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    Jon Bon Jovi Helps Woman Off Ledge of Nashville Bridge

    The singer, who was filming a music video nearby, helped coax a woman to safety in Nashville.Jon Bon Jovi helped talk a woman off the ledge of a bridge in Nashville earlier this week, the police said.Mr. Bon Jovi was filming a music video on the bridge just after 6 p.m. on Tuesday for “The People’s House,” a song from his band’s new album “Forever.”In a video released by the police, Mr. Bon Jovi and another person, whom other news outlets have identified as a production assistant, slowly approach the woman, who is on the edge of the bridge, facing outward, on the far side of a railing. They are seen speaking to her for a minute or so, before she turns around to face them, and they lift her over the railing to safety.Mr. Bon Jovi then hugs the woman and the three walk together along the bridge, attended by law enforcement officials. The woman was taken to a hospital for evaluation, the police told CNN.“A shout out to Jon Bon Jovi and his team for helping a woman in Nashville on the Seigenthaler Pedestrian Bridge Tuesday night,” the police said on social media. “Bon Jovi helped persuade her to come off the ledge over the Cumberland River to safety.”John Seigenthaler Pedestrian Bridge is in the center of Nashville, not far from the Country Music Hall of Fame and Museum. Formerly the Shelby Street Pedestrian Bridge, it was renamed in 2014 for John Seigenthaler, a journalist who was an editor of The Tennessean and who himself prevented a man from jumping off the bridge in 1954.The John Seigenthaler Pedestrian Bridge in Nashville.Steve Luciano/Associated PressThe Nashville police did not immediately respond to a request for information on the incident.A publicist for Mr. Bon Jovi said he would not be commenting on the incident out of respect for the woman’s privacy. In addition to releasing a new album this year, Mr. Bon Jovi was also the subject of a new documentary series that aired in April on Hulu, “Thank You, Goodnight: The Bon Jovi Story.” He was in the news this summer when his mother, Carol Bongiovi, died at 83.If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources. Go here for resources outside the United States. More

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    Michael Kiwanuka Makes the Simple Profound on ‘Small Changes’

    “A song can make you hear or understand things that you don’t know how to say,” the English singer and songwriter Michael Kiwanuka said. “I think of songs as ways to communicate without conversation.”For more than a decade, Kiwanuka, 37, has been creating songs that speak directly and soulfully. Most often, he uses just a handful of chords and succinct, open-ended lyrics. But his words often turn into incantations over lush, organic grooves that reach back to vintage R&B, psychedelia and trip-hop. The songs offer questions and life lessons, mingling the personal and the political, balancing sorrow and solace.“Music heals me,” Kiwanuka said in a video interview from his home in England. “So that’s what I try and do.”Kiwanuka’s fourth studio album, “Small Changes,” is due in November, while in September and October he will be touring North America as a co-headliner with Brittany Howard, including an Oct. 2 stop at the Capitol Theater in Port Chester, N.Y.“I’m amazed by his songwriting; I think it’s classic,” Howard said from her home in Nashville. “There’s an art form to being vulnerable and telling your story, but also keeping it simple so that other people can relate to it,” she added. “The mood he’s creating, the stories he’s telling — it feels like I’m being let in on a little secret or something, like a close friend of mine is telling me their life.”Kiwanuka, whose parents are from Uganda, was born and grew up in London, often feeling like an outsider. “Maybe it’s an immigrant thing — you’re always trying to discover yourself,” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    MTV Video Music Awards: 7 Memorable Moments

    Taylor Swift set a record and Chappell Roan, Sabrina Carpenter and Katy Perry delivered noteworthy performances as the show struck a balance between past and present.Wednesday night’s MTV Video Music Awards marked the show’s 40th anniversary, and much of the festivities strived for déjà vu by honoring memorable performances and moments from shows past. Montages of “V.M.A. flashbacks” like Michael Jackson heartily kissing Lisa Marie Presley, Madonna writhing through “Like a Virgin,” and Eminem storming the building with a regiment of bleached look-alikes peppered the telecast.This year’s show paid homage to those events too, sometimes explicitly. Eminem, for instance, opened the show performing his latest single, “Houdini,” alongside an army costumed to look like him, with dark beards underneath blond wigs that referenced the old days. The host Megan Thee Stallion donned an outfit that nodded to the silky green top Britney Spears wore in 2001 to perform “I’m a Slave 4 U,” and sported a yellow boa constrictor to boot — though Megan’s genuine discomfort with the creature worked to comedic effect.The V.M.A.s are forever looking to inaugurate new stars to take up the mantle of the classic music-video era icons. This year’s class, including Sabrina Carpenter, Chappell Roan, Tyla and Rauw Alejandro stood out amid the throwback references. Katy Perry bridged the gap between eras, and Taylor Swift did what she does best at award shows — dance zealously to other artists and collect hardware. Here are the highlights.Shawn Mendes returned to the stage with new music.The last time Shawn Mendes was on the V.M.A. stage, it was 2021 and he was performing “Summer of Love” with Tainy. He’d last released an album, “Wonder,” in 2020 but later postponed a 2022 tour to focus on his mental health.Wednesday Mendes returned to the stage to perform an acoustic and stripped-down new single, “Nobody Knows,” from his upcoming album “Shawn,” expected to release in October. Fans on social media speculated that the song contained a reference to his ex-girlfriend and fellow V.M.A. performer, Camila Cabello. In the song, Mendes sings, “When the bottle is open, anything can happen/flying too close to the sun”; Cabello’s Instagram bio reads, “long, thick black hair turned white from flying too close to the sun.” — SHIVANI GONZALEZWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Essential Frankie Beverly and Maze Songs, Including ‘Before I Let Go’

    The singer, who died on Tuesday at 77, had a smooth, sunny delivery that turned at least one track into a lasting anthem of Black celebrations.The song is a call to action from its opening notes. There’s only a brief stomping riff before Frankie Beverly, the lead singer and songwriter of the soul and funk band Maze, intones “woah-ohhh.” By the time he actually gets to the song’s opening lyrics, “You make me happy,” audiences at barbecues, family reunions, weddings, block parties and musical festivals know they should already be on the dance floor.“Before I Let Go” peaked at No. 13 on Billboard’s R&B chart after its release in 1981, on the band’s fifth album. But in the more than four decades since, the song became a signature for the group and for Beverly, whose warm but impassioned vocals ignite the track and elevate it to a communal release, particularly at Black gatherings.Questlove, during a sit-down in March with Beverly for his podcast, called the song “the national anthem of life,” in part for its ubiquity in Black celebrations. Invoking the nostalgia of home and togetherness through its ebullience and Beverly’s bellowing delivery, the song is often an end-of-the-night anthem: Beverly and Maze used it as a set-ender and the band for many years closed the annual Essence Festival with the jam.Clint Smith, the New York Times best-selling author, poet and journalist, described the energy Mr. Beverly is able to alchemize with his music in a poem from 2015 titled “When Maze and Frankie Beverly Come On in my House.”“A reminder of the playful manifestations of love, how the harmony of guitar & trumpet & bass & sweat & Frankie’s voice can create the sort of levity that ensures love lasts long after the song has stopped,” Mr. Smith wrote.Beyoncé’s cover of “Before I Let Go,” from her 2019 live album “Homecoming,” brought the song to new listeners, and her performance — adding calls to new dance moves for TikTok and Instagram audiences — reveled in its sheer delight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Dave Grohl’s Mystery Baby Offers a Lesson in Crisis Communication

    The timing and content of Dave Grohl’s admission that he had a child outside his marriage was complimented for addressing the issue and relying on short memories.Dave Grohl — the Nirvana drummer and Foo Fighters founder — is as close as America gets to a rock ’n’ roll father figure: funny and family-oriented, beloved by his fans and his fellow musicians and seemingly as steady as the drumbeats that made him famous. His nickname? “The nicest dude in rock.”On Tuesday, however, that reputation took a hit when Mr. Grohl revealed that he was also paternal in a very real, and decidedly less flattering way, with the announcement of the birth of a daughter outside his marriage.“I plan to be a loving and supportive parent to her,” the musician posted on Instagram, adding that he loved his wife and their children. “I am doing everything I can to regain their trust and earn their forgiveness.”The decision by Mr. Grohl to make a pre-emptive announcement may well have been an attempt to control the narrative, something that crisis communications experts said was savvy.“I thought it was clean, smart, simple,” said Melissa Nathan, the chief executive of The Agency Group PR, which specializes in “reputation management.”Molly McPherson, a crisis communications strategist, echoed that sentiment, saying that Mr. Grohl’s post was probably strategically timed, coming on the same day as the highly anticipated debate between Vice President Kamala Harris and former President Donald J. Trump.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Frankie Beverly, Frontman of the Soul Group Maze, Is Dead at 77

    A consistent hitmaker on the R&B charts for almost 50 years, he had announced just this year that he would be retiring.Frankie Beverly, the lead singer and songwriter of the soul and funk band Maze, whose songs, including “Golden Time of Day,” “Joy and Pain” and “Happy Feelin’s,” provided the soundtrack to countless summer cookouts and family reunions for more than five decades, died on Tuesday. He was 77.His death was announced in a statement by his family on his Instagram account. The statement did not say where he died or cite a cause.“He lived his life with pure soul, as one would say, and for us, no one did it better,” the statement said. “He lived for his music, family and friends.”Mr. Beverly had announced a farewell tour this year with a handful of dates. He had said that he would retire after going on the road one last time.Mr. Beverly with Maze in 2023. He announced this year that he would retire after a brief tour.Gary Miller/Getty Images“Thank you so much for the support given to me for over 50 years as I pass on the lead vocalist torch to Tony Lindsay,” Mr. Beverly said in a statement to Billboard at the time. “The band will continue on as Maze Honoring Frankie Beverly. It’s been a great ride through the decades. Let the music of my legacy continue.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Dawn Richard Sues Sean Combs, Alleging Threats and Groping

    The lawsuit was filed by Dawn Richard, a member of groups assembled by Mr. Combs. A lawyer for Mr. Combs called the suit “manufactured” to get a “payday.”Dawn Richard, a singer who came to prominence on the MTV reality show “Making the Band,” filed a lawsuit on Tuesday against the music mogul Sean Combs, accusing him of threatening her, groping her and flying into “frenzied, unpredictable rages” while he oversaw her career.A former member of the now-defunct groups Danity Kane and Diddy — Dirty Money, which were both assembled by Mr. Combs, Ms. Richard detailed a litany of complaints from her time working with him, alleging a culture in which her boss would order her to strip down to her underwear, smack her behind, throw objects such as laptops and food, and at times fail to pay her for her work.In response to the lawsuit, a lawyer for Mr. Combs, Erica Wolff, said in a statement that Ms. Richard had “manufactured a series of false claims all in the hopes of trying to get a payday,” noting that the lawsuit came shortly before Ms. Richard is slated to release a new album.In the lawsuit, filed in federal court in Manhattan, Ms. Richard detailed several occasions from as far back as 2009 in which she said she witnessed Mr. Combs physically abuse his former girlfriend Cassie, whose lawsuit last year prompted a cascade of civil claims against Mr. Combs. Once, the lawsuit said, Ms. Richard saw Mr. Combs push Cassie, whose full name is Casandra Ventura, against a wall and choke her, then throw a hot pan of eggs at her.“On many occasions, Ms. Richard tried to intervene, offering Ms. Ventura support and encouragement to leave Mr. Combs,” the lawsuit says. The court papers accuse Mr. Combs of responding with threats such as “you want to die today” and “I end people.”This is the eighth sexual misconduct lawsuit that Mr. Combs has faced since Ms. Ventura sued last November; the two sides settled in one day. Mr. Combs, who is also facing a federal investigation into his conduct, has described the civil suits as “sickening allegations” from people looking for “a quick payday,” and his lawyers have been fighting them in court.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Popcast: Kendrick Lamar at the Super Bowl, Sabrina Carpenter on Top

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicOn this week’s episode of Popcast, the pop music critic Jon Caramanica and the pop music reporter Joe Coscarelli discuss the week in music:The announcement that Kendrick Lamar will headline the halftime show at Super Bowl LIX, to be held in February in New Orleans, and how it extends his year of tension and musical beef with Drake.Sabrina Carpenter’s sixth album, “Short n’ Sweet,” which is No. 1 on the Billboard album chart, and has helped her break into pop’s top tier.The career of the Atlanta rapper Rich Homie Quan, who died last week at 34.Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More