Yo-Yo Ma Makes His Encore a Call for Peace, With a Nod to Casals

After a rousing performance of Edward Elgar’s Cello Concerto with the New York Philharmonic on Tuesday, the celebrated cellist Yo-Yo Ma returned to the stage for an encore.

But rather than rush into a familiar crowd-pleaser, Ma began speaking from the stage of David Geffen Hall to the sold-out crowd. He explained the work he would play: “Song of the Birds,” a Catalonian folk song that was a favorite of the eminent cellist Pablo Casals, who performed it as a call for peace and to evoke his native Catalonia, which he had fled when he went into exile after the Spanish Civil War.

“Ladies and gentlemen, the Elgar Cello Concerto was written in 1919, right after the Great War — the Great War that we said would never happen again,” Ma told the audience of about 2,200 people, speaking without a microphone.

Then he spoke of Casals who, after World War II, suspended his concert career to protest the decision of the Allies not to try to topple Franco in Spain. “And the only times he would play would be to play this piece,” Ma noted, “which is from his native Catalonia, a folk song that he thought symbolized freedom.”

In a telephone interview, Ma said his aim was to remind people of their shared humanity at a time when there is so much strife and suffering in the world, including in Ukraine.

“The question is, why do we keep doing this to ourselves?” he said.

Ma said that music was a way of coping “in a world where we have both empathy deficit and empathy fatigue.”

“How many of us think about World War I or World War II?” he said. “How many of us think about Rwanda or about the Rohingya? These all become distant very quickly in our first world. But for people in other parts of the world, it’s constant, it doesn’t go away.”

“I don’t have an answer,” he added. “I’m trying to find a way of coping myself. And maybe at some level playing music is a way of engaging people in the common search of who we are, and who we want to be.”

Ma has long been fond of “Song of the Birds,” which he has often performed in the past.

In the interview, he said the piece was powerful in part because it highlighted the special abilities of birds.

“They literally can have altitude and perspective on our world and have the freedom to cross all our boundaries and borders,” he said. “There is something just wondrous about that. And we’re part of the same world. Can we learn from that and hopefully not make the same sort of mistakes over and over again?”

Since the Russian invasion last year, Ma has used music to show solidarity with Ukraine. He performed the Ukrainian national anthem last year with the pianist Emanuel Ax and the violinist Leonidas Kavakos before a concert at the Kennedy Center. He also played a Bach cello suite on the sidewalk outside the Russian Embassy in Washington.

Casals, regarded as one of the greatest cellists of all time, fled Spain in the late 1930s, saying he would not return until democracy was restored. Living in the French border town of Prades, he worked to raise money for refugees of the Spanish Civil War, writing letters to officials, charities, journalists and others seeking support.

He would perform “Song of the Birds,” or “El Cant dels Ocells,” at the end of his music festivals in Prades and the scattered concerts he played in exile. He played it in 1961 at the White House for President John F. Kennedy. And he performed it again when he visited the United Nations in 1971, two years before he died, to deliver an antiwar message.

“The birds in the sky, in the space, in the space, sing ‘peace, peace, peace,’” Casals said. “The music is a music that Bach and Beethoven and all the greats would have loved and admired. It is so beautiful and it is also the soul of my country, Catalonia.”

Ma has often paid tribute to Casals, calling him a hero. He played for the eminent cellist in 1962, when he was 7 and Casals was 85. Casals helped launch Ma’s career when he brought the prodigy to the attention of Leonard Bernstein, then the music director of the New York Philharmonic, who introduced Ma at a performance at the White House that same year before an audience that included President Kennedy.

In the interview, Ma recalled visiting Casals’s summer home in Spain in 2019, which now houses a museum, where he saw his letters of protest and pleas to help refugees.

“Casals showed me, even as a young boy, that he had his priorities,” he said. “He was a human being first, a musician second and a cellist third.”

Audio produced by Adrienne Hurst.