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Joe Rogan Plays Dumb in His Netflix Special

On his podcast, Rogan indulges his own obsessions and eccentricities. But in “Burn the Boats,” his Netflix comedy special, contempt for the crowd is a theme.

On Saturday night, Joe Rogan started glitching.

Minutes into his live comedy special “Burn the Boats,” the movements of his mouth did not match what he was saying. Audio went in and out. Certain phrases repeated, Max Headroom-style. Someone as conspiracy-minded as Rogan might wonder: Was this payback for his criticism of vaccines and lockdowns? Is the mainstream media behind this? Aliens?

More likely, just boring old technical difficulties. Livestreaming remains a work in progress for Netflix. Following stand-up hours by Chris Rock and Katt Williams, Rogan became the third comic to try this experiment, putting out his first special in six years. You could see the logic of getting him to do it during election season but oddly, he didn’t address the latest developments in the presidential campaign. Rogan made more news last week on his podcast, where he suggested that the assassination attempt on Donald J. Trump has been “memory holed” and that Kamala Harris could win. He also suggested that the reason President Biden sometimes seems more coherent is that he uses a body double.

Part of the reason that Rogan has built the most popular podcast in the world is that he promises to explore ideas that he says the mainstream media ignores or downplays. Was the Moon landing faked? Are aliens landing in Roswell the reason we invented fiber optics? Does wearing a mask make you seem like less of a man? Joe is on it.

And yet, there is one question you don’t hear investigated on his podcast, one relevant to his success but taboo in certain precincts of the comedy world: Is Joe Rogan good at standup comedy?

That can be a dangerous one for some comics to touch on because Rogan has become a powerful gatekeeper, the owner of a club in Austin, Texas, and a host who drives viewers to specials and movies. Rogan tends to be talked about as a political or sports figure, a guru for bros, a symptom of a culture rampant with conspiracy, transphobia and misinformation. But his current notoriety is all built on a decades-long career of standup, which provides a contrast with his other media job.

Whereas he performs patient thoughtfulness in his podcasts, his standup is frantic, animated, full of unmodulated yelling. His eyes pop out and his face reddens. Midway through “Burn the Boats,” a jagged line of perspiration forms on his tight yellow shirt, making him look like Charlie Brown on steroids. Even if it seems too hammy for a close-up, there’s a cartoonish aspect to his persona that tells you to not take him seriously.

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Source: Television - nytimes.com


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