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    ‘The Truth vs. Alex Jones’ Review: How Conspiracy Theories Work

    Directed by Dan Reed (“Leaving Neverland”), the documentary offers a lesson in how conspiracy theories work and shows how parents confronted Jones in court.Even though the legal battle between Sandy Hook families and the conspiracy theorist Alex Jones has been thoroughly covered, it is still hard to watch him in the documentary “The Truth vs. Alex Jones” without experiencing a wave of nausea.Directed by Dan Reed (“Leaving Neverland”), the film methodically lays out the horrors that families in Newton, Conn., faced on Dec. 14, 2012, when a gunman killed 20 first graders and six adults at Sandy Hook Elementary. Parents of the victims share memories from that morning before their children left for school. Daniel Jewiss, the lead investigator, walks viewers through how the slaughter unfolded.Then the documentary shows how, just as the parents were dealing with unfathomable grief, Jones, through his Infowars broadcasts, began promoting the idea that the shooting was a hoax. As he continued to spread falsehoods, people who latched on to such claims harassed the families. Robbie Parker, whose daughter Emilie was killed at Sandy Hook, describes the harassment as coming in waves. “It was almost like I knew when Alex Jones said something,” he says in testimony excerpted in the film.If there is value in seeing these events recapped, it is in the power of seeing the parents confront Jones in court. (Over two trials, in Texas and Connecticut, they won more than $1 billion in damages.) It is also in the horror of seeing just how confidently Jones deflects questions and tries to steer proceedings to his advantage — denying the families what Alissa Parker, Emilie’s mother, calls “a moment of reflection” from him.“The Truth vs. Alex Jones” offers a lesson in just how vicious and pervasive conspiracy theories can become and a chilling portrait of how little they may trouble their purveyors.The Truth vs. Alex JonesNot rated. Running time: 2 hours 1 minute. Watch on Max. More

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    Taylor Swift’s Fans React to Right Wing Attacks on Star

    Some commentators have taken an aggressive interest in Taylor Swift’s motivations for being around the N.F.L. Her fans remain unswayed.Taylor Swift often encourages her fans to devise fanciful theories about her music, but this week a very different type of wild speculation sprung up around her: political conspiracy theories being peddled by Fox News, Trump surrogates and the extended MAGA universe.The theories range widely, but include outlandish claims that Ms. Swift is secretly working for the United States government and that her relationship with Travis Kelce, a tight end for the Kansas City Chiefs, is part of a lengthy political scheme. In this theory, her dalliance with Mr. Kelce and the N.F.L. ends with the Chiefs winning the Super Bowl and Ms. Swift announcing her support for President Biden in the forthcoming election.The attacks may be intended to embolden a right wing base, and perhaps change a few minds in other parts of the political universe, but Swifties, predictably, remain indifferent. Several said the attacks have only motivated them to be more politically engaged.“When I see an uptick in hate toward her or, like, conservative men saying she needs to stay in her place, it makes me go ‘wait a minute, you can’t box a woman in,’” said Raven Mosley, a mental health professional and Swift fan from Vancouver, Wash.“It makes me want to be like, ‘Hey, let’s pay attention to what’s going on out here!’” Ms. Mosley, 31, added. “They’re getting mad. They’re getting angry. There’s a reason for that.”Theories about Ms. Swift are prevalent online, but suggestions about what her political motivations are, in terms of her relationship with the N.F.L., were promoted last month by the Fox News political commentator Jesse Watters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Russell Brand’s Alternate Reality

    On Sept. 12, four days before he was expected at the Troubadour Wembley Park Theater for another sold-out show, Russell Brand asked his fans for a favor. “I’ve always struggled with authority and being told what to do,” he wrote to ticketholders, attaching a questionnaire for a planned bit with his audience. “Even when it comes to something small like being offered a seat by a doctor, I’ll purposefully refuse rather than comply. Tell me about your relationship with authority — whether you tend to yield to authority or fight it.”Listen to This ArticleOpen this article in the New York Times Audio app on iOS.At the time, Brand’s more-than-two-decade quest for lasting attention had been proceeding apace along two tracks. In mainstream entertainment circles, at home and abroad, he remained the fading but still bankable British comedian whose selectively confessional accounts of heroin addiction and promiscuity made him an avatar of a very mid-aughts sort of fame — the guy who played a rocker version of himself in the 2008 film “Forgetting Sarah Marshall” and would later marry Katy Perry (it was brief). But for those partial to Brand’s midlife canon, he had come to resemble something more like a political sage.With Jesus-length hair, multidenominational tattoos and promises of unspecified revolution, Brand, 48, had in recent years been reaching millions daily across a media and wellness empire, fusing the downward-facing dogmatism of a proper guru with the cold efficiency of the YouTube algorithm. His remit was nothing less than “a social-political-spiritual movement,” he told listeners. His prime offering was a trove of foreboding and regularly misleading videos from his flagship series, “Stay Free with Russell Brand,” lobbed at a cumulative social media following of more than 20 million. His episode titles charted the ideological swerve of a man who once used his celebrity to elevate progressive causes: “STATE OF FEAR! COVID Propaganda EXPOSED!” “Leaked Audio PROVES Trump Right!”For the past year, Brand’s recording studio in the Oxfordshire countryside has been blessed as an emerging nerve center of the American right, or at least the anti-anti-right, with a procession of presidential candidates beaming in. In July alone, Brand interviewed Ron DeSantis, who compared Brand favorably to loathsome “corporate journalists”; hyped a pull-up contest with Robert F. Kennedy Jr., conservative media’s favorite lapsed Democrat and Covid conspiracy theorist; and scored the first sit-down with Tucker Carlson after the host’s dismissal from Fox News. “Maybe I’ve just been called a right-wing crazy for so long that I thought I was,” Carlson told me recently. “But if I agree with pretty much everything Russell Brand says, I don’t know what I am.”In July, Brand scored the first sit-down with Tucker Carlson after the host’s dismissal from Fox News.Screenshot from RumbleLike Joe Rogan, the carnivorous pooh-bah of this intellectual space, Brand appeared interested in teaching a certain kind of man how to be a certain kind of man, mining the tension between think-for-yourself riffs and listen-to-me conclusions. (Brand has been a repeat guest on Rogan’s podcast.) Unlike Rogan, he appeared to model a more expansive vision of manhood — vegan, sober, Aldous Huxley-quoting. The event in Wembley, part of a tour scheduled for late summer and early fall, seemed designed to accentuate Brand’s overlapping profiles: electric live performer and terminally online click-hunter. As with much of his output lately, the marketplace would help dictate his direction. The tour was called “Bipolarisation” for two reasons, he joked: because people would be polled and “because I’m severely mentally ill.” His September email to attendees requested answers to several related prompts. “What’s the strangest way you’ve yielded to or gone against authority?” the first question read. “What’s the weirdest/naughtiest/most embarrassing thing you’ve done in reaction to being told what to do?” another asked.Three days later, Brand’s followers received a less whimsical communication. In a prebuttal video posted across his social media, Brand said he was about to face “very serious allegations that I absolutely refute,” without detailing them. He insisted that all past relationships were consensual. He darkly suggested that “another agenda” might be at play, noting that supporters had long warned him about “getting too close to the truth.” The next day, Sept. 16, The Sunday Times, The Times of London and Channel 4 Dispatches published a yearslong joint investigation in which four women accused Brand of sexual assault between 2006 and 2013. The accounts were specific, revolting and, in some cases, bolstered by medical records and other contemporaneous evidence. The accusers included a woman who was 16, the British age of consent, during her relationship with Brand, who was in his early 30s. She said Brand once forced her to perform oral sex as she strained to push him off, stopping only after she punched him in the stomach. There was a time, as recently as a few years ago, when this sort of reputational earthquake almost certainly would have followed the dutiful rhythms of celebrity crisis management: performative introspection, nominal contrition (often paired with a narrow denial of the most grievous offenses), a pledge to disappear for a while. Instead, Brand’s story quickly became a self-evident data point in two divergent realities. In the first, the one still tethered at least somewhat to traditional notions of scandal and consequence, Brand was an overnight pariah and criminal suspect. The police in London opened investigations. More women came forward, including an extra on Brand’s 2011 film “Arthur,” who filed a civil suit in New York claiming that Brand assaulted her in a bathroom on set. Brand’s management company almost immediately dropped him. YouTube suspended him from making money from his channel, which has more than six million subscribers. A parliamentary committee chairwoman wrote to Rumble, the video platform that caters to the right and exclusively carries Brand’s full episodes (shorter clips still appear on YouTube), expressing concern that he might continue to profit there and “undermine the welfare of victims.”In the second reality, the victim was Brand, and his welfare was suddenly the concern of many, from the powerful new friends he has made to the “awakening wonders” (as he addresses his flock) refusing to abandon him. His example has become a repentance-free case study in a very 2023 template for public survival, a post-post-#MeToo lesson in the spoils and fortifications available to those who are thought to be scorned by the right people. “Criticize the drug companies, question the war in Ukraine, and you can be pretty sure this is going to happen,” Carlson said of Brand on X (formerly Twitter), to which Elon Musk, the site’s reply-guy owner, responded: “Sure seems that way!” Rumble also posted on X, calling the parliamentary letter a “deeply inappropriate” intrusion of the state. Already, for those who support Brand and those who do not, his fate is being processed as a kind of referendum — on who gets to decide what happens to the accused; on what a preternaturally charismatic figure can talk himself into or out of; on the limits, or limitlessness, of tribal loyalty.Brand leaving the Troubadour Wembley Park theater in London in September. He performed just hours after sexual assault allegations were made public.James Manning/Press Association, via Associated PressThough the balance of his live tour was scrapped within days, Brand kept one last date, Sept. 16 in Wembley, hours after the allegations landed. “You came,” he said to a crowd of about 2,000, according to the BBC, walking out to “You Don’t Own Me,” the feminist standard performed by Lesley Gore. He told his guests he loved them and talked about teaching his young children to be skeptical. One fan held a sign reading, “We stand by you.” Another threatened to kick down a ladder carrying paparazzi outside. And by the end of the night, the room had a new answer to Brand’s preshow queries.How had they most memorably snubbed authority? How had they responded when told what to do and think?With a standing ovation for a freshly accused predator.More than a week after the allegations, “Stay Free” returned, unbowed but discernibly altered. Brand appeared alone, his bare chest visible beneath a largely unbuttoned white button-down. The show credits, which once ran about 20 names deep, were gone — not necessarily because Brand’s whole team was but perhaps because associating with him had become more complicated. “The corporatist state and global media war against free speech is in full swing!” Brand told his listeners. “How do I know? Take a guess.”Seated at a desk, with a “Daily Show”-style prosecutorial montage of videos and text, Brand blamed the “collusion between big tech and government” and a “centralist state and globalist elite” that he suggested was persecuting him. He discussed the letter from Parliament, alleging ties between its author and Google (“a competitor to Rumble”). He welcomed Jimmy Dore, another conspiracy-theory-minded comedian-podcaster, for a remote interview, thanking him for a mood lift “at a time where I plainly need it.” “Stay strong,” Dore said. This booking choice was notable. Dore, who has himself been accused of sexual harassment, is among a cluster of high-profile Brand supporters who seem particularly invested in the idea that false or agenda-led accusations are an occupational hazard for their lot. Andrew Tate, the misogynist mega-influencer awaiting trial on rape and human-trafficking charges in Romania, tagged Brand on X: “Welcome to the club.” Donald Trump Jr., whose father has been serially accused, posted a meme on Instagram showing the former president, Brand, Tate and Julian Assange, the WikiLeaks founder, who was accused of rape. “Notice a pattern?” the meme read, alongside Trump Jr.’s caption: “One day they’ll be coming for you. I don’t believe in this much coincidence and neither should you.” For Brand’s audience, long encouraged to consider his voice too dangerous for entrenched interests to abide, the allegations stand as proof of concept, only making him more credible. “Enough of us know what’s going on here,” one commenter assured him upon his return. “No wonder they’re trying to silence you,” another posted on an October video that criticized President Biden.“It’s almost like cancel capital,” Nick Marx, a professor of film and media studies at Colorado State University and the co-author of a book on right-wing comedy, told me. “It’s something he recognizes as having a value distinct from money.” With Trumpian verve, Brand has reframed accusations against him as an act of war against everyone who backs him. “They’re out to get you,” he told his audience in November, citing “censorial forces” like YouTube and quoting from Kafka’s “The Trial.” “I’m just in the way.” And like the former president, Brand has channeled lessons from his early rise, betting on his basest self — and on the accommodations and calculations that those around him have always made.Since his public beginnings, Brand has derived his power from appearing to get away with something, from saying and doing what others never would. His fame was entwined with an almost ostentatious misogyny, a sizzle reel of mistreated women and gleefully poor taste for which he was broadly celebrated. His best-selling 2007 memoir relayed such rollicking tales as breaking the phone of a Turkish sex worker mid-encounter because the ringing bothered him. The British tabloid The Sun saluted him as its Shagger of the Year from 2006 to 2008. A breezy 2008 GQ profile winked at the “souvenir” that Brand acquired at a photo shoot (“her name is Penny”) and shared an anecdote from another romantic partner who claimed he told her, “I’m Russell Brand — I can do anything I like.” Brand denied this, semantically. “That may be the informing attitude,” he told the magazine, “but that’s never explicitly stated.”Brand with the singer Katy Perry, to whom he was briefly married, at the premiere of “Get Him to the Greek” in 2010. Kevin Winter/Getty ImagesEven scandal generally served Brand’s ends. In 2008, he and a co-host set off a national uproar after broadcasting on Brand’s BBC radio show the prankish voice messages they left for Andrew Sachs, a beloved former actor on “Fawlty Towers.” Sachs’s granddaughter Georgina Baillie was in a relationship with Brand in her early 20s. The messages to Sachs included singsongy Brand lyrics: “It was consensual/and she wasn’t menstrual.” Suspensions followed. Gordon Brown, the sitting prime minister, scolded him. Brand eventually resigned. His cad-for-the-masses legend grew anyway. “He was being very much rewarded,” Baillie, now 38, told me. “It didn’t even occur to me that I deserved an apology.”In interviews, people who know Brand described him to me as someone almost pathologically incapable of not having an audience and willing to do virtually anything to keep it. He has often admitted as much, joking that he could be whatever his followers wanted. “Are you unapologetically yourself?” he asked in August. “Because I’m not. I’m apologetically myself. ‘Hello, I’m me. Is this OK with everyone? I can change it if you want.’” (Brand and a longtime associate did not respond to an interview request or fact-checking queries.)In the 2008 GQ piece, Brand identified one clear gift (“attracting attention”) and warned playfully that his wider influence should be curbed. “I don’t think for a minute that I should be the person that comes up with how we organize a new postapocalyptic order,” he said, “because I think I’d exploit it to get girls.”When Brand speaks now about forging a new social order, he attributes his rise as a media force, accurately enough, to a collapse of faith in traditional institutions. Left unsaid is that Brand himself was a creation of legacy gatekeepers and their customers — the media companies that employed him, the outlets that toasted him, the viewers who couldn’t resist — and a leering testament to their priorities. What has lingered for some lately is not how so many people missed the signs about him but why they seemed so eager to ignore them. In recent months, two former employers, the BBC and Channel 4, announced internal inquiries into Brand’s past workplace behavior. Channel 4, where Brand was accused of flashing a female colleague, aired the investigative documentary about him in September. Its title: “In Plain Sight.”“It was this wash of devil-may-care, it’s-exciting-to-push-boundaries-or-just-have-no-boundaries, and women were less than,” Shaparak Khorsandi, an early peer of Brand’s on the comedy circuit, told me of the era that made him. “Yet a man behaving absolutely appallingly was given endless television and radio contracts.”The subject of the day in December 2014 was immigration, and the lineup for a BBC political panel was suitably formidable: a Conservative member of Parliament, another from Labour, a Sunday Times columnist. But two combatants stood out: Nigel Farage, then the leader of the U.K. Independence Party, reprising his argument that new entrants to Britain were a dangerous resource drain, and Brand.“There is a corrupt group in our country using our resources, taking away our jobs, taking away our housing, not paying taxes,” Brand agreed. But it was “the economic elite” funding Farage’s party. “His mates in the city farted,” Brand continued; Farage was “pointing at immigrants” and “holding his nose.” The studio audience roared.Raised as a working-class “bloke” in his frequent telling, Brand had long angled to amplify his voice on the left, infusing early appearances with sometimes deliberately shocking allusions to global affairs. He has delighted in claiming that on Sept. 12, 2001, while employed as a presenter at British MTV, he showed up at work dressed as Osama bin Laden. The following spring, he was detained by the police after fully disrobing at a protest in Piccadilly Circus, “explaining himself by mentioning ‘ecological,’ ‘Armageddon’ and ‘culture’ without making a great deal of sense,’” according to a news report from the time. (“Oh, God,” an MTV spokeswoman said then. “That sounds like Russell.”)Brand speaking in Parliament Square in London during a protest against the Conservative Party’s austerity policies in 2015.Tim Ireland/Associated Press“Even before he was famous, he sort of fancied himself a bit of a Che Guevara,” Khorsandi told me. After he was famous, Brand expanded his political footprint proportionally. In 2012, he was invited to testify before a parliamentary committee on drug policy, walking the halls in a black tank top and bolero hat. The same year, he developed a short-lived talk show for American TV, FX’s “Brand X With Russell Brand,” appearing with Matt Stoller, a liberal policy researcher. (The men met while Brand was shooting “Forgetting Sarah Marshall,” which Stoller’s brother, Nicholas, directed; they reconnected in 2011 at the Occupy Wall Street protest at Zuccotti Park in New York.) “They wanted to do a more radical version of ‘The Daily Show,’” Stoller told me of “Brand X” in August. “It was a bad show.”Brand’s political breakthrough came in a viral BBC interview in 2013 with Jeremy Paxman, one of Britain’s most fearsome questioners. Paxman appraised Brand as a “trivial man” whose calls for revolution and apathy about voting gave him away. “You’ve spent your whole career berating and haranguing politicians,” Brand responded. “Then when someone like me, a comedian, goes, ‘Yeah, they’re all worthless — what’s the point in engaging with any of them?’ you sort of have a go at me because I’m not poor anymore.” The exchange enshrined Brand as perhaps the nation’s foremost lefty. “It had a massive impact,” George Monbiot, a well-known environmentalist and writer, told me. “It galvanized people. It galvanized me.”In short order, Brand was hailed as a kind of crossover intellectual, validated by authors and thinkers who schlepped to his East London home to appear on his popular YouTube series, “The Trews,” a portmanteau of “true” and “news.” Academics said they could become entranced by Brand’s free-associative conviction on their subjects, even when he sounded only semi-sensical — absorbing the quick-draw wit and baroque vocabulary of a host liable to deploy “perspicacity” or “effulgent” off the cuff. “I actually remember thinking at the time, Oh, this is how a new religion would start,” Edward Slingerland, an expert on ancient Chinese thought now teaching at the University of British Columbia, told me of their interview.For activists, Brand became a treasured ally, showing up at rallies — to oppose austerity, protect tenants, support firefighters — and invariably attracting cameras. He also began ingratiating himself with more mainstream politicos, at one point initiating a correspondence with Bill de Blasio, whose 2013 mayoral victory in New York had briefly stirred the left. “I do remember thinking of him as a fellow traveler,” de Blasio told me. In 2015, Ed Miliband, then the Labour Party’s leader, made a pilgrimage to Brand’s home for the web series, hoping to reach younger voters within its seven-figure following. Both men came to rue their choices. “Obviously knowing what I know now, I regret doing it,” Miliband said after the assault allegations. Brand’s second thoughts arrived sooner, when his imprimatur could not prevent a Conservative election triumph. “My only regret,” he said afterward, “is I thought I could be involved.”If Brand felt disillusioned, he was not alone on the British left. “They used Russell,” Monbiot said of Labour. “But they never embraced him.” Brand has since resolved to live “beyond all political systems.”Among onetime admirers, the most generous interpretation for Brand’s political transformation is bleak but straightforward: Today’s version of him is the logical upshot of social media incentives, boundless ego and a bespoke personal radicalism that was always a little ominously amorphous. (“I don’t know how to describe Russell’s politics,” Marianne Williamson told me in August, warmly recounting the fund-raiser he helped host for her during the 2020 Democratic presidential primary.) In this reading, Brand is simply who we told him to be — or at least what the algorithm did. He has been known to track his trend lines on social media obsessively, staying apprised of follower counts and video performance. A job posting on Brand’s website earlier this year for a “YouTube Optimiser” was bracingly explicit: The task was to juice viewership and propose topics “based upon topics covered by similar channels and those that our audience watch.” This is the path from interviewing favored commentators of the right, like Ben Shapiro or Jordan Peterson, to having those videos recommended to fans of Ben Shapiro and Jordan Peterson, to sounding increasingly like Ben Shapiro and Jordan Peterson.“You can either try to drive the masses or be driven by them,” Faiz Shakir, the 2020 campaign manager for Bernie Sanders, told me after appearing on Brand’s show in August to push his labor-supporting nonprofit. “He’s more driven by them. It’s ‘Here’s where I think they already are.’”Brand has said that at least half his viewers are in the United States. After he interviewed DeSantis last summer, a person close to the campaign’s decision-making told me the host was seen as a conduit to men under 45, especially those who were not lifelong Republicans. On air, Brand can sound occasionally uncomfortable with his new constituency. Last year, he pressed Peterson to “prioritize compassion” rather than antagonize trans people. In the otherwise slobbering session with DeSantis, Brand almost begged him to agree that imposing an ideology on others was illiberal. “What about the freedom of those opposed?” Brand asked. But such flashes have been rare. In 2015, Brand called Trump a joke whose “punchline is a worse world for everyone”; by this February, he was posing with Trump Jr. at a Rumble event in Florida. He once quoted Gandhi on nonviolent protest; now he mocks those “clutching their pearls over Jan. 6.” Jeff Krasno, a former manager of Brand’s, suggested on his own podcast in September that Brand has by now “likely drunk his own kombucha,” adding, “there’s a clear business rationale for the content that Russell generates.”The Republican presidential candidate Ron DeSantis appeared on “Stay Free With Russell Brand” in July.Screenshot from RumbleOnstage, Brand has prided himself on a thrill-seeking gameness. “You have to be truthful and honest,” he has said of his comedy, “self-aware and willing to take risks.” Yet in many ways, Brand’s reinvention was exceedingly safe. He would be rewarded for playing the hits, for doing the expected. He would be cancel-proofed, if it came to it, with an army of backers primed to distrust anyone who attacked him.This is the less charitable read on Brand’s evolution: His alt-rightward drift — and his escalating insistence that mainstream outlets were corrupt agents of the status quo — has coincided roughly with the investigative journalism of mainstream outlets he now calls corrupt agents of the status quo. According to The Times of London, the reporting began in 2019, and Brand’s team was made aware of one assault allegation in 2020. In the years since, Brand has been “setting himself up more and more as the lone voice of truth,” Monbiot, Brand’s former progressive ally, told me. “It would definitely align with an attempt then to exonerate himself using the same argument.”Even privately, though, Brand’s orbit seems increasingly paranoid. After the allegations were made public, Brand’s father, Ron, wrote to Monbiot, who previously criticized Brand’s political shifts, to suggest that no one was safe from whatever plot had ensnared his son. “Do you think you could be next?” Ron Brand asked, according to messages Monbiot shared with me. The elder Brand later sent a conspiracy video about the World Health Organization and the World Economic Forum, two favorite targets for Brand and others who use “globalist” unironically. Tucker Carlson, who said that he and Brand have been speaking often, told me the allegations against Brand were “inevitable,” suspicious and cynically engineered to play on the debauched past of a man who is now remarried with children. “We’re leaving the part of history where people try to persuade each other in good faith,” Carlson said. “We’re entering the part where we just throw our opponents in jail or accuse them of crimes.”So far, Brand’s podcast guests have likewise stayed loyal. In an industry rife with voices insisting they are about to be silenced, loudly saying the things they swear you can’t say anymore, Brand represents a rousing spectacle, Staying Free despite the designs of a sinister “they.” “The cancelers of the world seem with each passing week to become more and more crap at their jobs,” the writer Matt Taibbi said on Substack in October, promoting his interview with the “conspicuously still-breathing Russell Brand.” Teasing an interview in November with Alex Jones of Infowars, who has described the assault allegations against Brand as a vast conspiracy, Brand suggested a kinship: “Have you noticed,” he said, raising two fingers for scare quotes, “how many of the wild Alex Jones ‘conspiracy theories’ have come to pass?”More than anything else, Brand is testing a tantalizing kind of liberty before a group that reveres the word. He has hinted about a financial crunch since YouTube began blocking his profits, telling viewers on Rumble that he is “plainly in a position where your direct support is going to be incredibly valuable.” But if Brand’s strategy is successful — if he can subsist without the institutions that long sustained him, the collaborators who abandoned him, the former fans who might wince through his movie scenes now — there is a new kind of power in that freedom, and a new kind of freedom in that power.“We’re planning a movement so that we can form new communities as the apocalypse apparently unfolds before our very eyes,” he told listeners on Oct. 26. “Without you, we are nothing.” The episode turned moments later to another aspiring movement leader: Vivek Ramaswamy, a returning guest and the first presidential candidate to appear with Brand after the allegations. Speaking from Iowa, midcampaign, Ramaswamy called for a “great uprising” against establishment forces. “It’s when they tell you to shut up that you have to actually grow the spine to be more vocal than ever,” Ramaswamy said.“I can see why there would be an appetite to censor you,” Brand replied admiringly. The host thanked his guest for “elevating the caliber of the conversation” in his “stream of freedom.” He previewed future episode subjects: the Covid lab-leak theory, another chat with Jordan Peterson, “the necessity for radicalism in politics.” Then he made a promise.“Next week,” Brand vowed, raising his open hands, “the revolution will grow a little stronger.” More

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    ‘No Accident’ Review: Putting White Supremacists on Trial

    A documentary chronicles the lawsuit filed against the leaders of the violent 2017 white supremacist rally in Charlottesville, Va.Kristi Jacobson’s legal documentary “No Accident” opens with footage of the “Unite the Right” rally in August 2017 in Charlottesville, Va.: White supremacists march with tiki torches and shout slurs such as “Jews will not replace us.” The grotesque gathering remains unsettling and infuriating to watch, but plunging us into the proceedings has a way of stating the ugly facts upfront.Some participants in the two-day rally faced criminal charges, but Jacobson documents the steps in a civil case filed that October in an attempt to hold rally leaders responsible for conspiring to commit violence. Tracking the litigation led by the attorneys Roberta Kaplan and Karen Dunn, Jacobson’s civil rights procedural delves into both the legal work and the emotional strain involved in a case like this one.Kaplan and Dunn’s team draws on damning excerpts from Discord, the social media site used by rally planners, and evasive, insulting depositions by conspirators such as Richard Spencer and Christopher Cantwell, who represented themselves in court. Jacobson shows the toll on some of the lawsuit’s nine plaintiffs, who recall the rally and the peaceful counterprotests on Aug. 12, when James Fields Jr. murdered Heather Heyer and injured dozens of others by driving his car into a crowd of protesters.The movie, which feels constrained by the trial’s pandemic-related restrictions, maintains a civilized tone throughout. But it’s hard to keep calm at the spectacle of white nationalists preaching hatred and violence one moment, then attempting to squirm out of responsibility and court the jury’s sympathy. Jacobson’s account does the necessary work of restating the facts and showing that people can be held accountable for fomenting this kind of terror and harm.No AccidentNot rated. Running time: 1 hour 37 minutes. Watch on HBO platforms. More

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    Kanye West, Dropped by CAA, Makes Adidas and Corporate Partners Squirm

    The antisemitic outbursts and provocations by the artist now known as Ye have raised questions about how much offensive behavior companies are willing to tolerate from a proven moneymaker.Update: Adidas said on Tuesday that it is cutting ties with Kanye West.Kanye West had already been burning bridges in the music industry. He was disinvited from performing at the Grammy Awards last spring after erratic behavior. He withdrew from headlining this year’s Coachella festival just over a week before it began. His last album was released not on streaming services, but exclusively on a proprietary $200 speaker device.This month Mr. West, who now goes by Ye, came under fire for making a series of antisemitic remarks and wearing a shirt with a slogan associated with white supremacists, putting some of his fashion-related businesses — which appear to be more lucrative these days than his musical ventures — in jeopardy.It has become a make-or-break moment for his career, and raised questions about how much offensive behavior companies are willing to tolerate from a proven moneymaker.Adidas, the German sneaker giant whose collaboration with Ye’s company, Yeezy, has been estimated to be worth billions, has said that their partnership was “under review” — prompting the Anti-Defamation League to ask, “what more do you need to review?” It appeared that Adidas continued to sell his products, though. (On Tuesday, after this article was published, Adidas announced it would cut ties with Ye.) Ye ended his Yeezy Gap partnership last month, before the latest controversies erupted, but in recent days Gap sent out promotional emails for the Yeezy Gap hoodie.There have been some signs that the fashion industry is distancing itself from Ye, as the former halo effect of his celebrity turned into an Achilles’ heel after he appeared at Paris Fashion Week earlier this month in a shirt that read “White Lives Matter,” and then went on to make antisemitic remarks on social media and in a series of interviews, posting on Twitter that he would go “death con 3 On JEWISH PEOPLE.”Balenciaga, whose fashion show Ye opened in Paris this month with a surprise modeling appearance, deleted him from its pictures and videos of the show. Similar images disappeared from Vogue Runway, the platform of record for fashion shows. And Skims, the shapewear brand started by Ye’s ex-wife, Kim Kardashian, that he reportedly helped shape in design and aesthetic, described him as a “small minority shareholder” and said that he had “no active role at Skims.”And Ms. Kardashian condemned “hate speech” in a post on Twitter on Monday, which named no one but said: “I stand together with the Jewish community and call on the terrible violence and hateful rhetoric towards them to come to an immediate end.”The designer Willy Chavarria, who last worked with Ye in 2020 on Yeezy Gap, said in an email, “I think it’s important for brands that use Ye for their gain like Balenciaga and Adidas to be forthcoming on their position on hate speech.”Ye has weathered crises before, especially since 2016, when he was hospitalized; he later said he had received a diagnosis of bipolar disorder. In recent years he has been condemned for saying that Harriet Tubman “never actually freed the slaves” and that centuries of slavery had been “a choice”; polarized fans with his embrace of right-wing politics and former President Donald J. Trump; launched a quixotic campaign for president in 2020; and split with Ms. Kardashian. He has continued to work amid it all.Much of the music industry, where an artist’s notoriety is often a key selling point, has appeared to take more of a wait-and-see attitude about his latest controversies.But there is uncertainty about his musical future, too. Ye is no longer represented by the Creative Artists Agency, one of the world’s major booking agencies, a representative of the company said. On Monday, the film and television studio MRC announced that it was shelving a completed documentary about Ye following his antisemitic outbursts. He is no longer signed to Def Jam, his longtime record company; his contract expired with his 2021 album, “Donda.” And Ye’s own label, G.O.O.D. Music, which has released music by other artists like the rapper Pusha T, is also no longer affiliated with Def Jam, according to a person briefed on the deals. A representative of Def Jam declined to comment, and Ye did not respond to questions sent to a representative.“Will Kanye bounce back from this?” asked Randy Phillips, who was the promoter for a benefit concert Ye performed with Drake last December at the L.A. Memorial Coliseum that drew more than 60,000 fans and was streamed live by Amazon. “He could. He’s a musical genius. But it’s going to take time. It’s not going to be immediate.”Reaching a High Note, Then FallingYe, floating above it all during his 2016 Saint Pablo Tour. After a series of onstage monologues, the tour was cut short.A J Mast for The New York TimesIn 2016, as he performed on a spaceshiplike platform that hovered over sold-out arena crowds during his Saint Pablo Tour, Ye appeared to be at the peak of his creative powers.More on Kanye WestKanye West, the rapper and fashion designer who now goes by Ye, has been at the center of several controversies.Runway Scandal: Ye wore a “White Lives Matter” T-shirt during a Paris fashion show. The use of the phrase, which the Anti-Defamation League has attributed to white supremacists, was widely condemned.Corporate Partners: A series of antisemitic outbursts by the artist have raised questions about how much offensive behavior companies are willing to tolerate from a proven moneymaker.Adidas Cuts Ties: The German sportswear giant, the most important partner in Ye’s fashion empire, ended its lucrative relationship with the rapper after his antisemitic remarks.Parler Deal: Parler, the social media service known for its right-wing audience, said that Ye would purchase its site, days after Instagram and Twitter restricted his accounts.His seventh studio album, “The Life of Pablo,” was his latest No. 1 hit and his show was received as an event. He was moving full-steam into the fashion world. His marriage to Ms. Kardashian, a reality-TV princess, had made him even more famous.But Ye never finished the tour.Shortly after he delivered a long, grievance-filled monologue at a concert in Sacramento that November, and abruptly ended the show after just a few songs, Ye was hospitalized, and the remainder of the tour was canceled.In some ways Ye’s music career has never quite recovered. In the six years since, his only performances have been scattered dates, with no proper tour befitting a major star. Once a frequent presence at the top of the Billboard charts, Ye has not had a huge hit in years. While his recent albums have usually opened at No. 1, they have then slid down the charts and been overshadowed by other releases.His career since has toggled between increasingly outrageous public controversies and sometimes remarkable creative achievements.On his 2021 album, “Donda,” he included industry pariahs like Marilyn Manson, who had been accused of sexual assault by multiple women, and DaBaby, who had made homophobic remarks and waffled about apologies. He made attacks on the comedian Pete Davidson, who was dating Ms. Kardashian, including in a music video in which an animated figure closely resembling Mr. Davidson is kidnapped and buried.Yet Ye’s “Sunday Service” performances — intimate, spiritual events including one at the Coachella festival in 2019 — mesmerized audiences. And his earlier period remains so popular that his catalog has held strong on streaming services, with more than 90 million streams a week in the United States over the last month, and a total of nearly four billion streams so far this year, according to the tracking service Luminate. His audience on the radio, on the other hand, has fallen by about 22 percent over the last month, as some stations have cut back on playing his songs.A Lucrative Fashion Partnership JeopardizedAt New York Fashion Week in 2015. The following year, he drew a crowd to Madison Square Garden for a fashion show and album premiere.Lucas Jackson/ReutersAs his music career has stumbled, Ye’s work in fashion has taken on new importance. The most lucrative corner of his empire appeared to be Yeezy’s partnership with Adidas, which began in 2013 after he left a collaboration with Nike. The Adidas deal, which involved both shoes and clothing, became hugely successful.Even before his recent controversies, Ye had been sparring publicly with Adidas executives, but so far the company has not elaborated on its statement more than two weeks ago that the partnership is “under review.” (The company announced Tuesday, after this article was published, that it was over.) There had been increasing pressure on the company to take action. On Sunday, after a group hung a banner reading “Kanye is right about the Jews” over a Los Angeles freeway, Jeffrey I. Abrams, the Anti-Defamation League’s regional director there, released a statement that concluded, “Decisive action against antisemitism by Adidas is long overdue.”It put Adidas in a difficult position. Its founder, Adi Dassler, belonged to the Nazi Party, and in Germany, where antisemitic statements made online can lead to prosecution, companies that played a role in the country’s dark history are often expected to uphold their responsibility to prevent the return of such sentiment.Ye has long been interested in fashion. In 2009, he interned at Fendi with Virgil Abloh, who went on to work with Ye’s Donda creative agency before starting his own brand. That year Ye also brought a group of collaborators and friends to “crash” Paris Fashion Week.A luxury debut (DW by Kanye West) at Paris Fashion Week in 2011 was critically savaged and lasted only two seasons, but his partnership with Adidas proved transformative. The company underwrote his clothing brand, Yeezy, which unveiled its first collection at New York Fashion Week in 2015, with Beyoncé, Jay-Z, Rihanna and Diddy sitting in the front row.Within a few seasons Ye packed Madison Square Garden with 20,000 people for a fashion show and album premiere. While his Season 4 show on Roosevelt Island in September 2016 proved a debacle, his potent combination of reality-TV celebrity, music stardom, sneaker success and establishment disruption was impossible to resist for an industry that often felt stuck in the last century.It is also why partnering with Yeezy was so appealing to Gap, the mall brand whose sales and cultural relevance were floundering. Gap hoped the partnership, announced in 2020, would last 10 years and generate $1 billion in annual sales.Instead it lasted about two years, and produced only two products until a third party — Balenciaga — was brought in to accelerate the line. Lawyers for Ye argued that Gap broke “contractual obligations.” Gap said it was “deciding to wind down the partnership.” Ye has suggested that he may open his own line of retail shops.Then, last month, Ye went to Paris. He modeled for Balenciaga, and held his own show, where he proved he could still draw top industry names — including the Vogue editors Anna Wintour and Edward Enninful and the designer John Galliano, who attended, and the model Naomi Campbell, who walked in the show.Before the event began, Ye offered what turned out to be a preview of what was to come: “You can’t manage me,” he told the crowd. “This is an unmanageable situation.”He made good on his promise.Courting Controversy, and the RightYe meeting with Donald J. Trump in the Oval Office in 2018.Gabriella Demczuk for The New York TimesWith Ye in Paris, photographed in her own “White Lives Matter” shirt, was Candace Owens, a conservative activist and media personality who shares his love for the spotlight and taste for provocation.Ye has embraced conservative politics since 2016, when he announced his support for Mr. Trump, meeting him at Trump Tower while he was president-elect and later in the Oval Office when he was president.For several years he has associated with Ms. Owens, a fellow Trump supporter who has become one of the country’s most prominent Black critics of the Black Lives Matter movement. In April 2018, Ye tweeted, “I love the way Candace Owens thinks.” Ms. Owens accompanied him to an interview with TMZ Live the following month in which he called American slavery a “choice,” spurring outrage.“When you hear about slavery for 400 years — for 400 years?” he said. “That sounds like a choice. You was there for 400 years and it’s all of y’all? We’re mentally in prison.”This month Ms. Owens posted on Twitter that Ye had been “officially kicked out of JP Morgan Chase bank,” which she described as “frightening.” In fact, Ye had decided to leave the bank, and he announced his intention to do in September on CNBC.Ye attended the Oct. 12 Nashville premiere of Ms. Owens’s documentary “The Greatest Lie Ever Sold: George Floyd and the Rise of BLM.” Ye then went on the podcast Drink Champs and questioned the official account of Mr. Floyd’s death, for which a police officer was convicted of murder. His remarks prompted outrage from the Floyd family and an apology from the show’s host, N.O.R.E.After Twitter and Instagram restricted Ye’s accounts this month in response to antisemitic posts, the social media platform Parler, which bills itself as a platform for uncancelable free speech, announced that it would be sold to Ye. Its chief executive, George Farmer, is Ms. Owens’s husband.Struggles With Mental HealthYe’s recent antisemitic outbursts and other provocations have prompted some in the music industry to wonder whether his behavior was related to his mental health struggles.Ye has long alluded to mental health issues in lyrics — as early as 2005, in “Gossip Files,” he raps, “They told my mama I was bipolar, had A.D.D.” — but his psychiatric treatment did not become part of the public record until 2016, when he was hospitalized.He has acknowledged a diagnosis of bipolar disorder, but at times, including during his 2018 meeting with Mr. Trump, questioned it and said that his problem might have been sleep deprivation. He told David Letterman the following year that he had been “hyper-paranoid” when he was hospitalized, convinced that people wanted to kill him.He continued to address mental illness over the years in interviews, on social media and in his work, often expressing reluctance to take psychiatric medications. In 2018 he tweeted, “6 months off meds I can feel me again.”During the summer of 2020, when he was often disjointed, emotional and meandering on social media and in public appearances, Ms. Kardashian, who was still married to him, issued a statement on Instagram asking for “compassion and empathy” as he managed his symptoms, suggesting his family had tried and failed to get him into treatment.For a person with bipolar disorder, a manic episode is “a very sped-up state,” said David Miklowitz, a clinical psychologist and the author of “The Bipolar Disorder Survival Guide.” “They’re full of ideas, sometimes ideas that get grandiose and delusionally unrealistic.”It can be difficult for friends and family to disentangle whether a person in a manic episode is delusional, or expressing their true beliefs.Rwenshaun Miller, 35, a psychotherapist who has bipolar disorder, said he regretted that Ye “doesn’t have someone around to take his phone” and ensure that he receives treatment. But he said the rapper should be forced to reckon with the consequences of his behavior. “I know it can make you do certain things, but it is also up to me to take accountability for things that happen when I am in a manic episode,” he said.The Industry Watches, and WaitsYe brought a Sunday Service performance to Coachella in 2019.Rozette Rago for The New York TimesWhile people in the entertainment industry, including many who have worked with Ye in the past, privately express shock about his recent comments, few have spoken publicly.But the heads of two major talent agencies that do not represent Ye have called for people to stop working with him. Ari Emanuel, the chief executive of Endeavor, the parent company of the agency WME, wrote an opinion article for The Financial Times calling on entertainment companies — including Spotify, Apple and “whoever organizes West’s tours” — to cease working with Ye.Jeremy Zimmer, the chief executive of United Talent Agency, wrote in an internal email that “we’re seeing a surge in antisemitism in our communities, fueled by Kanye’s comments” and urged a boycott.Representatives of Spotify and Apple did not respond to requests for comment. Universal Music Group, the parent of Def Jam, and AEG Presents, the global concert company that puts on Coachella, declined to comment.Some of the industry’s silence may be strategic, as key players wait to see if Ye — still widely considered an immensely talented musician with a gift for seizing attention — will express contrition and begin a comeback cycle. A successful one could be lucrative for any partner.Melissa Eddy More