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    Kacey Musgraves Celebrates 50th Anniversary of Earth Day With 'Oh, What A World 2.0' Release

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    Dedicating the track to those on the frontlines fighting the coronavirus pandemic, the ‘Rainbow’ singer encourages donations to her Earth Day Fund in partnership with the World Wildlife Fund.
    Apr 23, 2020
    AceShowbiz – Kacey Musgraves has unveiled a new version of her hit “Oh, What a World” to celebrate the 50th anniversary of Earth Day.
    The singer has dedicated the track to those on the frontlines fighting the coronavirus pandemic and she is encouraging fans to listen and donate to the Kacey Musgraves Earth Day Fund in partnership with the World Wildlife Fund.
    “Right now, there are so many brave people that deserve Medals of Honor: the nurses, doctors, grocers, the delivery and truck drivers, cashiers, gas station attendants, the scientists, restaurant workers, the single parents and so many others,” she said in a release. “I’m just a songwriter, but my hope is that if I bring the light I have in my spirit to the table, maybe it could be a form of energy that lifts someone else’s spirit for a moment.”
    [embedded content]
    “Oh, What a World – dedicated to our planetary home and all the quiet heroes this Earth Day: you’re the northern lights in our skies.”
    [embedded content]
    All donations received will benefit nature conservation groups.

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    Liam Payne Knows Zayn Malik's Heart Was Not in One Direction Long Before Departure

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    Speaking about his former bandmate, the ‘Strip That Down’ hitmaker recalls the time the ‘Pillowtalk’ singer told the band he was forced to go to ‘The X Factor U.K.’ audition by his mother.
    Apr 23, 2020
    AceShowbiz – Liam Payne knew Zayn Malik wouldn’t stay in One Direction as his mum had to convince him to aim for pop stardom.
    The band was formed by Simon Cowell and producers from five contestants on U.K. talent show “The X Factor” in 2010, going on to finish third but becoming that year’s most commercially successful act.
    However, Liam reveals that he always knew Zayn’s heart wasn’t in the band long before his departure in March 2015, as the “Pillowtalk” hitmaker told his bandmates his mum convinced him to audition against his instincts.
    “I remember Zayn telling us the story that it was his mum got him to go to the audition the day he didn’t want to go and that was literally what we saw all the way through One Direction,” the “Strip That Down” hitmaker tells Britain’s Daily Star newspaper.
    Discussing his former bandmate’s attitude, he says that the Pillowtalk hitmaker, who hasn’t performed live since 2016 due to anxiety issues, loves making music, but hates the trappings of fame.
    “Some people are made for this thing but Zayn enjoys the side of the music where he just gets to make music,” Liam explains. “I don’t think he enjoys what comes with it. I think he has to be very careful where he treads.”
    “He likes to make songs and his songs do very well but at the same time he doesn’t really like to go out and perform the songs. He doesn’t really like going out and doing the press stuff that surrounds it in the crazy little world that we live in.”

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    Ariana Grande and BLACKPINK Unveiled to Be Part of Lady GaGa's 'Chromatica'

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    The ‘Born This Way’ hitmaker’s delayed sixth studio album has also been uncovered to feature a duet with Elton John after Target made it available for pre-order on its website.
    Apr 23, 2020
    AceShowbiz – Ariana Grande, Elton John and K-pop supergroup BLACKPINK will join Lady GaGa for songs on her next album if a leaked tracklisting is anything to go by.
    Eagle-eyed fans spotted U.S. store Target’s listing for “Chromatica” online on Wednesday (April 22) and noticed some big names had been added to three of the tunes.
    It appears Ariana will be featured on a track titled “Rain on Me”, BLACKPINK will join the pop star for “Sour Candy” and “Shine from Above” is a duet between GaGa and Elton.

    “Chromatica” was scheduled for release this month, but it has been delayed indefinitely due to the ongoing coronavirus pandemic.

    “This is such a hectic and scary time for all of us, and while I believe art is one of the strongest things we have to provide joy and healing to each other during times like this, it just doesn’t feel right to me to release this album with all that is going on during this global pandemic,” Lady GaGa wrote in a note on Twitter.

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    Joseph Feingold, Holocaust Survivor and Documentary Star, Dies at 97

    This obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.Joseph Feingold, a Holocaust survivor who found unexpected fame late in life as the co-star of “Joe’s Violin,” an Oscar-nominated short documentary, died on April 15 at Mt. Sinai West Hospital in Manhattan. He was 97.His stepdaughter Ame Gilbert said the cause was complications of Covid-19.In 2014, Mr. Feingold was listening to his favorite classical music station, WQXR, when he heard about a program that gives used instruments to New York City schoolchildren. He took the bus from his home on Manhattan’s Upper West Side to Lincoln Center, and donated a cherished violin he no longer played because his fingers had grown stiff.Mention of his donation was made over the radio. The violin — and Mr. Feingold — had quite a story, as Kahane Cooperman, a filmmaker who was listening, soon discovered.Born on March 23, 1923, in Warsaw, Joseph Feingold was 17 when the Nazis invaded Poland. He and his father, Aron, a shoemaker, fled to the Russian-occupied east seeking safety. They were caught by the Russian army and sent to separate labor camps in Siberia. Six years of near-starvation and freezing cold followed.Mr. Feingold’s mother, Ruchele, and a younger brother, Henry, had both stayed behind in Poland and perished in the concentration camps, he later learned. Another brother, Alex, miraculously survived Auschwitz and Bergen-Belsen.While he was at a displaced person’s camp near Frankfurt, Germany, Mr. Feingold spotted a violin at a flea market and traded cigarettes for it. Music reminded him of happier times before the war, he said in a self-published memoir. Mr. Feingold back then would accompany his mother on the violin as she sang for family and guests.Mr. Feingold emigrated to New York City along with his father and brother and the flea-market violin.The trauma of the Holocaust trailed him. He got a late start in life, graduating from Columbia University’s Graduate School of Architecture when he was 39 and marrying his wife, Regina, in his late 40s.He became a successful architect known for his mastery of the city’s byzantine building codes. He bought a brownstone on the Upper West Side and a ramshackle farmhouse in Ghent, N.Y., rebuilding the house and old barns, and cutting paths through the woods, to make a beloved retreat.Ms. Cooperman recounted Mr. Feingold’s saga in his 2017 documentary and also told the story of the violin’s recipient, Brianna Perez, a 12-year-old Dominican girl from the Bronx, and the friendship that formed between the two.In addition to Ms. Gilbert, Mr. Feingold is survived by four step-grandchildren and a step-great-granddaughter.He had difficulty in being open and warm with his family, relatives said. His relationship with his brother was complicated by the tragic history they shared.After his brother died last month from pneumonia, Mr. Feingold started having nightmares about the Holocaust.Apparently, such dreams had haunted him periodically for years, though Ms. Gilbert said she learned that only recently. She wished it were sooner. “It would have allowed me more compassion,” she said. More

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    ‘Beastie Boys Story’ Review: Pass the Mic, and the Memories

    One thing Gen-X kids used to do — other people, too, of course, but I’m talking about something specific — was hang around with friends and listen to records. You might have been skipping school, you might have been smoking weed, but it could just as well have been a Sunday afternoon with a two-liter bottle of soda. Maybe someone had a guitar or a drum kit you could mess around with, and maybe after a while you even started a band, but the main thing was being together, pooling your collective teenage energies against the forces of boredom and responsibility.Eventually, most of us negotiated a truce or surrendered outright. Not the Beastie Boys. And while there is admiration and affection on the faces of the middle-aged fans flocking to the Kings Theater in Brooklyn in “Beastie Boys Story,” there’s some envy-tinged nostalgia, too. As Adam Horovitz and Michael Diamond, the surviving members of the trio, explain from the theater’s stage — in a live appearance directed and filmed by their pal Spike Jonze — they turned goofing around with friends and musical equipment into a career and a way of life.[embedded content]All these years later, they still seem kind of amazed by the whole thing. The story they tell — a streamlined version of the narrative put forward in “Beastie Boys Book,” their fat 2018 best seller — is full of fun and also tinged with grief and regret. They did some stupid things along the way, and weren’t always good to their friends, most notably Kate Schellenbach, an original member of the group in the early 1980s (and later the drummer for Luscious Jackson). She was pushed aside when the Beasties teamed up with the producer Rick Rubin and the mogul-in-the-making Russell Simmons and mutated from a punk band into an improbable but hugely successful rap act.Barely out of their teens, the Beastie Boys — Ad-Rock (Horovitz), Mike D (Diamond) and MCA (Adam Yauch) — found themselves opening for Madonna, touring with Run-DMC and dominating MTV with “(You Gotta) Fight for Your Right (to Party!),” a bit of anti-bro satire that became a bro anthem. Brattiness became their brand, and they found themselves trapped in a collective persona and style of performance that turned impish irreverence into obnoxiousness.But then they grew up. With their chronicle parceled into chapters interspersed with old photographs and video clips, Horovitz and Diamond read their banter from teleprompters in the back of the theater, and own up to their earlier lapses without going into too much detail. They aren’t much interested in opening old wounds or settling scores, though the air in the theater gets pretty chilly when Rubin and Simmons — who the Beasties feel manipulated and exploited them — are mentioned.The heart of the story is the second act that began when the Beasties started taking themselves seriously as musicians and took control of their own creativity in the early 1990s. No longer a novelty act, they put out a run of four albums — “Paul’s Boutique,” “Check Your Head,” “Ill Communication” and “Hello Nasty” — that are still fresh, funny, surprising and beautiful.“Beastie Boys Story” has its own kind of beauty, even if the aesthetic is more dad rock than hip-hop. Horovitz and Diamond are good company — unassuming without false modesty; self-aware without irritating air quotes. They love each other, and they both loved Adam Yauch, who was 47 when he died of cancer in 2012. He was, in his friends’ recollections, the glue that held the Beastie Boys together, their ethical and intellectual guide as well as the one with the deepest sense of humor. His loss is both the film’s emotional anchor and the thread that connects its anecdotes and digressions. It’s a jaunt down memory lane and also a moving and generous elegy.Beastie Boys StoryNot rated. Running time: 1 hour 59 minutes. Watch on Apple TV Plus. More

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    José Torres, 73, Restaurateur Beloved of Salsa Stars, Dies

    This obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.Salsa musicians had a post-gig ritual in the Bronx. When the music stopped, off they’d go to Joe’s Place, a Puerto Rican restaurant, where the owner and chef José Torres would lay out a free spread. Perhaps it was their enthusiasm for his home-style food that prompted one musician not long ago to announce to a concert audience at Lehman College in the Bronx, “We’re off to Joe’s!”“It was for the musicians, but whoever wanted to come by, they certainly did,” said Eddie Palmieri, the Latin jazz pianist, who performed at that concert. “Everything in the buffet was on him. Talk about jam-packed! But that was him. He did things like that.”Mr. Torres died on April 12 at Montefiore Medical Center in the Bronx. He was 73. The cause was Covid-19, his sister Aida Torres said.Mr. Torres opened Joe’s Place, an unassuming establishment on Westchester Avenue under the elevated tracks of the No. 6 subway line near the Parkchester neighborhood, in 1998. He turned it into a must-visit destination for music stars, a source of a free meal or a loan for out-of-work musicians, a favorite spot for family get-togethers, and even a place to mourn the loss of other musicians who were waked at one of the many nearby funeral homes.Like many other restaurants, its walls hold pictures of local kids made good. One shows Supreme Court Justice Sonia Sotomayor.Mr. Torres was born on Sept. 21, 1946, in Puerto Rico and moved to the Bronx when he was 10. He was a mature child, Ms. Torres said, who watched his mother closely in the kitchen as she prepared traditional dishes like bacalao guisado and pernil. He left high school in his junior year to work as a soda jerk at a midtown Manhattan hotel.An employee there befriended him, she said. “He took him from the counter to the kitchen and taught him. From there, he started cooking, from grill man, line cook until he became a chef.”In addition to Ms. Torres, he is survived by two other siblings, three adult children and his fiancée, Janet Sanchez.Mr. Torres didn’t just feed musicians at his restaurant. He was their friend. For years, Mr. Palmieri would stop in every Wednesday to conduct business or catch up with musician friends like the guitarist Nelson Gonzalez or the archivist and producer Rene Lopez.“He wanted to put an Eddie Palmieri room upstairs, like a lounge,” the pianist recalled with a gravelly laugh. “Man, he was a unique individual who was in love with what he did. When he passed away, he broke a lot of hearts.” More

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    French Montana Clears the Air After Saying That He'd 'Outshine' Kendrick Lamar on Festival Stage

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    Despite the explanation, fans on Twitter continue to come at the ‘Unforgettable’ hitmaker with one fan noting to French that Kendrick’s ‘main focus isn’t making hits.’
    Apr 23, 2020
    AceShowbiz – French Montana is setting the record straight. In a recent interview with Complex News, the rapper discussed his success in the hip-hop industry, insinuating that he would easily beat anyone including Kendrick Lamar. The statements earned him some hate comments, but French refused to change his mind in their favor.
    “I could go against anybody,” he said during the said interview. “You could put somebody like Kendrick Lamar next to me on the same stage at a festival, I might outshine him. Not because I’m a better rapper, or whatever it is. It’s just that I got more hits.”
    He went on explaining, “Kendrick Lamar got albums. He got masterpieces. But if you want to put us on the festival stage, I would outshine him because I have more hits than Kendrick Lamar.”
    As soon as the video of the interview hit the web, some users started to clown French for it. The “Welcome to the Party” spitter caught wind of it, and took to his Twitter account to share more insight into his opinion on the matter.
    “IF WE JUST TALKING ABOUT ANTHEMS, !! ME VS KENDRICK HIT FOR HIT ! I BELIEVE I CAN GO NECK TO NECK !!” French insisted. “I BEEN MAKING HITS FOR A LONG TIME ! IT AINT MY FAULT I BELIEVE IN MYSELF. HOW WAS I SUPPOSED TO ANSWER THAT QUESTION ? HOW MANY TIMES I GOTTA PROVE MYSELF BEFORE I GET MINE.”
    Assuring that there’s no bad blood between him and Kendrick, French added, “I love kendrick! that’s not just for kendrick that’s to anybody they put in front of me, and ask me that same question that u want me to say lol ? It should be your attitude too. If u think any less of yourself don’t blame it on the next person who don’t ! set it up.”

    Despite the explanation, fans continued to come at French. To someone who noted that Kendrick’s “main focus isn’t making hits,” French responded, “My point exactly! He is a different artist. I was just sayin, I’ll win that part. He is gonna win everything else but give me mines lol.”
    “I was talking about hits, we can go neck to neck,” French wrote. “Not taking nothing away from him, just standing for myself.”

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    Michael Jackson Livid as Madonna Told Him to ‘Dress Like a Girl’

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    Michael Jackson Livid as Madonna Told Him to 'Dress Like a Girl'

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    Kenneth ‘Babyface’ Edmonds recalls what the late King of Pop told him, ‘ ‘Babyface, can you believe she wants me to dress like a girl?’ He was like, ‘I’d never do that.’ ‘
    Apr 23, 2020
    AceShowbiz – During Kenneth “Babyface” Edmonds’ record-breaking Instagram Live battle with Teddy Riley, the former spilled some tea about Michael Jackson. Among them was the moment when the late King of Pop got so mad at Madonna for asking him to dress up like a girl for his “In the Closet” music video.
    In between songs, Babyface recalled what MJ told him, ” ‘Babyface, can you believe she wants me to dress like a girl?’ He was like, ‘I’d never do that.’ He said, ‘She was trying to change it all up. It was crazy.’ ” The record producer then mentioned that the “Heal the World” hitmaker “was really mad about it,” to the point where he decided to replace the Queen of Pop with Naomi Campbell.
    Produced by MJ and Teddy Riley, “In the Closet” was released in April 1992 as the third single off his eighth album “Dangerous”. It became the album’s third consecutive top ten single as it peaked at No. 6 on Billboard’s Hot 100 chart. The song additionally topped Billboard’s R&B songs chart.
    The song was originally conceived as a duet between the “Beat It” singer and Madonna. In an interview with British journalist Jonathan Ross back in 1992, the “Like a Virgin” hitmaker claimed that she worked on some lyrical ideas for the song but when she presented them to Michael, he decided they were too provocative and they decided not to continue with the project.
    She said at the time, “I started writing words and getting ideas and stuff and I presented them to him and he didn’t like them. I think all he wanted was a provocative title, and ultimately he didn’t want the content of the song to… sort of, live up to the title.”

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    Yung Berg’s Alleged Victim Claims to Receive Threats and Hate After Pistol-Whipping Incident

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