In unflinching ballads that spoke of the pain men can cause women, the Mexican singer often relied on what she learned in her own relationships.
Paquita la del Barrio, the prolific Mexican vocalist and songwriter known for her powerful feminist ballads, died on Monday at her home in Veracruz. She was 77.
Paquita’s social media accounts made the announcement on Monday, but did not list a cause of death.
“With deep pain and sadness we confirm the sensitive passing of our beloved ‘Paquita la del Barrio,’” the statement said in Spanish. “She was a unique and unrepeatable artist who will leave an indelible mark in the hearts of all of us who knew her and enjoyed her music.”
Paquita broke through in the Mexican ranchera genre, a field typically dominated by men, demonstrated through intense songs centering on love, revenge and nationalism. Songs like “Rata de dos Patas,” “Me Saludas a la Tuya” and “Tres Veces Te Engane” denounced male macho culture and became anthems.
A 1999 article in The New York Times highlighted Paquita’s place in Mexico City, where she had begun her career as a local performer, describing her as “something of a patron saint” of a place where her songs resonated.
Paquita’s passing caused an outpouring of grief among celebrities and fans on social media.
Alejandro Sanz, a singer and composer, wrote in Spanish that her music was “capable of capturing a feeling and turning it into a song” and that she is a “part of the eternal culture.”
Thalia, a popular singer and actress, shared a scene of the pair starring on “Maria Mercedes,” a soap opera that aired on the Mexican broadcaster Televisa in 1992. Initially, Thalia expressed nervousness about sharing a stage with Paquita.
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Source: Music - nytimes.com