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    Model Broderick Hunter Calls Iggy Azalea 'Black Queen of Rap' and Internet Is Confused

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    Taking to his Twitter account, the 29-year-old model says, ‘Just wanna let y’all know Iggy Azalea was the black Queen of rap we deserved but y’all let her slip through the cracks.’
    Feb 20, 2020
    AceShowbiz – Broderick Hunter made some confusing comments on Wednesday, February 19. The model successfully got a lot of his Twitter followers baffled when he took to the bird site to heap praises for Iggy Azalea and even call her the “black queen of rap.”
    Alongside a GIF of a black man getting into a car while laughing, Broderick wrote, “Before I hit these meetings, just wanna let y’all know Iggy Azalea was the black Queen of rap we deserved but y’all let her slip through the cracks. We’ll save that for a later conversation.”

    Broderick Hunter praised Iggy Azalea.
    Though there’s a chance that he might be trolling, people were still sent to confusion the moment they read his post. “Broderick, you okay, baby? Everything alright at home?” someone asked, while another commented, “Ew. After all these years of lusting after you I’m finally disappointed.” One other refused to believe Broderick made the comment himself as saying, “I really hope someone hacked your Twitter because this ain’t it baby.”
    “It’s too early for this man… Save this when west coast twitter is up too… we need all the help with this one,” a different person wrote. “None of this tweet makes sense to me. Am I not getting the sarcasm???” another seemed confused, as someone else reminded him, “It’s Black history month. Have some respect on our name.”
    There were also people who thought that he might be mistaking Azealia Banks for Iggy. “I think you meant to say Azealia Banks sweetheart,” one person said. “Did u mean azealia banks? Cuz none of this added up. Not even the gif,” someone told him, while another echoed, “This is Iggy I think you meant Azealia Banks which she’s talented but won’t get out of her own way so she’s problematic.”

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    Remembering Pop Smoke, a Rapper Who Brought Brooklyn to the World

    Last summer, there was no escaping “Welcome to the Party,” Pop Smoke’s breakout single. It was a terrific kind of claustrophobia. The beat is tense and ornery, and Pop Smoke, with a voice as soothing as industrial machinery, was a lordly narrator of impending mayhem. Rattling car windows, the song was a reminder of how New York hip-hop once sounded, and dominated. Booming out of nightclub speakers, it was an incitement to dance-floor insurrection.“Welcome to the Party” was the anchor of Pop Smoke’s debut album, “Meet the Woo,” but the real emotional core was “PTSD.” On an album full of tossed-off threats and rowdy bluster, a soundtrack for rumbles in dark basements, here was a song about the cost of all that conflict. “My PTSD starting to kick in so I gotta get high,” he rapped, before detailing all the things he needed to escape from. On other songs, he sounded ready for war; on this one, he sounded like he’d just come home from one: “I spent 20 on my wrist and 20 on a chain/I be spoiling myself so I can ease the pain.”And yet there is no ease to be found.Pop Smoke, who was killed at the age of 20 early Wednesday morning at a home in Los Angeles, was at that ascendant place in his career just after local renown bubbles up into something bigger and more promising. The place where new opportunities compete for space with old tensions. He’d just released his second album, “Meet the Woo, Vol. 2,” which debuted at No. 7 on the Billboard album chart, and he was evolving from the most charismatic figure in the Brooklyn drill scene — one of the most vibrant in hip-hop right now — into a genuine breakout star, not bound by place or style.It’s been some time since Brooklyn has had a genuine hip-hop prospect, certainly one who channeled the bruising energy of the 1990s. Melodists have run the genre for a decade now; Pop Smoke — with a voice that recalled Lloyd Banks and DMX — punched through that sweetness like a sneering heavyweight. In the wake of his success, other aspirants from the scene — Smoove L, Fivio Foreign, Sheff G — were beginning to draw wider notice. And Pop Smoke found himself spending more time outside of Brooklyn, a beloved new character getting a taste of how life looked from the Hollywood Hills.Part of the cruel logic of sudden fame is that it presents unanticipated hazards. Pop Smoke was killed in an apparent home invasion robbery; in the hours following his death, internet sleuths made plain how easy it was to track where he was staying in Los Angeles based on social media posts. Those posts were intended to be totems of triumph, emblems of the new life that his music was affording him. They also may have been a road map.“Where we come from, it ain’t sweet,” Pop Smoke told me, when I interviewed him last summer, about growing up in Canarsie, where gang life was omnipresent. He detailed a youth shaped by ambient dread about what may lay just around the corner. “I had a gun in school. I had guns in church,” he said. “People was trying to kill me.”His motivation, he said, came from the opportunity to provide some semblance of hope to children who “got to carry their guns to school because it ain’t safe, but they still got to make sure they get they diploma ’cause they mom could be happy. I do it for them. That’s me.”When I spent time with him and his friends last summer, just as Pop Smoke was beginning to gain real attention outside of his neighborhood, there was still an air of wariness that hung over them. When they were approached in SoHo by an aggressive fan, everyone stiffened up just a bit while sizing up the potential threat. While driving out to Canarsie from Manhattan, he and his team drove quickly and defensively, speeding past other cars on the Brooklyn-Queens Expressway.But Pop Smoke also was basking in the attention. When clerks in a clothing store put on his music, he grinned wildly and talked to them like friends. When some teens in an Uber spotted him and began waving frantically, he rolled down the window and gave them a nod. And back in Canarsie, he sauntered around a crowded basketball tournament like a returning prince, swaddled by love.His ascent was not without hiccups, particularly in regards to law enforcement. In October, he was scheduled to perform at Rolling Loud in Queens — the first local iteration of the important hip-hop festival series. But the New York Police Department prevented him and a handful of other local acts from taking the stage, saying they “have been affiliated with recent acts of violence citywide.” D.J.s at the festival that weekend spun Pop Smoke’s music heavily in symbolic protest, to rapturous crowd response. Last weekend, he was advertised on the bill for a concert in Brooklyn that was celebrating the drill scene. But while other acts performed, Pop Smoke did not.That disruption at home seemingly only fueled his ascent everywhere else. Last month, he attended Paris Fashion Week, sitting front row at Off-White, and was photographed alongside the designer Virgil Abloh. He recently completed his first movie role, as a charismatic basketball-playing hooligan, in Eddie Huang’s forthcoming film “Boogie.”Even as he began to expand his musical approach on “Meet the Woo, Vol. 2,” Pop Smoke was indisputably himself, his sandpaper voice and stop-start flow immediately identifiable. He became an avatar of hip-hop’s turn from the polished back to the rugged. In recent months, he had collaborated with Nicki Minaj, Travis Scott, H.E.R., Quavo and more, exporting the particularities of Brooklyn’s sound and importing others into it.Often, charisma is the Trojan horse that carries new sounds, styles or ideas into the mainstream. Pop Smoke, with a quick smile matched with cool menace, was a perfect ambassador. But he was hungry for what success had in store for him, the places it might take him. “I like learning new things and experiencing new things,” he said. “You can’t stay the same.” More

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    Kehlani Lashes Out at Joe Budden for Criticizing Her Over New Breakup Song

    Instagram

    The ‘Valentine’s Day (Shameful)’ singer calls the rapper-turned-podcaster ‘a joke’ and his comments ‘disgusting’ following his criticisms on the track that alluded to her relationship with YG.
    Feb 20, 2020
    AceShowbiz – Kehlani was furious at Joe Budden. She clapped back at the rapper-turned-podcaster for criticizing her after listening to her new track “Valentine’s Day (Shameful)” which reportedly addressed her breakup with YG. “Joe Budden is a joke,” she tweeted.
    In his podcast, Joe made this comment about her new song, “I feel like I’ve been hoodwinked.” He added, “Cause it was just last week we came on this podcast [and] Rory made me listen to a YG and Kehlani song [Konclusions]. … I was with this new image of YG being in love.”
    He continued, “[‘Valentine’s Day’ is] unlike any Kehlani record I’ve ever heard,” before calling her out, “She really wants us to know how much of a piece of s**t YG is, but she’s hiding behind the thin veil of I’m not telling you guys who I’m talking about.”
    He admitted the song was good, “The f**ked up part is she’s smoking this s**t. And she stepped on that n***a’s single,” but he was less than impressed with Kehlani for picking apart YG, “Chicks don’t care what they step on when they’re in a rage. They don’t care what they ruin.”
    Kehlani responded, describing Joe’s comments as “disgusting.” She also dissed him for using her photo to promote his podcast on social media, “The amount of misinformation and lies and lameness in this episode about me and you used my face is … lol gotta love it.”

    Joe replied, “We love you, it’s jokes… feel better.” He later added, “I’m bout sick of you artists… never a peep through years of praise but wanna jump outta windows when you hear something you don’t like… newsflash, i am not friends with you n***as.”

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    Rapper Pop Smoke Is Dead After Los Angeles Home Invasion, Label Says

    LOS ANGELES — Even by today’s get-famous-quick standards, Pop Smoke became hot at microwave speed.He released his first album, “Meet the Woo,” last July, and in the months to follow, he collaborated with Nicki Minaj, Travis Scott and others. His second album opened this month at No. 7 on the Billboard 200 chart.He had moved on from his family’s duplex in a middle-class section of Brooklyn, and, at 20 years old, was living in a rented four-bedroom home owned by one of the “Real Housewives of Beverly Hills,” with a backyard pool featuring expansive views of the Hollywood Hills.Before dawn on Wednesday, several people broke into that home, at least one holding a gun and at least one masked, according to the Los Angeles police. Someone staying there contacted a friend on the East Coast, who then called 911. Within minutes, the call was relayed to Los Angeles and the police were at the home, but it was too late; the intruders had fled and a person inside had been fatally shot. Pop Smoke’s record label, Republic, confirmed that he was the victim.There were no arrests Wednesday, and the police said they were still investigating a motive.A number of celebrities in Los Angeles have been victims of home invasions in recent years, and fans of Pop Smoke, whose real name was Bashar Jackson, wondered whether he had unwittingly provided bait to thieves by posting photos of cash, and his address, on social media.The loss of another rising star hit the hip-hop universe hard on Wednesday, with many artists posting their condolences. Several others have died by shootings or overdoses in the last couple of years, a dark cloud over the industry coinciding with its rising fortunes thanks to new, freely available platforms including SoundCloud and TikTok.Pop Smoke emerged last year as the first breakout star of Brooklyn’s growing drill rap scene with the hits “Dior” and “Welcome to the Party,” which became the ubiquitous hip-hop song of the summer. A gravel-voiced rapper with a barklike delivery, he quickly honed a signature approach that recalled the rougher New York rap of the 1990s.He was scheduled to go on tour in March following the release of his second album, “Meet the Woo, Vol. 2.” Just last week, he returned from a trip to London, where he sat for a series of radio and magazine interviews.He had come far from Canarsie, Brooklyn, where he grew up the child of Panamanian and Jamaican parents. A stream of mourners on Wednesday paid a visit to his family home, one half of a two-story brick-and-siding duplex on East 105th Street.In an interview with the music website Genius last year, he said he created his stage name from two childhood nicknames: Papa, given to him by his Panamanian grandmother, and Smoke, part of a name his friends had given him.A next-door neighbor, Jessica Lowe, 25, said that the rapper often carried her groceries up the steps when she was returning home from shopping, and was friendly with her entire family.She said she was “more than shocked” at news of his death. “I thought it was a joke,” she said.“Obviously in this world it seems possible, but it’s just like, ‘Why now?’ “ Ms. Lowe said.Pop Smoke is one of several notable rappers to have died in the last couple of years. Accidental drug overdoses have claimed the lives of established rappers including Mac Miller and up-and-comers like Juice WRLD and Lil Peep. Shootings have killed Nipsey Hussle, XXXTentacion and a host of rappers well known in their local scenes.Pop Smoke had had legal problems: He was arrested last month on charges of transporting a stolen $375,000 Rolls-Royce to New York from California (he needed the judge’s permission to travel to London) and previously had to wear an ankle monitor as part of a court diversion program connected to a weapon charge, which was eventually dismissed. “I was literally wilding for respect,” he told The New York Times last year.Even as he was on the path to becoming the biggest New York rap success story in recent memory, the New York Police Department prevented him from performing at the Rolling Loud festival in Queens last October, citing safety concerns.In Los Angeles, he was living in a home owned by Teddi Mellencamp, a “Real Housewives” star, and her husband, Edwin Arroyave. Josh Adams, 35, who lives a few blocks away, came by on Wednesday, looking on as the police blocked the roadway and helicopters circled overhead.“Where he comes from, what he represented, I can relate to a lot of the stories he talks about in his music,” said Mr. Adams, a video editor who grew up in South Los Angeles.But Pop Smoke was also musically unique, he said. “He just had this real muffled, deep voice, and you kind of almost end up talking like him after a record of hearing him.”Pop Smoke’s lyrics were unabashedly profane, but original, Mr. Adams said. He pointed out that the rapper inverted the meaning of “thot,” a derogatory term for a sexually active woman, by proudly identifying as a “thot” himself.Mr. Adams started chanting the hook of “Welcome to the Party.”“The vibe, the way he sung the song, it was one of those records and one of the artists and one of those sounds that the world could resonate with,” he said.Fanny Jooste, who lives across the street, said she had no idea a famous rapper had been living there, adding that the people in the home were usually quiet.She said she was surprised that the security vans that patrol the neighborhood at night hadn’t happened upon the crew in the act.Many of the homes on the road have multiple security cameras pointing at the street, though most, including the one where Pop Smoke lived, do not have gates. Many fans online noted that the day before he was shot, the rapper had posted photos on Instagram showing a stack of cash and a gift bag label with his Los Angeles address.In recent years, the homes of actors, musicians and athletes have become popular targets for burglars. Rihanna, Ms. Minaj, Emmy Rossum, David Spade and the baseball player Yasiel Puig have all been victims, according to ABC News.In October 2018, the Los Angeles Police Department said that the homes of stars were targeted for specific reasons.“Initially, it was believed that these homes were being burglarized at random,” Capt. Lillian Carranza said at a news conference. “The victims’ homes have been selected based on social media postings and touring or travel schedules of the owners.”Neighborhood residents and fans continued arriving on Wednesday, staying only briefly once they realized the police were not letting anyone near the house. From time to time a car would drive up to the police tape, a Pop Smoke track thumping from the speaker, and turn around after its passengers snapped a few photos.Mr. Adams would not let his 11-year-old daughter come by, however.She had discovered Pop Smoke on TikTok. “That’s my daughter’s favorite rapper,” Mr. Adams said.“She’s not taking it well,” he said. “The first thing, she’s like, ‘All the rappers are dying.’”Louis Keene reported from Los Angeles and Derrick Bryson Taylor from New York. Reporting was contributed by Jon Caramanica, Elizabeth A. Harris, and Sean Piccoli from New York. Susan C. Beachy contributed research. More

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    Chris Stapleton Delivers Impromptu Performance at Tyler Perry's Farewell Tour for Madea

    WENN/FayesVision/Instar

    The ‘Madea’s Family Reunion’ filmmaker thanks the ‘Parachute’ crooner for belting out a rendition of ‘Tennessee Whiskey’ at the Nashville, Tennessee stop of his ‘Madea’s Farewell Play Tour’.
    Feb 19, 2020
    AceShowbiz – Country superstar Chris Stapleton helped Tyler Perry bid farewell to his Madea alter ego by performing an impromptu song at the actor/filmmaker’s tour stop in Nashville, Tennessee last week.
    Perry has been taking his tough family matriarch on a farewell tour across North America, and when the trek wrapped for good in Nashville on Friday, February 14, Stapleton was spotted among the fans in the audience.
    The singer was called upon to show off his talents, and he happily stood up from his seat and took the microphone to belt out a rendition of his hit tune, Tennessee Whiskey, sending fellow crowdmembers wild.
    On Tuesday, Perry shared video footage of the unexpected set on Instagram, and thanked the father-of-five for adding his star power to the closing gig of “Madea’s Farewell Play Tour”.
    “Madea could not come to the end of the farewell tour and have @chrisstapleton in the audience in Nashville, Tennessee and not have him sing a verse of Tennessee Whiskey! And he KILLED IT!!” Perry captioned the post.

    “Thank you Chris, blessings to you, your wife, and them babies (sic)!!”.

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    Billie Eilish Debuts Live Performance of 'No Time to Die' at 2020 Brit Awards

    Joined by her brother Finneas on the piano, the songstress wows both the audience and viewers at home with her rendition of the Daniel Craig-starring movie’s theme song.
    Feb 19, 2020
    AceShowbiz – Billie Eilish has left audience and viewers at the 2020 BRIT Awards stunned. On Tuesday night, February 18, the “Bad Guy” hitmaker took the stage at The O2 Arena in London to deliver her first live performance of her new James Bond theme song, “No Time to Die”.
    Donning a black two-piece with her loose neon green tinted locks, the 18-year-old singer was accompanied by her record producer brother, Finneas O’Connell, on the piano. “Fool me once, fool me twice/ Are you death or paradise?/ Now you’ll never see me cry/ There’s just no time to die,” she belted out while audience could be heard occasionally shouting, “I love you!”
    Joining Billie and Finneas for the special performance were the film’s composer Hans Zimmer as well as The Smiths’ ex-guitarist Johnny Marr.
    [embedded content]
    At the prize-giving show, the multiple Grammy winner was presented with Best International Female Solo Artist kudo from Spice Girls’ Melanie C. When accepting the accolade, she confessed, “I’ve felt very hated recently. And, when I was on the stage and I saw you guys all smiling at me. It genuinely made me wanna cry. And I wanna cry right now, so thank you.”
    Hours before her live performance, Billie talked about being asked to sing the Bond theme song. During an interview with BBC Breakfast, she shared, “We’ve been wanting to make a Bond song for years. I remember at the beginning of last year we kind of told our whole team, ‘Hey, if any Bond things come up, we want to be involved if we can possibly be. Whatever we have to do we will do.’ ”
    Speaking of the song’s live debut at the show, the “Wish You Were Gay” singer admitted, “I’m so scared.” She continued to share, “We’ve never performed it ever, so it feels so weird that it’s in the public, especially now that I’m performing it and I’m hitting a note I’ve never hit before. I’m scared.”

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    The Weeknd Admits He Wants to Have Babies With Ex on 'After Hours', Fans Think It's Bella Hadid

    Elsewhere on the song, the Canadian singer also expresses his wish to reconcile with his former lover and promises, ‘This time, I won’t break your heart.’
    Feb 19, 2020
    AceShowbiz – The Weeknd has continued the promotion for his highly-anticipated album “After Hours”. On Tuesday, February 18, the Canadian star unleashed the title track off the album that got fans speculating whether he is singing about his ex-girlfriend Bella Hadid.
    The song finds The Weeknd, whose real name is Abel Makkonen Tesfaye, addressing a relationship that ended in heartbreak and expressing how he desires a reconciliation. “Sorry that I broke your heart, your heart/ I said, baby/ I’ll treat you better than I did before/ I’ll hold you down and not let you go/ This time, I won’t break your heart,” he sings in the chorus.
    Elsewhere on the song, The Weeknd also admits to hoping to start a family with his former lover should they ever get back. “I won’t just leave/ This time, I’ll never leave,” he rhymes. “I wanna share babies/ Protection, we won’t need.”
    [embedded content]
    Considering his recent split from Bella, many were convinced that “After Hours” is about the Victoria’s Secret model. “Bella heading to Abel’s place after hearing after hours,” someone said along with a video of a child riding a motorbike in a high speed. Meanwhile, one other believed that the exes would get back together after listening to the song.
    “After Hours is literally an apology letter to Bella Hadid,” another wrote, as a fourth individual begged the sister of Gigi Hadid to “go back to Abel after hours is making me cry.” One more person still wasn’t sure and asked, “Okay but the real question must be asked….. is After Hours about Miss Bella Hadid.”
    The Weeknd has yet to respond to the speculation.
    “After Hours” is the third promotional song for his upcoming album, following “Heartless” and “Blinding Lights”. It is set to hit the stores on March 20.

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    Billie Eilish and Finneas Get to Read 'No Time to Die' Script Before Creating Theme Song

    WENN/Avalon

    During an interview for ‘Good Morning America’, score composer Hans Zimmer reveals that the ‘Bad Guy’ hitmaker and her producer brother have also watched the upcoming James Bond film.
    Feb 19, 2020
    AceShowbiz – Songwriter and producer FINNEAS scored a sneak peek at the new Bond movie script after signing up to create the film’s theme tune with his sister, Billie Eilish.
    The hitmaker had always dreamed of composing a 007 theme and when he got the call, he wanted to make sure his effort would be a hit among the film’s producers.
    “We didn’t want to go in blind, so we asked if we could have any of the script and we were given a scene of the script to read and that informed all the lyrics,” FINNEAS tells “Good Morning America”.
    The film’s score composer Hans Zimmer also insisted Billie and FINNEAS got to see the film, “They were there and we were here (in London) and they hadn’t seen the movie, so I said, ‘Would you mind jumping onto a plane and sitting in a sweaty little cutting room in the middle of the night, completely jetlagged, and watch this movie.”
    [embedded content]
    FINNEAS is thrilled with the end result, “No Time to Die”, which Zimmer and Bond director Cary Joji Fukunaga are raving about, and admits the new Bond film title was a big help. “We knew we wanted the song to be the same title as the film, so we lucked out on the title,” he explains. “It wasn’t called Quantum of Solace! It’s a wonderful film title, wonderful film, but hard song title to write.”

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