Music

Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs and videos. Just want the music? Listen to the Playlist on Spotify here (or find our profile: nytimes). Like what you hear? Let us know at theplaylist@nytimes.com and sign up for our Louder newsletter, a once-a-week blast of our pop music coverage.The Rolling Stones, ‘Living in a Ghost Town’[embedded content]A song the Rolling Stones had worked on last year, “Living in a Ghost Town” turned out to be unexpectedly timely. It’s a muscular, minor-key reggae-rocker that harks back to “Miss You” (along with the Specials’ 1981 “Ghost Town” and a brief nod to Jimi Hendrix’s “Crosstown Traffic”). The video has studio shots of the Stones together pre-pandemic, but the lyrics were revised in isolation, and Mick Jagger yowls them with commitment. “Life was so beautiful — then we all got locked down,” he sings, and concludes, annoyed and rueful, “If I wanna party, it’s a party of one.” JON PARELESEvanescence, ‘Wasted on You’The first song from the first new Evanescence album of original music in nine years is cathartic and familiar. There is Amy Lee’s voice, somewhere between ferocious and hymnal. And there is the arrangement, part understated hard rock and part power soul ballad. And there is the rendering of melodramatic subject matter with power and quasi-Christian grace: “I don’t need drugs/I’m already six feet low/wasted on you.” JON CARAMANICAJuice WRLD, ‘Righteous’Juice WRLD was 21 when he died in December from an accidental overdose of oxycodone and codeine. In his first posthumous single, he sings about pills and codeine, “Takin’ medicine to fix all of the damage/my anxiety the size of a planet,” over the kind of minor-key guitar picking he also used in his megahit “Lucid Dreams.” (He adds, “We may die this evening.”) Although it may be a studio illusion, the song sounds like it was largely finished; Juice WRLD saw his self-destructive path. PARELES More

This obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.Fred the Godson, who for more than a decade was a respected figure in New York hip-hop, an understated master of wordplay with a signature flow, died on Thursday in the Bronx. He was 41. His death, at Montefiore Medical Center, where he had been hospitalized since early April, was confirmed by his publicist, Matthew Conaway, who said the cause was complications of the coronavirus.Back when mixtapes were still the coin of the realm in New York rap circles, Fred the Godson was a reliable, forceful presence. He had a husky voice, but it was nimble, too — all the better for the kind of wordplay-heavy punch-line-filled bars that thrived in those settings. Double entendres, homophones, homonyms, assonance — he always found a way to bend a rhyme.Take his 2012 freestyle on Funkmaster Flex’s Hot 97 radio show, a regular showcase for high-finesse wordsmiths, in which his verse evolves line by line, one subtle tweak at a time:They see me on the block with the Lincoln parkedThey know I’m selling rock like Linkin ParkFar as flow, they click on my link and watchYou see me with the big Cuban link and watch“He was really committed to the wittiness and the bar work — he stood on that,” said Justin Harrell, a rapper who records as 38 Spesh and who was among Fred the Godson’s closest friends. Mr. Harrell recalled that Fred wrote all his rhymes with a silver Uni-ball pen on unlined yellow paper in a wholly illegible scribble. After he would record in the booth, he’d leave the paper behind, unworried about anyone filching his rhymes. “He knew no one would be able to read it,” Mr. Harrell said.DJ Clark Kent, a seminal figure in New York rap, praised Fred the Godson’s wordplay in a tribute on Instagram: “He was easily one of the most dangerous MC’s around.”Frederick Thomas was born on Feb. 22, 1979, and grew up in the Bronx, where hip-hop began. (Big Bronx was one of his nicknames.) He emerged in New York rap in the 2000s as a potent freestyler, spilling reference-dense lines over beats from other rappers’ songs, a New York tradition.He quickly released a pair of impressive mixtapes — “Armageddon” in 2010 and “City of God,” part of DJ Drama’s Gangsta Grillz series, in 2011. He was named a member of XXL magazine’s 2011 Freshman class, an annual collection of hip-hop up-and-comers.In the decade since, Fred the Godson had steadily released strong music and performed regularly, becoming an avatar of a hip-hop style that wasn’t always at the genre’s center. He collaborated widely, with Pusha T, Jadakiss, Cam’ron, Raekwon and many others.Mostly he favored hard-boiled subject matter, sometimes tragic and sometimes leavened with triumph, as on “Toast to That,” his 2011 collaboration with Jadakiss. But he also touched on matters of the heart, most memorably that same year on the savage and wry payback tale “Monique’s Room”: “We sent a vid to your Facebook/I wish I seen how your face looked.”Fred the Godson’s survivors include his wife, LeeAnn Jemmott, and two daughters. More