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‘3 Body Problem’ Episode 1 Recap: The Final Countdown

Suicidal scientists and flashing stars highlight the first episode of this new series by Alexander Woo and the “Game of Thrones” creators, David Benioff and D.B. Weiss.

The plot of “3 Body Problem” is not going to be the thing that grabs you about “3 Body Problem.”

Perhaps because of the actions of a rogue scientist at a Chinese installation in the 1970s, an alien intelligence has instituted some kind of countdown. The decreasing numbers appear in the minds of the world’s bleeding-edge scientists, who are driven by the countdowns to end either their life’s work or their lives. According to a secret code blinked out by the stars in the sky in a phenomenon that spans the globe, all of humanity may be headed for the same result. Also, a possibly evil virtual-reality video game is involved.

See? It doesn’t take long to sum up what happens in “Countdown,” the premiere of the new series from the “Game of Thrones” impresarios David Benioff and D.B. Weiss and their collaborator, Alexander Woo (“The Terror: Infamy”), adapted from a trilogy of books by the Chinese novelist Liu Cixin. Nor is it hard to run down the characters, who at this point are primarily pieces moved from place to place to advance the aforementioned plot.

Half the episode is set in Mao’s China during the 1960s and 1970s. Our viewpoint character here is Ye Wenjie (Zine Tseng). She’s the brilliant daughter of a scientist whose adherence to concepts like relativity and the Big Bang puts him at odds with the values of the Cultural Revolution. As Wenjie watches, he is accidentally beaten to death by keyed-up teenagers during a struggle session, in which his own wife, Wenjie’s mother, denounces him.

At first condemned to hard labor, Wenjie catches the eye of the architects of a nearby scientific project run by the government. They offer her a job working alongside them, but given her checkered political past, the job is a life sentence: Once she goes to work at the secret installation, she can never leave it. Wenjie is already on thin ice after taking the fall for a heterodox journalist who passed her a copy of Rachel Carson’s “Silent Spring,” and at risk of being physically forced to incriminate other innocent scientists if she stays in prison. She takes the deal.

At the installation — a cliff-side redoubt overlooking vast deforested areas and topped with a gigantic transmitter — Wenjie quickly learns the truth. This isn’t a test site for some experimental weapon. It’s an attempt to communicate with worlds beyond our own.

Decades later, in 2024, all of science is in sudden turmoil. Particle accelerators around the globe have spent weeks returning results that are either a complete contradiction of 60 years of physics or complete gibberish. The scientific establishment, and more important its financial backers, have to use Occam’s razor and assume the latter — that the particle-accelerator game has somehow become rigged, and is therefore useless. One by one, they’re shut down for failure to justify further funding.

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Source: Television - nytimes.com


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