‘American Fiction,’ ‘Origin’ and the Pressures Black Writers Face

“We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame,” a young Langston Hughes proclaimed in an essay nearly 100 years ago. “If white people are pleased we are glad. If they are not, it doesn’t matter.”

Seeking to establish his autonomy as a Black writer, he concluded, “If colored people are pleased we are glad. If they are not, their displeasure doesn’t matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.”

I thought a lot about Hughes’s landmark 1926 essay, “The Negro Artist and the Racial Mountain,” after watching how Ava DuVernay’s “Origin” and Cord Jefferson’s “American Fiction” explore the fates of Black writers who push back against political and publishing pressures to focus exclusively on racism in their works.

Like Hughes, the protagonists of these movies — the journalist Isabel Wilkerson and the novelist Thelonious Ellison, known as Monk — strive to write as they please. But, by depicting their characters’ struggles, the films offer refreshing commentaries on the social construction of race and its devastating consequences for those at the bottom of the hierarchy.