Cicogna, who died in November, was the face of the Venice Film Festival for decades and a pioneer for women in the Italian film industry. She also knew how to throw a party.
She threw at least one party that would have made Bacchus envious, photographed Greta Garbo and Marilyn Monroe (both friends), co-produced the Oscar-winning “Investigation of a Citizen Above Suspicion” and distributed films by the directors Luchino Visconti, Luis Buñuel and Pier Paolo Pasolini, among others. If a person can personify a global film festival, Marina Cicogna was for decades the face of the Venice Film Festival.
Born in 1934, two years after her maternal grandfather, Giuseppe Volpi (who was one of Benito Mussolini’s finance ministers), helped found the festival, Cicogna (pronounced chi-CONE-ya) helped transform it into a global event. She also championed Italian cinema as a producer and distributor, and she pushed the boundaries of what women could achieve in a male-dominated industry.
For those who knew Cicogna, who died in November at 89, she was not only a striking and glamorous figure but a generous and endlessly curious filmmaker. In addition to her grandfather’s enormous legacy — not to mention the family’s tremendous wealth — her mother, Countess Annamaria Volpi di Misurata, owned Euro International Films, which laid the groundwork for Cicogna’s immersion into Italian cinema.
“When Marina appeared as a distributor and producer in the second part of the ’60s, she was a new and important presence,” said Gian Piero Brunetta, a historian of Italian cinema who wrote “The Venice International Film Festival, 1932-2022.” “Marina was in the perfect moment to interpret the change happening in Italian cinema. Movies at this time were able to open a dialogue with the intelligence of the audience and address present problems. Marina was a protagonist in all of this.”
That individualism was evident to those around her, from the world’s biggest stars to writers, directors and those who benefited from her commitment to the festival and the burgeoning Italian film industry after its post-World War II neorealism stage. (A festival spokeswoman confirmed that there were no official plans to honor Cicogna at this year’s festival, which runs Wednesday through Sept. 7.)
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Source: Movies - nytimes.com
