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    6 Odes to Ohio

    The state has inspired memorable songs by Randy Newman, R.E.M., King Princess and more.R.E.M.’s Michael Stipe, perhaps suggesting we put our heads together and start a new country up.Martial Trezzini/European Pressphoto AgencyDear listeners,For six of the past seven summers, I’ve spent a long weekend visiting college friends in northern Ohio — a part of the country with which I was previously unfamiliar but has now come to feel like a home away from home. A highlight of these trips is always, weather permitting, when we get to tube lazily down the Cuyahoga River. We tend to start the drive with this excursion’s unofficial theme song: “Burn On,” Randy Newman’s wry but warmly sung ode to that time in 1969 that the infamously polluted Cuyahoga caught fire.More than 50 years later, the fact that we can comfortably float in the Cuyahoga speaks to the success of the high-profile cleanup campaigns that have restored the river to its past glory — so much so that in 2019, the conservation association American Rivers named it “River of the Year.” I did not even know that was a thing. Congrats, Cuyahoga!Newman isn’t the only musician to be fascinated by the plight of this particular river. A song called “Cuyahoga” appears on R.E.M.’s great fourth album, “Life’s Rich Pageant”; Michael Stipe uses the word as a metaphor not just for environmental degradation but for the seizing of land — and even language — originally belonging to native people. “This is where they walked, this is where they swam,” Stipe sings, then adds with bitter irony, “Take a picture here, take a souvenir.”Perhaps because of the sing-songy, vowel-heavy composition of its name, the state of Ohio itself has inspired quite a few notable tunes. I collected a few for today’s playlist — from the likes of Harry Nilsson, King Princess and Crosby, Stills, Nash & Young — to round out those musical odes to the 2019 River of the Year.Will this be the first in a long series of 50 Amplifier installments, each devoted to songs about a specific state? Well, even Sufjan Stevens couldn’t finish his 50 States Project, so I’d say don’t hold your breath.Listen along on Spotify as you read.1. Randy Newman: “Burn On”“There’s a red moon rising on the Cuyahoga River,” Newman begins in that inimitable voice, accompanied by his own plinking piano, “rolling into Cleveland from the lake.” Released on his 1972 album “Sail Away,” “Burn On” is featured in the opening montage of the classic 1989 baseball flick “Major League,” because — according to a Wikipedia statement without a citation that I will choose to believe anyway — the director David S. Ward said the song was “the only one he knew of that was about Cleveland, Ohio.” (Had he never heard “Cleveland Rocks”?) (Listen on YouTube)2. Crosby, Stills, Nash & Young: “Ohio”Recorded just two weeks after the fatal 1970 incident at Kent State University, when the Ohio National Guard killed four students and wounded nine more, the searing “Ohio,” featuring lyrics by Neil Young, was rush-released the following month and effectively tapped into the countercultural consciousness. (Listen on YouTube, because this one isn’t on Spotify for presumably Young-related reasons)3. R.E.M.: “Cuyahoga”On “Life’s Rich Pageant,” “Cuyahoga” is preceded by the jangling single “Fall on Me,” a song about the effects of acid rain. Taken together, these tracks indicate the band’s growing social conscience and its particular focus on environmentalism. (Listen on YouTube)4. King Princess: “Ohio”This rollicking live staple frequently closed out King Princess’s early shows. Some of her fans were so vocally upset that this song did not appear on her debut album that, in a 2019 Instagram story, the artist born Mikaela Straus cheekily wrote, “I recorded a version of Ohio that is almost done so everyone just calm down.” She kept her word: The sultry studio version of the song — addressed to a former flame who’s gone home to the Buckeye state — appeared on the deluxe edition of the album “Cheap Queen.” (Listen on YouTube)5. Damien Jurado: “Ohio”Ohio is also depicted as a mythical elsewhere — a love interest’s faraway home — in this heart-wrenching acoustic ballad by the Seattle singer-songwriter Damien Jurado. It appears on his 1999 album “Rehearsals for Departure” and also on many, many mix CDs I burned in college. (Listen on YouTube)6. Harry Nilsson: “Dayton Ohio 1903”What is it with Randy Newman and Ohio? He wrote this sweetly nostalgic ditty and recorded his own version for “Sail Away,” though in the spirit of mixing thing up, I chose Harry Nilsson’s version from the earlier, 1970 album “Nilsson Sings Newman.” The song recalls a simpler time, when people dropped by for tea and, perhaps, the Cuyahoga ran clear and blissfully inflammable. (Listen on YouTube)Burn on, big river,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“Odes to Ohio” track listTrack 1: Randy Newman, “Burn On”Track 2: Crosby, Stills, Nash & Young, “Ohio”Track 3: REM, “Cuyahoga”Track 4: King Princess, “Ohio”Track 5: Damien Jurado, “Ohio”Track 6: Harry Nilsson, “Dayton Ohio 1903”Bonus tracksThis 2009 New York Times report, pegged to the 40th anniversary of the Cuyahoga catching fire, has a lede so vivid it is worth quoting in full: “The first time Gene Roberts fell into the Cuyahoga River, he worried he might die. The year was 1963, and the river was still an open sewer for industrial waste. Walking home, Mr. Roberts smelled so bad that his friends ran to stay upwind of him.”Also, it feels almost sacrilegious to talk about the music of Ohio and not mention Guided by Voices, so cue up “Glad Girls” — or another of the approximately 71 billion rippers the Dayton band has recorded over its career — and crank the volume up. More

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    Kylie Minogue’s ‘Padam Padam’ and the Queer Club-Pop Canon

    Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThe song defining Pride month this year is Kylie Minogue’s “Padam Padam,” a thumping tease that’s lightly campy and has taken on outsize importance as a gay nightlife anthem and meme-culture staple.For Minogue, 55 — a bona fide superstar abroad but more of a pop curio here — it’s one of a handful of breakthrough moments that have cemented her embrace among gay listeners. But “Padam Padam” is also part of a longer list of diva anthems — from Lady Gaga, Madonna, and many others — that become, in effect, gay canon.On this week’s Popcast, a conversation about “Padam Padam” and how songs get inscribed into the gay pop canon, Minogue’s not-quite-stardom in the United States, and how a younger generation of pop aspirants like Rina Sawayama and Charli XCX perform their embrace of their gay fans.Guest:Jason P. Frank, news writer at VultureConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at [email protected]. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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    Diagnosed With Tourette’s, Lewis Capaldi Takes a Break From Touring

    After performing at Glastonbury Festival over the weekend, Capaldi, the popular Scottish singer-songwriter, said he would stop touring “for the foreseeable future.”The Scottish musician Lewis Capaldi announced on Tuesday that he would take a break from touring “for the foreseeable future,” including the remainder of his current world tour, in order to adjust to life with Tourette’s syndrome, with which he was diagnosed last year.During a performance Saturday at Glastonbury Festival in England, Capaldi, 26, lost his voice and had to enlist the help of the enormous, enthusiastic crowd to finish his 2018 hit “Someone You Loved.”We love you Lewis Capaldi ❤️Glastonbury crowds are the best. pic.twitter.com/x6ZnIIgRpP— BBC Radio 1 (@BBCR1) June 24, 2023
    In the three weeks leading up to Glastonbury, he had canceled shows, he said, to take a “moment to rest and recover.”In his statement on Tuesday announcing the break from touring, Capaldi wrote, “The fact that this probably won’t come as a surprise doesn’t make it any easier to write.”“I used to be able to enjoy every second of shows like this and I’d hoped 3 weeks away would sort me out,” he wrote. “But the truth is I’m still learning to adjust to the impact of my Tourette’s and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order, so I can keep doing everything I love for a long time to come.”Tourette’s syndrome is characterized by sudden jerking movements and uncontrollable tics and vocalizations, and Capaldi could be seen twitching onstage during his performance Saturday.His next show was scheduled for Wednesday in Zurich, followed by performances across Asia, Europe and the Middle East.This spring, he released a Netflix documentary, “How I’m Feeling Now,” about his diagnosis and the management of his illness. He also discussed it during an interview with The New York Times last month, before he released his second studio album, “Broken by Desire to Be Heavenly Sent.”“This sounds gross, but it’s become part of like a marketing strategy,” he said. “Every piece of content or thing I see with my name next to it is closely followed by Tourette’s.” More

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    ‘Sin La Habana’ Review: A Long Way From Home

    In Kaveh Nabatian’s new drama, an Afro-Cuban dancer tries to bring his girlfriend to Canada through a sham marriage.Kaveh Nabatian’s “Sin La Habana” is a study in contrasts: the sticky, vibrant heat of Cuba’s capital versus the pulverizing winter of Montreal; a spontaneous street performance versus the rigid formality of a ballet studio audition; a planned marriage versus an impulsive romance.The story of Leonardo (Yonah Acosta) — an Afro-Cuban dancer who seduces an Iranian Canadian tourist, Nasim (Aki Yaghoubi), into a sham marriage with the hopes of securing passage to Canada for himself and his girlfriend (Evelyn Castroda O’Farrill) — is a familiar immigrant tale with predictably disastrous results. Upon moving in with Nasim, his new wife, Leonardo finds that life in the north is not only difficult to adjust to, but not nearly as liberating as promised, as he faces the same racism at dance studios and workshops that drove him to leave Cuba in the first place.Nasim, suspecting that her connection with Leonardo may have been fraudulent from the beginning, nevertheless tries to build their relationship and defend him from her insular Iranian family and ex-husband. And in his absence, Leonardo’s girlfriend, Sara, sacrifices their future together in order to get a leg-up in her career as a lawyer.Nabatian is sympathetic to all three characters and their lack of easy choices, and his eye for small cultural details and rituals — the intricacies of Afro-Cuban dance, the tiles on the floor of a Havana apartment, the teacups at a gathering for Nasim’s family — enforces how identity continues to shape their lives even as they’re far from home. While the fate of their relationships is left ambiguous, these transient moments linger long after Leonardo has performed his last dance in front of the camera.Sin La HabanaNot rated. In Spanish, English and Persian, with subtitles. Running time: 1 hour 34 minutes. Rent or buy on most major platforms. More

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    ‘Taylor Mac’s 24-Decade History of Popular Music’ Review: Wish You Were There

    Only 650 people got to experience one of the 21st century’s artistic feats, until this documentary. Unfortunately, it misses some of the performance’s key aspects.The writer and performer Taylor Mac spent the first half of the 2010s developing an epic project, “A 24-Decade History of Popular Music,” that covered 240 years’ worth of American history. Mac would perform large excerpts at concerts, then on Oct. 8-9, 2016, did the whole caboodle as an ultramarathon of 246 songs. The show took over St. Ann’s Warehouse, in Brooklyn, in a 24-hour-long “radical faerie realness ritual sacrifice” that amounted to a transcendent artistic and political gesture. (Full disclosure: I was there.)Now, an HBO documentary by Rob Epstein and Jeffrey Friedman (“The Celluloid Closet,” “Linda Ronstadt: The Sound of My Voice”) offers a necessarily abridged look at Mac’s towering achievement, which showcased an incredible range as an interpreter, a theatrical gusto and a mischievous, often biting humor. Key collaborators like the costume designer Machine Dazzle and the makeup artist Anastasia Durasova also explain what went into their many painstakingly intricate creations.But there is some ambiguity: The film is structured as if it were documenting the St. Ann’s happening, including time stamps, but some of the performance footage actually is from Los Angeles. The doc also does not illuminate how Mac dealt with the marathon’s grueling physical demands, or describe the surreal ambience that set over the Brooklyn venue as the hours ticked by and sleep deprivation set in. We do see some of the audience participation, which was an integral part of the show, but we don’t hear from attendees. It’s a loss, because the event was, in essence, about the making of community through the ages but also through one day and night.Taylor Mac’s 24-Decade History of Popular MusicNot rated. Running time: 1 hour 46 minutes. Watch on Max. More

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    Princess Leia’s Dress From the Original ‘Star Wars’ Is Up for Bids

    A ceremonial gown worn by Carrie Fisher was believed to be destroyed after the production of “A New Hope,” but it was recently found in an attic and restored.The long, white dress worn by Carrie Fisher as Princess Leia in the final scene of the original 1977 “Star Wars” movie, “A New Hope,” was once thought to have been long gone, destroyed after the film’s production.But the iconic dress was recently found in a London attic and will go up for sale at a live auction on Wednesday. It could sell for as much as $2 million, according to an estimate by Propstore, a company that sells film and TV memorabilia and is organizing the auction.In the film, Princess Leia wore the dress, a ceremonial gown that was made from lightweight silk and styled with a silver belt, during an awards ceremony. In the scene, the princess, who is a leader of the Resistance, honors Han Solo, played by Harrison Ford, and Luke Skywalker, played by Mark Hamill, with medals for their work in helping to save the galaxy.The dress was thought to have been destroyed after filming for the movie had been completed. Brandon Alinger, chief operating officer of Propstore, said it was common during filmmaking in the 1970s for costumes to be destroyed or returned if they were rented.“There was not a great focus on saving this material when that first movie was made,” Mr. Alinger said.The dress was among the items that had been slated to be destroyed, but a crew member of the set recognized it and held on to it. The dress had been stored for years, until recently, when it was found in an attic at the home of the movie crew member in London, Mr. Alinger said.Textile conservators spent months restoring the Princess Leia dress after it was found in “a poor state” in an attic in London, said Brandon Alinger, chief operating officer at Propstore. He wore white gloves to handle the dress at the company facility in Valencia, Calif.Frederic J. Brown/Agence France-Presse — Getty Images“When we first saw it, it was in something of a poor state,” Mr. Alinger said.After the dress was found, textile conservators in London spent eight months working to restore it, removing dust and dirt that had accumulated on it and restitching open seams, according to Propstore.“This is sort of very painstaking work,” Mr. Alinger said. “Imagine someone bent over with a microscope or a magnifying lens, studying the little holes and trying to fill those holes with a similar material.”The dress was conceived of by John Mollo, who won the award for best costume design for “Star Wars” at the Academy Awards in March 1978.“It’s incredibly important because it’s literally the last thing that you see in the original ‘Star Wars’ film,” Mr. Alinger said of the dress. “I think if you’re a ‘Star Wars’ fan, you look at it and it just gels for you.”There are no words spoken in the final scene of the movie — except for guttural noises from the Resistance fighter Chewbacca and beeps from the droid R2-D2.In that scene, the leading characters, Luke Skywalker and Han Solo, walk down a long hall, where a crowd has gathered for the ceremony. Princess Leia places a medal over Solo and then another over the neck of Skywalker. Skywalker and Solo bow before Princess Leia, and then turn around and face those gathered in the hall as they applaud the heroes.The auction for the dress, which began on May 31 for online proxy bids, started at $500,000, and an absentee offer was submitted for $750,000, according to Propstore. Bids can be submitted online or in person at the Petersen Automotive Museum in Los Angeles.The dress is among more than $12 million worth of TV and film memorabilia that will be sold at the auction, with bids ending on Friday. Items include a shield from the 2004 movie “Troy” that was worn by Brad Pitt while playing the main character, Achilles. More

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    Morgan Wallen Spends 14th Week at No. 1

    The country singer’s latest album, “One Thing at a Time,” has now notched more weeks atop the Billboard chart than any album in more than a decade.The country star Morgan Wallen is back on the road after six weeks of rest, and back once again at No. 1 on the Billboard album chart, notching his 14th nonconsecutive week on top since the release of his latest album, “One Thing at a Time,” in March.With 14 weeks at No. 1, “One Thing at a Time” separates itself from Drake’s “Views,” which totaled 13 chart-topping week in 2016, and gives Wallen the most weeks at No. 1 in more than a decade, since Adele’s “21” ended up with 24 nonconsecutive weeks in 2011 and 2012.This week, “One Thing at a Time” totaled 110,000 album equivalent units, including 139 million in streams and 4,500 in sales, dropping just 1 percent in listener activity since last week, when it returned to No. 1 after two weeks at No. 2. In the 16 weeks it has been out, Wallen’s album has not fallen under 100,000 in equivalent units, tying Bad Bunny’s “Un Verano Sin Ti” for most weeks totaling six figures in the modern counting era, according to Billboard.Wallen’s world tour in support of “One Thing at a Time” resumed last week in Chicago, following six weeks of postponement that the singer said was recommended by doctors for vocal rest. In April, Wallen had abruptly canceled a concert in Mississippi just before he was set to take the stage, angering some fans. Wallen’s tour continues through most of the year, with some rescheduled dates stretching into 2024.In what has become a chart fixture this year, a K-pop group selling collectible CDs also found success this week: Ateez’s “The World EP.2: Outlaw” is No. 2 with 106,000 units, including 101,000 in album sales. Billboard reports that of the 10 albums this year to sell more than 100,000 copies as a complete album, seven have been by K-pop acts offering various CD versions.The rest of the Top 5 includes Gunna’s first album since being released from jail, “A Gift & a Curse,” which totaled 85,000 units at No. 3; Taylor Swift’s “Midnights” at No. 4 with 60,000 units; and SZA’s “SOS,” up to No. 5 from No. 8 with 48,000 units. Wallen’s previous album, “Dangerous: The Double Album,” which spent 10 weeks at No. 1 in 2021, is No. 6. More

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    Kelly Clarkson’s ‘Chemistry’ Draws on Familiar Formulas

    With a big voice and big personal changes to sing about, Clarkson ends up with arrangements that don’t match the power and rawness of the emotions fueling them.When a musician known in part for her fiery breakup anthems announces the dissolution of her marriage, fans can sometimes react with an impolite if somewhat understandable presumption: “Well, at least the divorce album will be good.”That was the response in 2019, when Adele separated from her now ex-husband Simon Konecki, though she certainly fanned the flames: In the promotional cycle for her 2021 album “30,” when a fan asked what her new record would be about, Adele replied with the instantly memed quote, “Divorce, babe, divorce.” Still, she rose to the challenge: “30” was her most radically honest and stylistically adventurous album yet.Earlier this year, when Kelly Clarkson — another beloved, recently divorced powerhouse vocalist — announced the release of “Chemistry,” expectations were high for some scorched-earth catharsis from the woman who unleashed the feel-good breakup song of the millennium, “Since U Been Gone.” After a holiday album and a covers EP, “Chemistry” is the first album of original pop material Clarkson has released in six years, following the debut of her popular, Daytime Emmy-winning talk show and her 2020 split with her husband, Brandon Blackstock. The track list — featuring song titles like “I Hate Love,” “My Mistake” and “Red Flag Collector” — practically screamed divorce, babe, divorce.But Clarkson, 41, said she wanted “Chemistry” to depict a full arc of a relationship, including its high points. “Favorite Kind of High,” an upbeat, electro-pop tune that Clarkson wrote with the producer Jesse Shatkin and Carly Rae Jepsen, attempts to capture the fizz of new infatuation. (A remix by David Guetta kicks the song into an even higher gear.) The slower, sultry “Magic” addresses a more long-term devotion: “Magic takes time, and I’ve got my sights and they’re set on you,” she sings breathily. Clarkson delivers these vocals with her signature virtuosity, but she doesn’t quite inhabit these relatively faceless songs as fully as she does when she’s singing about love gone wrong.Clarkson has always brought a sharp authenticity and feisty independence to her recording career. The popular “Kellyoke” segment on her daytime program has become a showcase for her genuine appreciation for all sorts of music and proof that she can sing expertly in just about any genre.“Chemistry” never quite lives up to her reputation for excellence, though, and it fails to find a sound that fits the rawness of much of its subject matter. The album is often a showcase for the elemental power of Clarkson’s voice and occasionally for her clever turns of phrase as a lyricist, but the arrangements too often rely on modern pop clichés rather than push for innovation or reach back to the soulful traditionalism of her 2017 LP, “Meaning of Life.”The production — helmed by Clarkson’s longtime musical director Jason Halbert and her frequent producer Shatkin, along with new collaborators Rachel Orscher and Erica Serna — often feels excessively compressed and synthetic, keeping Clarkson’s voice and emotion at an unfortunate remove. “Down to You,” with its sassy, hair-flipping energy, has a few zingers — “I tried to be your friend/I won’t make that mistake again” — but its sputtering, faceless chorus demands about 1 percent of her voice’s potential wattage.The wrenching, piano-driven torch song “Lighthouse,” on the other hand, gives her a little more breathing space and puts a spotlight on one of the album’s most impassioned vocal performances. “My Mistake” relies on a more synthetic pop sound, but its swooping melody gives her more room to vamp. It’s one of only two songs on the record Clarkson didn’t help write; she imbues the other, the booming, ’80s-inspired pop-rock standout “High Road,” with a lived-in weariness and convincing emotional maturity: “To become stronger, you have to listen/Keep it open, don’t try to hide it/And if you need love, don’t try to fight it.”Perhaps surprisingly for a record born from the heartbreak of divorce, “Chemistry” is at its most distinct when it abandons the weight of pathos and allows Clarkson to get loose. Across the final trio of songs, starting with the octave-leaping “Red Flag Collector,” she switches gears into a more conversational delivery — teasing out a sensibility shared by country, cabaret and Taylor Swift’s “We Are Never, Ever Getting Back Together” — and lets her quirky personality lead. Steve Martin, of all people, plays banjo on the stylistically restless “I Hate Love,” while Sheila E. provides percussion on the breezy finale “That’s Right.”These three songs may still be about a breakup, but they’re not tear-jerkers: “Turns out I like things that you don’t,” Clarkson sings on the closer, before hitting the beach — which he hated, apparently — and reconnecting with herself. “Chemistry” ultimately feels like a missed opportunity for more depth and daring, but at least it sometimes sounds like a vacation.Kelly Clarkson“Chemistry”(Atlantic) More