Lorde’s Anthem of Transformation, and 9 More New Songs

Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.

Lorde, ‘Man of the Year’

“I’ve become someone else, someone more like myself,” Lorde sings, somewhere between pride and astonishment, in “Man of the Year,” the second single from her album due in June, “Virgin.” It’s a crescendo of self-transformation, from quietly plucked cello to full-band stomp, as Lorde seizes the masculinity within herself. In the video clip, she flattens her breasts, taping them down with duct tape; she ponders, “Who’s gonna love me like this?” and then proclaims, “Now I’m broken open / Let’s hear it for the man of the year.”

Miley Cyrus featuring Brittany Howard, ‘Walk of Fame’

“Walk of Fame,” from “Something Beautiful,” the new Miley Cyrus album, turns the proverbial morning-after walk of shame into something prouder: “I walk the concrete like it’s a stage.” The song is mostly formulaic disco, thumping away. But the voice of Brittany Howard — adding little responses and wordless overlays, then promising “You’ll live forever”— gives it some gravity.

Kaitlyn Aurelia Smith, ‘Urges’

Kaitlyn Aurelia Smith, an dedicated electronic-pop experimenter, toys with and displaces dance-floor rhythms in “Urges,” from her coming album, “Gush.” She whisper-sings “I keep getting urges /What if I just let them move through me like this” while brittle programmed syncopations, disembodied voices and distant, tootling arpeggios materialize around her voice; even as the sounds disintegrate, the pulse is danceable.

Santana and Grupo Frontera, ‘Me Retiro’

Two generations of Mexican American musicians — the Texas band Grupo Frontera and the guitarist Carlos Santana — make a natural combination in “Me Retiro” (“I’m Leaving”), a song about trying to drink away a heartbreak. Santana sits in with the Grupo Frontera band and, rightly, takes over; his guitar slices through the clip-clop beat and accordion chords and compounds the sorrows that Adelaido “Payo” Solís III sings about.

Obongjayar featuring Little Simz, ‘Talk Olympics’

Obongjayar — Steven Umoh, a Nigerian musician based in London — has a new album, “Paradise Now,” that’s full of inventive, Pan-African electronic grooves like the zippy staccato propulsion of “Talk Olympics.” With an octave-bouncing bass line and the sounds of balafons, drums, synthesizers and sampled voices, Obongjayar and Little Simz take turns complaining about someone who’s far too chatty: “I let you speak, that was my mistake,” Little Simz notes; Obongjayar adds, in his sweetest falsetto, “Shut up! Shut up!”