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    Match These Books to Their Movie Versions

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    Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about books that have gone on to find new life as movies, television shows, theatrical productions, video games and more. With the summer-movie season here, this week’s challenge is focused on novels that went on to become big-screeen adventures. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their filmed versions. More

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      in Music

      6 Hidden Shops in New York Worth Visiting

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      You didn’t come to New York to wander fluorescent aisles hunting for someone to unlock the fitting room. You came for the locked-door city — where nothing’s labeled, the elevator grumbles and whoever buzzes you in has already decided how the afternoon should go.You might leave with a sterling silver carabiner, a fossilized dinosaur foot or a record that makes everything else on your shelf sound flat. Or maybe it was just a book you didn’t know you were missing until it looked back at you.But don’t bother dropping by. These places don’t do foot traffic. You email. You call a landline. You wait. Maybe you DM. There’s no signage, no small talk, no piped-in jazz. What there is: hand-forged armor, prehistoric bones with six-figure price tags, music that’s never been digitized, a jewelry showroom with the logic of a toolbox, and — if you’re buzzed in — a private library (with all the books for sale) that reads like someone’s inner filing system.This isn’t retail. It’s an invitation-only obsession. And if you knock with purpose, that helps.889 Broadway, Union Square, ManhattanGlobus WashitsuA kimono-styling class at Globus Washitsu, near Union Square.Up a nondescript elevator near Union Square, through a quiet hallway and a final sliding door, is something few New Yorkers expect to find above Broadway: a Kyoto-style tatami room meticulously built by the investor and longtime Japanophile Stephen Globus. Think shoji screens, hinoki beams, seasonal scrolls — nothing here is an approximation. It’s the real deal.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Book Review: ‘Waiting for Britney Spears: A True Story, Allegedly,’ by Jeff Weiss

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      In a scrappy new memoir, Jeff Weiss blurs fact and fancy as he recounts his stint as a bit player in the celebrity-industrial complex.WAITING FOR BRITNEY SPEARS: A True Story, Allegedly, by Jeff WeissIn 2023, the pop princess Britney Spears published her autobiography, “The Woman in Me.” In its pages, Spears had choice words for the paparazzi who pursued her at the heights and depths of her fame. She described them as enemy combatants, the ghosts in a Pac-Man game, sharks who sensed blood in the water. They were, she wrote, “an army of zombies” who treated her with “disregard” and “disgust.”She hated them. She feared them. Jeff Weiss, by his own account, was one of them.In the 2000s, Weiss worked as an occasional reporter for a couple of tabloids. (He was also cited for trespassing on Brad Pitt’s property, ostensibly at the bidding of People magazine.) He details these exploits — with grandiosity and rue — in “Waiting for Britney Spears: A True Story, Allegedly.” It is not a novel, not yet a memoir. A roman à clef? Probably. Autofiction? Sure. It is also, in its most engaging moments, a bedazzled biography of Spears herself, as glimpsed across the dance floor, or through a long lens.Weiss, if you believe him, first met Spears when he sneaked into the “ … Baby One More Time” video shoot, which was held at his Venice, Calif., high school. The first glimpse of a pigtailed Spears ensorcelled him. A few years later, sprung from college and lightly adrift, Weiss found himself flung into her orbit again. Zhuzhing his résumé and shushing his qualms, Weiss persuaded a tabloid to hire him as a Hollywood party and celebrity reporter. (Context clues suggest that the tabloid was Star; in the book, Weiss calls it Nova.)This is a book that wears its antecedents on its sleeve, or perhaps low on the brow, like a Von Dutch hat. There’s new journalism here and gonzo journalism, as well as more literary stabs at the mournfulness of F. Scott Fitzgerald and the contempt of Nathanael West. Parts of the book read like a retread of “Miss Lonelyhearts,” doused in apple martinis. Other sections suggest link-rotted LiveJournal entries. In broad strokes, it is a story of a young man’s disillusionment, a West Coast “Sweet Smell of Success,” if success smelled like Victoria’s Secret body mist.These strokes are indifferently compelling. Weiss falters in building stakes or sympathy for the self he describes. A 22-year-old college grad distracted from working on his novel? Oh no! And there is a cloying quality to his repeated insistence that he is too pure, too talented to do the work of a tabloid reporter. Many of us who make a life in journalism have done as bad or worse, without ever expensing our drinks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Frederick Forsyth, Master of the Geopolitical Thriller, Dies at 86

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      He wrote best-sellers like “The Day of the Jackal” and “The Dogs of War,” often using material from his earlier life as a reporter and spy.Frederick Forsyth, who used his early experience as a British foreign correspondent and occasional intelligence operative as fodder for a series of swashbuckling, best-selling thrillers in the 1970s and ’80s, including “The Day of the Jackal,” “The Odessa File” and “The Dogs of War,” died on Monday at his home in Jordans, a village north of London. He was 86.His literary representative, Jonathan Lloyd, who confirmed the death, did not specify a cause, saying only that Mr. Forsyth’s had died after a short illness.Mr. Forsyth was a master of the geopolitical nail-biter, writing novels embedded in an international demimonde populated by spies, mercenaries and political extremists. He wrote 24 books, including 14 novels, and sold more than 75 million copies.His stories often juxtapose a single individual against sprawling networks of power and money — an unnamed assassin against the French government in “The Day of the Jackal” (1971), a lone German reporter against a shadowy conspiracy to protect ex-Nazi officers in “The Odessa File” (1972).A film version of “The Day of the Jackal,” starring Edward Fox, right, and Cyril Cusack was released in 1973, just two years after the novel’s publication.George Higgins/Universal Pictures“It’s one man against a huge machine,” he told The Times of London in 2024, explaining why so many readers of “The Day of the Jackal” sided with a hit man intent on killing French President Charles de Gaulle, instead of with the authorities. “We don’t like machines, so one guy even trying to kill a human being, taking on this vast machine of government, secret intelligence service, police and so on, has appeal.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Philippe Labro Dies at 88; Restless Chronicler of the French Condition

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      As an author (often blurring the boundaries between fiction and nonfiction), a film director, a lyricist and a host of TV and radio shows, he sought to capture his epoch.Philippe Labro, a prolific journalist, author, movie director and songwriter whose lyrical prose, boundless curiosity and oft-repeated determination to “forage in deep waters” offered France a sweeping image of itself over several decades, died on Monday in Paris. He was 88.His death, in the Pitié Salpêtrière hospital, was caused by lymphoma of the brain, which was diagnosed in April, said Anne Boy, his longtime assistant. Mr. Labro lived in Paris.A restless spirit, notebook always at his side, convinced that journalism was an exercise in unrelenting observation, Mr. Labro pursued a lifelong quest to capture his epoch by any means. “He wrote our popular, French, and universal history,” President Emmanuel Macron said in a tribute on X, “from Algeria to America” and from Herman Melville to Johnny Hallyday, the French rock ’n’ roll superstar.In 24 books, including novels and essays; seven movies; lyrics to popular songs; and several television and radio shows, Mr. Labro probed the enigma of existence. No one medium sufficed. Truth, he believed, lurked between fact and fiction, and so he refused to be confined by one or the other. Quoting Einstein, he called life a “dance to a mysterious tune, intoned in the distance by an invisible piper.” That piper was his muse.Mr. Labro arrived as a guest for an official state dinner with President Joseph R. Biden Jr. and the first lady, Jill Biden, at the Élysée Palace in Paris in June 2024.Christophe Petit Tesson/EPA, via ShutterstockMr. Labro also liked Victor Hugo’s observation that “nothing is more imminent than the impossible.” He had good reason. It was in the United States, on Nov. 22, 1963, that Mr. Labro, then 27, achieved fame as the first French newspaper correspondent on the scene in the immediate aftermath of President John F. Kennedy’s assassination in Dallas.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Another ‘Gomorrah’ TV Series About the Mob? Some in Naples Say, ‘Basta.’

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      With another “Gomorrah” spinoff being filmed, some Neapolitans say they’re fed up with all the shows portraying the “malavita,” or the lawless life. “Why must only bad things be said about us?”A banner fluttered in March over a narrow alley in Naples crammed with tourist shops selling Nativity figurines. Naples, it proclaimed, “doesn’t support you anymore.”The “you” is the wildly successful Italian television crime drama “Gomorrah,” which days earlier had begun filming a prequel — “Gomorrah: Origins” — in the city’s gritty Spanish Quarter, tracing the 1970s roots of the show’s leading Camorra crime syndicate clan.Perhaps no modern pop culture reference has clung more stubbornly to Naples, Italy’s third-largest city, than “Gomorrah,” the title of Roberto Saviano’s 2006 nonfiction best seller about the Neapolitan mafia. A critically acclaimed movie followed in 2008, and the TV series premiered in 2014 and ran for five seasons. Two more movies debuted in 2019: “The Immortal,” a spinoff, and “Piranhas,” based on a Saviano novel about crime bosses as young as 15. And now there’s “Origins.”So excuse some Neapolitans if they say they’ve had enough.“They filmed the first one, they filmed the second one,” said Gennaro Di Virgilio, the fourth-generation owner of an artisanal Nativity shop. “Basta.”Once too dangerous and corrupt to attract many foreigners, Naples has been in the thrall of a tourism boom for years. Social media has lured visitors to the city’s history, food and sunshine, helping Naples shake off some of its seedy reputation, though youth unemployment and crime remain stubbornly high.But the city keeps getting typecast, some Neapolitans say, as Gomorrah, reducing its residents to those engaged in the “malavita,” the lawless life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Her Books and Movies Provoked France. Will Her Plays Do the Same?

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      Virginie Despentes is pivoting to theater. Playgoers “really show up, even for demanding or radical works,” she says.Over the past three decades, Virginie Despentes has cemented her place as one of the most admired — and argued over — feminist authors in France. “King Kong Theory,” her 2006 book about sex, gender and her own experience of rape, sparked conversations around sexual violence in the country; her award-winning “Vernon Subutex” trilogy of novels, released between 2015 and 2017, drew international attention for its vivid depiction of misfits adrift in French society. (The first volume made the Booker International Prize shortlist in 2018.)Yet recently, Despentes, 55, has been quietly pivoting from books toward writing and directing for the stage. In 2024, she wrote the play “Woke” with three other authors, Julien Delmaire, Anne Pauly and Paul B. Preciado; in it, they confronted France’s reaction to progressive ideas on race and gender.Despentes directed the production at the Théâtre du Nord in Lille, in northern France, and now she’s back with a follow-up: “Romancero Queer,” which had its premiere last week at Théâtre National de la Colline in Paris and runs through June 29. In “Romancero Queer,” she explores power imbalances in the making of a stage show: Behind the scenes of a new production of Federico García Lorca’s “The House of Bernarda Alba,” a fictional group of actors struggle with their older male director for greater creative control.While Despentes has directed several movies, including “Baise-Moi” (2000) and a documentary about pro-sex feminists, “Mutantes (Féminisme Porno Punk)” (2009), she said in an interview in Paris that theater has turned out to be a better fit. Shortly after “Romancero Queer” had debuted, she spoke about the art forms that she has tried her hand at: literature, film and theater. The conversation has been edited for length and clarity.What prompted your pivot to theater?I attend a lot of plays, and I realized that theater audiences are very curious. They really show up, even for demanding or radical works, which made me want to try it. I feel good when I’m in a theater auditorium — and these non-virtual moments feel important nowadays. I’m not at all technophobic — I spend quite a bit of time online — but I enjoy this kind of counter-rhythm, away from social media. During performances of “Romancero Queer,” I sit in the back, behind the audience, and I have yet to see anyone take out their phone.A rehearsal of “Romancero Queer,” the new play by Despentes.Teresa SuarezWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      10 Books Like ‘The Last of Us’ If You Can’t Wait for Next Season

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      If HBO’s zombie drama has you craving more postapocalyptic action, these books have got you covered.HBO’s propulsive, nail-biting series “The Last of Us” — based on the acclaimed video game by Naughty Dog — offers a bleak and brutal depiction of the apocalypse, as hardscrabble survivors including Joel (Pedro Pascal), Ellie (Bella Ramsey) and Dina (Isabela Merced) navigate a fallen world crawling with flesh-eating “infected,” not to mention other healthy humans who range from desperate and mistrustful to aggressively sadistic. The show is violent and at times disturbing — especially in its shocking second season, which recently concluded — but there’s more to it than action spectacle. A deep undercurrent of emotion runs through the series, making this story about zombies compulsively watchable, frequently moving and deeply human.While the first season of the show faithfully adapted the eponymous video game, HBO has split the story of its sequel, 2020’s The Last of Us Part II, into two installments — meaning that we’re leaving things on a considerable cliffhanger. If your craving for killer fungi, survival stories, revenge tales and postapocalyptic considerations of what we owe to each other isn’t quite satisfied, these 10 novels can scratch that itch.Severanceby Ling MaNot to be confused with another popular 2025 series, this darkly comic novel — published two years before Covid-19 — is an incisive (and prescient) portrait of a society stumbling through a devastating pandemic. The contagion here is Shen Fever, a debilitating fungal disease that turns its victims into (harmless) zombies. Even as it decimates the globe, Candace Chen, a millennial Chinese American woman living in New York City, resolves to see out the end of her contract doing product coordination for a Bible publisher. It’s fairly soul-sucking drudgery but, it turns out, an improvement on life after societal collapse, when Candace finds herself sheltering in an Illinois shopping mall with a band of other survivors from whom she’s hiding a secret.Read our review.Manhuntby Gretchen Felker-MartinIn Felker-Martin’s postapocalyptic thriller, a plague that targets testosterone has turned half the population into a brainless mass of murderers and rapists, leaving the matriarchy to reign supreme. But for Beth and Fran, two trans women keeping their hormones in check with home remedies, it isn’t only the bloodthirsty men they need to worry about: Roving bands of TERFs view them not as fellow sister-survivors but as interlopers who need to be expunged. A smart book about the politics of gender and the perils of transphobia, “Manhunt” could easily have turned didactic — but Felker-Martin, a dyed-in-the-wool horror fan, delights in the genre’s free-flowing carnage, and that glee is tons of fun.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Do You Know the English Novels That Inspired These Movies and TV Shows?

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      Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about books that have gone on to find new life as movies, television shows, theatrical productions, video games and more. This week’s challenge is focused on popular books set in 18th- and 19th-century England that have been adapted for the screen. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their filmed versions. More