s Speech.” Mr. Seidler’s script centered on George VI’s struggle to overcome his stutter as he prepared to speak to his beleaguered nation during wartime.Laurie Sparham/The Weinstein CompanyMr. Seidler, who was born in England but emigrated with his family to the United States as a child during World War II, spent much of his career writing little-noticed television projects, including soap operas, a biopic of the Partridge Family singers and the TV movie “Onassis: The Richest Man in the World” (1988), written with a longtime co-writer, Jacqueline Feather. That same year, he broke onto the big screen as a co-writer (with Arnold Schulman) of “Tucker: The Man and His Dream,” about the automobile inventor Preston Tucker, directed by Francis Ford Coppola.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In the Oscars Audience, Candid Photos From the Ceremony

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      Red carpet photographs are able to convey indelible moments of celebrity magnetism and spectacular glamour. But no step-and-repeat can bottle the crackling anticipation, the eruption of victory, the sting of loss or the quiet exchange between individuals amid a sea of superstars like these candid shots from the audience at Sunday night’s Oscars ceremony.Inside the Dolby Theater in Los Angeles, our photographer captured moments viewers may not have caught otherwise. These images offer a peek at the year’s most celebrated actors and filmmakers interacting with one other, and not the camera, as we usually see them. Whether that be Florence Pugh looking intently at Christopher Nolan as she rests her hand gently on his arm; Messi the Border collie sitting poised and unfazed as a man, who is lying on the floor, claps faux paws in his face; Colman Domingo and Danielle Brooks leaning over a seated Da’Vine Joy Randolph with wowed expressions; or Lily Gladstone, Emma Stone and Ramy Youssef standing inches apart, gripping each other, their faces nearly touching.Clockwise from left: Ted Danson, Paul Giamatti, Da’Vine Joy Randolph, Jennifer Lawrence and Cooke Maroney. Randolph won the best supporting actress Oscar for her role as a cafeteria matriarch in “The Holdovers.”Amir Hamja/The New York TimesEmma Stone and her husband, Dave McCary, celebrated her best actress win for her role in “Poor Things,” along with her co-star Mark Ruffalo at right.Greta Gerwig, facing away, and Billie Eilish embraced, with Finneas O’Connell behind them. Eilish and O’Connell collected the trophy for best song for “What Was I Made For?” from “Barbie.”Clockwise from top left: Martin Scorsese; Carey Mulligan; the “Godzilla Minus One” team with their trophies for best visual effects; and Dominic Sessa, a star of “The Holdovers.”Messi the Border collie, a star from “Anatomy of a Fall,” had fake paws held up in front of him to create the illusion that he was clapping.The Gretas (Lee, standing, and Gerwig) held hands.Florence Pugh with her “Oppenheimer” director Christopher Nolan. Their historical drama triumphed on Sunday, winning seven Oscars, including for best picture.Clockwise from top left: Sandra Hüller and Jonathan Glazer, who directed her in “The Zone of Interest”; Cord Jefferson (facing away), director and writer of “American Fiction,” and Jeffrey Wright, its star; Colman Domingo and Zendaya; Christopher Nolan (facing away) and Cillian Murphy.Power players: Steven Spielberg, left, Christopher Nolan and Emma Thomas. Nolan and Thomas, who are married, produced “Oppenheimer,” along with Charles Roven (not pictured).Robert De Niro, far left. Colman Domingo, who was nominated for the titular role in “Rustin,” and Teo Yoo (in front of him), from “Past Lives,” took a selfie.Colman Domingo and Danielle Brooks chatted with Randolph (seated). Emma Stone leaped from her seat, as John Mulaney presented the award for best sound from the stage.Audience Report is a series that looks at people looking. Produced by Jolie Ruben and Amanda Webster. More

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      Popcast (Deluxe): What’s an Industry Plant Anyway? Plus: Ariana Grande

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:Popcast’s win at the 2024 iHeartPodcast Awards for best music podcastThe 2024 Oscars, including Ryan Gosling’s performance of “I’m Just Ken” and Diane Warren’s reported meltdownThe quick ascent of the downtempo R&B singer 4batz and what the “industry plant” conversation that he’s triggered gets wrongThe new Ariana Grande album, “eternal sunshine,” and how it’s an impressive and modest comeback in advance of her star turn in the upcoming film adaptation of “Wicked”Reports from the opening nights of the Olivia Rodrigo tour and the Zach Bryan tourNew songs from Yung Lean and Yaya BeySnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Ed Begley Jr. and Daughter Hayden Took the LA Metro to the Oscars

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      Ed Begley Jr. has made a tradition of taking public transportation to the Academy Awards. And, like many commuters, he wears sensible shoes.Ed Begley Jr. could be described as Hollywood royalty: The actor is a son of another actor, Ed Begley, who won a best supporting actor Oscar in 1963.But the younger Mr. Begley, a longtime member of the Academy of Motion Picture Arts and Sciences, the organization behind the Oscars, commuted to this year’s ceremony like a plebeian by taking the Los Angeles Metro. His trip was filmed by his daughter Hayden Begley, who later shared the video on TikTok, where it has since received more than six million views.The video opens with Ms. Begley, 24, asking her mother, Rachelle Carson, Mr. Begley’s wife and Oscars guest, how she is getting to the ceremony. “I’m driving,” Ms. Carson says, before asking, “And you’re what?” Off camera Ms. Begley replies, “Taking the subway.” Ms. Carson, who is wearing a black lacy gown, mutters, “Oh God, whatever,” as she waves her arms in exasperation.Ms. Begley, who in a voice-over explains that she isn’t attending the ceremony with her father, then films his journey to the event on a 240 bus and the B line subway.

      @haydenbegley #oscarsathome #oscars #oscars2024 ##publictransport##bus##train@@LA Metro##metro ♬ Chopin Nocturne No. 2 Piano Mono – moshimo sound design As Mr. Begley, 74, who has spent much of his career promoting environmentalism, talks to the camera about his fondness for public transit while riding the bus, he shows off two pins on the lapel of his dark suit jacket. One pin was shaped like an Oscar statuette and came from the Academy, where he served on the board of governors for 15 years. He said that the other pin, which had a capital M, was his “Metro pin for being a rider since 1962.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More