The stage musical, adapted from a 1992 film, will close Labor Day weekend after five months at the Nederlander Theater.
“Mr. Saturday Night,” Billy Crystal’s musical about an aging comedian trying to reboot his career, will end its Broadway run on Labor Day weekend.
The production, which, like many during this challenging time on Broadway, has been facing soft sales at the box office, began previews March 29 and opened April 27 at the Nederlander Theater. The production announced Sunday evening that its final performance will take place on Sept. 4; at the time of its closing, it is expected to have had 28 previews and 116 regular performances.
The musical is about a fictional comedian, Buddy Young Jr., whom Crystal has been portraying off and on for decades, first for sketches in HBO specials and on “Saturday Night Live,” and then in a 1992 Hollywood movie. The musical, like the film, was written by Crystal, Lowell Ganz and Babaloo Mandel; it features music by Jason Robert Brown and lyrics by Amanda Green, and is directed by John Rando.
Crystal, 74, once again stars as Young, who is a septuagenarian insult comic, employing jokes honed in the Jewish resorts of the so-called Borscht Belt in the mid-20th-century Catskills, trying to reclaim his relevance in a world that has moved on. Crystal had previously succeeded on Broadway with a solo show, “700 Sundays,” that first opened in 2004.
“Crystal is utterly in his element performing live,” wrote the critic Laura Collins-Hughes in a review of “Mr. Saturday Night” for The New York Times. “If you are a fan of his, or simply someone who has missed that kind of symbiosis between actor and audience, it’s a pleasure to watch.”
The show was nominated for five Tony Awards, including for best musical, book and score as well as for the performances by Crystal and Shoshana Bean, who plays his daughter, but won none. Crystal and Bean both tested positive for the coronavirus in May, and a few performances were canceled; similar health challenges have plagued many shows in recent months.
The show has generally been staged just seven times a week — one fewer than the industry standard of eight — and its box office grosses have been middling, and dropping this summer. During the week that ended July 10 — the most recent for which data is available — the show grossed $542,696 for a six-performance week, playing to houses that were 61 percent full, according to the Broadway League.
The musical, with James L. Nederlander as lead producer, was capitalized for $10 million, according to a filing with the Securities and Exchange Commission. That money has not been recouped.
Crystal is turning from Broadway back to television — he plans next to star in an Apple+ series, “Before,” which he will also executive produce.
Source: Theater - nytimes.com
