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    Lady GaGa Thanks Fans for Propelling Duet Single With Ariana Grande to Top of U.K. Pop Chart

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    ‘Rain on Me’ enters Britain’s Official Charts Company rundown at number one on the same day the ‘Born This Way’ hitmaker releases her highly-anticipated album, ‘Chromatica’.
    May 30, 2020
    AceShowbiz – Lady GaGa and Ariana Grande’s duet “Rain on Me” has stormed to the top of the U.K. pop chart.
    The “Bad Romance” hitmaker and Ariana’s collaboration enters Britain’s Official Charts Company rundown at number one on the same day GaGa releases her new album, “Chromatica”.
    Speaking to OfficialCharts.com, the singer/actress reveals she’s thrilled a song she wrote at an extremely low point is now a huge hit.
    “If someone told me the day I wrote ‘Rain on Me’, a day I was crying water like misery, that this song would someday be number one, I never would have believed them,” she explains. “Thank you for celebrating this song. It’s my gift to you, to celebrate yourself. I hope the whole world is dancing.”

    “To all my U.K. monsters (her fans), I love you so much from the bottom of my heart. Thank you for making me number one, and I hope you feel number one every time you listen to this song.”
    GaGa and Ariana now each have six U.K. number one singles and their new hit becomes the first all-female collaboration to top the chart in six years, following the “7 Rings” hitmaker’s “Bang Bang” collaboration with Jessie J and Nicki Minaj, which shot to number one in 2014.
    Last week’s number one, DaBaby and Roddy Ricch’s “Rockstar” falls to two, S1mba and DTG’s “Rover” is at three, Doja Cat’s “Say So” slips two places to four, and Powfu’s collaboration with Beabadoobee, “Death Bed”, completes the top five.
    In the albums chart, The 1975 win a close battle with YouTuber-turned-rapper KSI to top the rundown with their new record “Notes on a Conditional Form”. KSI’s “Dissimulation” is at two, ahead of Lewis Capaldi’s “Divinely Uninspired to a Hellish Extent”.

    Dua Lipa’s “Future Nostalgia” and U.S. rapper Gunna’s “Wunna” complete the top five.

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    Lady GaGa Calls Off Album Release Party Amid Minneapolis Protests

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    The ‘Chromatica’ singer has decided to pull the plug on the party celebrating her sixth studio album amid the ongoing protests to seek justice for George Floyd.
    May 30, 2020
    AceShowbiz – Lady GaGa pulled the plug on a planned virtual album playback party on Friday, May 29, 2020 because the violence in Minnesota had left her raw and emotional.
    The “Stupid Love” singer was looking forward to hosting a listening session for her new release, “Chromatica”, but postponed the online fan get together in light of current events, including the protests regarding the death of African-American George Floyd, who was killed at the hands of white police officers on Monday, May 25, 2020.
    On Thursday night, protesters set fire to a police precinct, while U.S. leader Donald Trump was heavily criticised for posting threatening tweets to the activists.
    And Gaga wasn’t in a celebratory, album-release mood when she woke up to all the drama on Friday.
    “As much as I want to listen to Chromatica together as a global group of kindness punks right now, our kindness is needed for the world today,” she wrote. “I’m going to postpone our listening session right now and encourage you all to take this time to register to vote and raise your voice.”
    “I’m so glad the album is bringing you some joy, because that’s what I always wanted it to do. We’ll reschedule this very soon.”
    Her comments came hours after Taylor Swift condemned Trump for a tweet in which he threatened, “When the looting starts, the shooting starts.”
    The pop star took to social media and wrote, “After stoking the fires of white supremacy and racism your entire presidency, you have the nerve to feign moral superiority before threatening violence? ‘When the looting starts the shooting starts’??? We will vote you out in November. @realdonaldtrump.”

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    Hire a D.J. and Turn the Music Up

    At any party, there’s a moment of awkwardness, when the dance floor is still empty and guests are arriving. But then, something clicks. Maybe the lights dim. Maybe the D.J. plays That Song and the room becomes a hydra, moving together to the beat. The party has truly started.“The reason a club is so much fun, for me and for other people, is because there’s something so magical about experiencing music together,” said Louis Mandelbaum, 33, a pop music-focused D.J., writer and actor based in Brooklyn who goes by D.J. Louie XIV. “It’s one of the most ethereal human traits.”You can still find that joy in quarantine. In real life, the people who have the most fun are the people who just let themselves go. So, in your apartment, do the same thing. Set up a private event on Zoom or another platform with your friends, and then livestream a D.J.’s set, so you’re all sharing the same music. Then, just groove. Here are some tips to find the vibe, no matter what age you are.All virtual clubs are all-ages.For kids and teenagers, these live-streamed sets might be their only avenue to listen to some of the best D.J.s right now. They won’t be exposed to any drugs or alcohol at these parties, so there’s no need for ID. It’s among the cleanest fun around (assuming the songs don’t have explicit lyrics).And for adults, the virtual party can offer a calmer and less performative way to dance with friends. You don’t need to worry about getting in, or your friends bailing on you if they find someone cute. But you still get to dance.Find your tunes.Already, a lot of D.J.s are streaming. Esquire compiled a list of some of the most famous D.J.s spinning during the quarantine, like D.J. D-Nice, who has taken the internet by storm.“It got me thinking into how amazing the accessibility of these parties are,” said Robin Krupnick, 23, a graphic designer who lives in Greenpoint, Brooklyn.Ms. Krupnick, who regularly goes to clubs, usually supports local artists, whose shows might cost $25 to $50 to stream. But now, she is also tuning into the techno shows of big name artists. “I was watching D.J.s that I’d have to pay a couple hundred dollars to see,” she said.If going out is already your thing, check in with some of your favorite local artists. They’re probably spinning. You could just stream and Zoom, though if the D.J. puts his or her Venmo handle up, you’d do well to tip them. Shilpa Sabharwal, a 32-year-old artist who goes by D.J. Scarlett, streams for free, but charges for a private session.A party for kids might require some advance planning on your part, as few D.J.s cater specifically to children. If you are making your own playlist, pick songs that you know children will like, including oldies they might know from their parents, or a Disney favorite. When in doubt, just play “Let It Go.”Prepare your speakers.The music quality will be the most important factor. It’s what makes a party tick. A D.J. can get a streaming device that pumps sound from the mixer directly into their phone. As a listener, if you have external speakers, connect your device and crank the sound up loud.Any Bluetooth speaker, Mr. Mandelbaum said, “will do the trick. You don’t need anything special.”Or wear your headphones. That’s what Genevieve Robles, a 34-year-old talent director who lives in Downtown Brooklyn, sometimes does. (If you have nosy neighbors or thin walls, that might be something you want to do, too.)“It’s even funnier, probably as an onlooker, because I am dancing through my apartment,” she said. “Or I’ll sing at full volume, karaoke style, which is probably hilarious.”If you’ve got wireless headphones, they might be better: you don’t want to get tangled.In a bind, you can put your phone in a glass cup. The sound will still be kind of tinny, but at least it will be loud.Set the scene.The more you can do to make the party feel like an occasion, the happier you will be.Ms. Sabharwal, who is based in West New York, N.J., asks her fans to connect the stream to their televisions and turn off their life (you’ll need a Bluetooth-enabled TV or a HDMI cord). She has lights in her setup that flicker, which can help create a club environment.Or, she said, “if you can invest in a $15 rinky-dink strobe light thingie from Amazon, go for it.”Clothes: You don’t have to get dressed up, but you could. It might actually make it feel more real.“You don’t want to look like you’re in quarantine, right?” said Kerry Hayes, 33, who goes by the name Nero Lamek and is a co-founder of Xystance, a livestreaming platform for up-and-coming D.J.s. Emily Cohn, the 25-year-old writer and director of “CRSHD,” a movie about a college student attending a party in hopes of losing her virginity, hosted a dance party to celebrate the film’s virtual theatrical premier. She asked her guests to wear red, pink and white, which was the color scheme of the in-person party she hosted when “CRSHD” had its premiere at last year’s Tribeca Film Festival.Her friends rose to the occasion. Emma Orlow, 25, a guest at the party who is also the associate food and drink editor at Time Out New York and a contributor to T Magazine, set her Zoom background to a disco ball-studded dance floor.“It’s a rare moment to feel really attractive and beautiful and sexy in quarantine, not because anyone is even looking at you, but because you’re having this really freeing moment with your body,” she said.Make sure to play host.At Ms. Cohn’s party for the first few minutes, people were just bobbing their heads in their individual Zoom frames.But then, the music picked up and she started using Zoom’s functions to bring the crowd alive. She started spotlighting people, pinning their video chat to the whole stream, so they had the opportunity to show off. The party really started.If you’re the party’s host, make sure you’ve practiced spotlighting before the soiree starts (you need to go to “manage participants” on the Zoom Room Controller) and keep your eye on the display to see who is dancing up a storm.The chat is the dance floor.The difference between a good D.J. and a great D.J. is her ability to read the room. Before the quarantine, spinning was part-psychology, part-musicology.Now, the “room” is hundreds of different spaces. The D.J., streaming on Instagram or Twitch, cannot see anyone’s face. It’s more like posting a video than engaging in videoconferencing, so they’re just reading the likes and comments. It’s hard to take the temperature.So they rely on the streaming platform’s chat function. It’s the new dance floor, the way to request songs and communicate as a group.“I’m commenting straight for four hours,” Ms. Robles said.Some fans share how they’re multitasking: dancing while doing the dishes, doing a two-step in the kitchen. Ms. Robles takes her phone with her as she dances through the apartment, to keep up with the comments. “It’s literally like a chat room,” she said.And, just let loose.This is not the same thing as an in-person party. But, in quarantine, it’s worth it to be silly. Just shake it out.“It’s one of the places that I feel most connected during this time,” Ms. Robles said. “There’s this shared love for the music.”At the very worst, you’ll have gotten some exercise. And — you’ve got a good anecdote to boot. Who doesn’t love a nutty night-out story? This time, you’ve got a nutty night-in story. More

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    Dolly Parton Promises Hope, and 10 More New Songs

    Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs and videos. Just want the music? Listen to the Playlist on Spotify here (or find our profile: nytimes). Like what you hear? Let us know at theplaylist@nytimes.com and sign up for our Louder newsletter, a once-a-week blast of our pop music coverage.Dolly Parton, ‘When Life Is Good Again’[embedded content]Dolly Parton proffers an unexpected benediction in “When Life Is Good Again.” Modest country mandolin, arena-scale echoing guitars — part U2, part “Boys of Summer” — and a gospelly choir join her feathery voice as she recognizes dire times and promises better ones. JON PARELESRosalía featuring Travis Scott, ‘TKN’A satisfyingly crisp reggaeton-ish collaboration between two artists who approach the genre from the outside — Rosalía, full of vocal elegance, and Travis Scott, teeming with dour flirtations. They’re compatible enough, but really this is an alignment of corpo-cultural interests, a merger as well suited to the Financial Times as to YouTube and Spotify. JON CARAMANICANicole Atkins, ‘Domino’“I don’t want to play safe and sound/When the world comes tumbling, tumbling down,” Nicole Atkins sings in “Domino,” on her new album “Italian Ice.” There’s a retro yet skittish late-1960s funk vamp behind her, and the tension is contemporary. PARELESJimmy Edgar featuring Hudson Mohawke, ‘Bent’Loud clanging. Digital belches. Military ding-dongs. All of these noises get pressed into a marching pattern by the eclectic Detroit producer Jimmy Edgar and the Scottish thunder-electro specialist Hudson Mohawke on a foot-stomper that’s also a head-twister. CARAMANICAThad Cockrell featuring Brittany Howard, ‘Higher’One of the oldest soul and gospel homilies — “gonna lift you higher” — makes a completely unironic return, but with a twist, in “Higher.” The track’s long, serene intro is a fake-out ended by a decisive drum attack. From there, the song seesaws between desolation and affirmation; Thad Cockrell sings in a quivering tenor about sorrow and heartbreak, but Brittany Howard swoops in to rescue him, harmonizing a vow that grows ever more persuasive: “I’m gonna lift you higher when I’m feeling low.” PARELESBright Eyes, ‘One and Done’Conor Oberst has reclaimed his old Bright Eyes moniker, not for its lo-fi beginnings but for the sonic ambitions of its latter-day albums. “One and Done” is a dirge that sets glum verbal enigmas — “Around here we’ve been wondering what tomorrow’s gonna sing/On the final field recording of the loud anthropocene” — to ever-expanding orchestrations, one can-you-top-this crescendo after another arriving with the most somber excess. PARELESEsperanza Spalding and Fred Hersch, ‘But Not for Me’[embedded content]For three enchanted nights in October 2018, Esperanza Spalding sat on a stool onstage at the Village Vanguard without her bass, steps away from the pianist Fred Hersch, singing and speaking and undoing a book of songs, including jazz standards and Hersch originals. On the Gershwins’ age-old “But Not for Me,” Spalding talks to the song as she performs it. “And then some words I don’t really understand, because it’s like, Old English: ‘hi-ho, alas and lackaday’,” she shrugs at one point, replacing the lyrics with her inner monologue. Even as she relishes the tune, Spalding seems almost to be saying to the Gershwins, with a bemused shake of the head, “How are you still here?” Her instigative impulse is contagious, and Hersch — a few decades Spalding’s senior, and one of the finest pianists of his generation — leans into a percussive, playful style, sounding startled and delighted. GIOVANNI RUSSONELLOLarry Willis, ‘Climax’The lengthy studio career of Larry Willis, a versatile jazz pianist who died last year, began when he was in his early 20s, accompanying the eminent alto saxophonist Jackie McLean on a series of sessions at Rudy Van Gelder’s famed studio in 1965. On “I Fall in Love Too Easily: The Final Session at Rudy Van Gelder’s,” recorded last September, things come full circle. Leading a quintet combining musicians from his native New York and his adopted hometown, Baltimore, Willis marches through a catalog of originals and classics, including “Climax,” a zipping modal composition by Jack DeJohnette that was one of the pieces he recorded with McLean at those early sessions, in that same studio, more than 50 years before. RUSSONELLONLE Choppa, ‘Different Day (Lil Baby — Emotionally Scarred Remix)’On this remix of Lil Baby’s “Emotionally Scarred,” the promising and sometimes rowdy young rapper NLE Choppa takes the heart-rending bait of the original and doubles down. Amid lyrics rife with toxicity and trauma, he taps out a tale about a love so intense he’s not sure how to handle it, and unsure what to do when it handles him: “We be scared to open up to each other so we have trouble/Two different worlds, you a queen but I’m coming straight out the gutter.” CARAMANICAGabriel Garzón-Montano, ‘Someone’As Gabriel Garzón-Montano sings about not getting over an ex in “Someone,” the track makes clear just how mired he still is. It has a deliberately sluggish beat punctuated by sticky, squishy clavinet notes, while the vocal line makes jazzy leaps that sound increasingly distraught. By the time the bridge suddenly swells and he reiterates, “I needed you/I don’t know what to do,” it’s already obvious. PARELESProtomartyr, ‘Michigan Hammers’Protomartyr is from Detroit, and the band’s songs have always had a hard-nosed Midwestern pragmatism. “Michigan Hammers,” from an album postponed until July 17, races along on chattering, virtually nonstop quadruple-time cymbals and guitars erupting in bursts of syncopated chords. Joe Casey’s lyrics, mostly barked and occasionally sung, are nonlinear, but he’s not offering any reassurance. “What’s been torn down can be rebuilt,” he chants, only to add, “What has been rebuilt can be destroyed.” PARELES More

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    David Guetta Stages Live Lockdown Performances Outdoors Because of This Reason

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    One month after performing at ‘United at Home’ on a rooftop in Miami, Florida, the ‘Dangerous’ hitmaker prepares for a second virtual benefit show that will take place in New York City.
    May 29, 2020
    AceShowbiz – Dance superstar David Guetta decided to take his live lockdown performances outdoors after finding it “frustrating” to play without an in-person crowd.
    With concerts and club nights shut down around the globe due to the coronavirus pandemic, many musicians have taken to the Internet to livestream gigs from the comfort of their own homes, but staging the shows indoors just wasn’t working for the Titanium hitmaker.
    “A lot of artists, especially DJs, were doing performances from their bedrooms. I felt like that was a little bit frustrating. I really wanted to feel like I have a crowd,” Guetta explained to The Associated Press.
    The French star came up with a plan to stage a virtual benefit gig last month on a rooftop in Miami, Florida, complete with festival-grade production, and the location of the first event, titled United at Home, allowed residents in nearby apartment buildings to view the concert in person, while still abiding by social distancing regulations.

    Guetta said, “I had the idea of doing this in the middle of (apartment) towers and people were on the balconies and that was absolutely amazing.”
    The livestream attracted over 12 million viewers and raised more than $700,000 (£568,000) for COVID-19 relief efforts, and Guetta is now preparing to play his second United at Home show at an undisclosed location in New York City on Saturday, May 30.
    During the Miami event, he also connected with fans via video conferencing app Zoom so he could watch them enjoy his concert as it happened, and he will be doing the same for the Big Apple bash.
    “To me it’s essential,” he shared of the fan engagement. “That was the idea behind the show. I’m going to do it in a different way in New York City, but we were also interacting with people on Zoom. I thought that was so cool. I could see the kids dancing at home. I could see everybody having their own little parties. I could interact with them. Some people would write messages to me and I would answer them. Like, this is really cool! It feels more real.
    “We’re entertainers, this is what we do. It’s not just like playing at home on the keyboard. I’m performing for the people. It’s amazing to receive energy back.”
    And while the concert will be raising donations for good causes, Guetta is thrilled to be able to entertain fans as best he can until the live music industry is up and running again.
    “We’re doing something good. And also, we’re bringing a little bit of happiness in people’s life (sic) which is what I’m trying to do as a DJ,” he smiled.
    Fans can join the next United at Home concert from 7pm EST here.

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    Grimes Puts $10 Million Price to Piece of Her Soul She Sells at First Fine Art Show

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    The ‘Genesis’ singer, who has just given birth to her first child with boyfriend Elon Musk, debuts ‘Selling Out’, an fine art show at Gallery Platform Los Angeles and Maccarone Los Angeles.
    May 29, 2020
    AceShowbiz – New mum Grimes is selling off a piece of her soul as part of a new art project.
    The 32 year old has debuted her first fine art show at Gallery Platform Los Angeles and Maccarone Los Angeles, called Selling Out, and among the drawings, prints and photographs on show, the singer/songwriter will be offering a “legal document” giving the buyer a claim to her soul.
    “I didn’t want anyone to buy it, so I said, ‘We should just make it $10 million and then it probably won’t sell,'” she says.
    “The deeper we got with it, the more philosophically interesting it became. Also, I really wanted to collaborate with my lawyer on art. The idea of fantastical art in the form of legal documents just seems very intriguing to me.”
    Grimes became a first-time mother earlier this month when she gave birth to boyfriend Elon Musk’s sixth child.

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    Kim Kardashian Sings Praises of David Jassy for Prison-Produced Mixtape

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    Jassy, who is serving time at San Quentin State Prison for killing a man, established a music-focused program within the Youthful Offenders Program to teach producing and recording to fellow inmates.
    May 29, 2020
    AceShowbiz – Kim Kardashian has heaped praise on music producer David Jassy for creating a mixtape while serving time at San Quentin State Prison in California.
    The enterprising hitmaker recorded the 17-track project behind bars and ahead of its release on Friday, May 29, the reality star shared words of support and praised Jassy’s dedication to his music project, which features raps from fellow inmates.
    “You guys should be so proud of yourselves,” Kardashian said in a video message. “Now that the world gets to hear your passion through this music, its just so amazing how you’ve formed this path and shown how this community can grow through your music and share such a positive message. It’s amazing and I can’t wait for the world to hear it.”
    [embedded content]
    Jassy previously worked with Britney Spears, Sean Kingston, and Ashley Tisdale before he was incarcerated for killing a man during an altercation. While serving time behind bars he established a music-focused programme within the Youthful Offenders Program to teach producing and recording to fellow inmates.
    David’s sentence was commuted by California Governor Gavin Newsom in March and he has since returned to his native Sweden to resume his career.

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    Lady GaGa Marks 'Chromatica' Release With $100,000 Donation to Hunger Relief

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    The ‘Rain on Me’ singer teams up with delivery app Postmates to pledge $1 to celebrity chef Jose Andres’ World Central Kitchen organization for every order made on the platform.
    May 29, 2020
    AceShowbiz – Lady GaGa is turning her album release into a charitable affair by donating up to $100,000 (£81,000) to a hunger relief fund.
    The pop superstar has teamed up with bosses at delivery app Postmates to pledge $1 (£0.81) to celebrity chef Jose Andres’ World Central Kitchen organisation for every order made on the platform this weekend, May 29-31, up to $100,000, reports TMZ.
    The partnership is designed to promote the launch of “Chromatica”, which drops on Friday, May 29, and to sweeten the deal, app users can enter the album title at checkout to score free delivery.
    GaGa had previously planned to debut the project in April, but postponed its release due to the coronavirus outbreak.
    Breaking the news of the delay to fans back in March, the singer shared, “This is such a hectic and scary time for all of us, and while I believe art is one of the strongest things we have to provide joy and healing to each other during times like this, it just doesn’t feel right for me to release this album with all that (is) going on during this global pandemic.”
    “Chromatica” is the Oscar winner’s first new album since 2016’s “Joanne”.

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