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      What’s on TV This Week: ‘Endangered’ and ‘The Man Who Fell to Earth’

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      A documentary about the dangers that journalists face airs on HBO. And the Showtime series starring Chiwetel Ejiofor wraps up its first season.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, June 27 to July 3. Details and times are subject to change.MondayHIDING IN PLAIN SIGHT: YOUTH MENTAL ILLNESS 9 p.m. on PBS (check local listings). In Ken Burns’s latest documentary, 20 people ranging in age from 11 to 27 share their first-person accounts of mental illness and how it has affected their lives. This two-part series also includes the perspectives of the parents, teachers and friends of those affected as well as input from mental health professionals. The film was also screened at the White House last week, with Jill Biden, the first lady, thanking Burns for creating a documentary that reminds young people that this does not have to be an isolating experience.TuesdayA scene from “Endangered.”HBOENDANGERED (2022) 9 p.m. on HBO. In this HBO original documentary, directed by Heidi Ewing and Rachel Grady and executive produced by Ronan Farrow, journalists (Patrícia Campos Mello, Oliver Laughland, Carl Juste and Sáshenka Gutiérrez) discuss how they navigate the growing backlash and relatively new risks they face in their work. They also share their firsthand experiences with dangerous situations, like having threats made against them. The documentary — including one-on-one interviews and archival footage — goes in-depth to analyze the factors that have led to increasing distrust of the news media, and shows the relationship journalism has with elected officials, the public and law enforcement.WednesdayTHE FLASH 8 p.m. on the CW. “The Flash” is wrapping up its eighth season this week with a two-part finale, carrying on a tradition from its seventh season. Part 1 of the finale, which aired last week, featured the brutal death of a main character (at the hands of another main character) and the even more brutal resurrection of another character — so the finale has a lot of loose ends to tie up. The show has already been renewed for Season 9, but with Jesse L. Martin, a series regular, leaving to lead an NBC pilot, its fate past next season is unknown.ThursdayJude Law and Cameron Diaz in “The Holiday.”Columbia PicturesTHE HOLIDAY (2006) 10 p.m. on HBO. Though we have officially entered summer and temperatures are rising, you can escape to the chilly English countryside with Jude Law and Cameron Diaz in “The Holiday.” Written and directed by Nancy Meyers, the movie follows two women (Diaz and Kate Winslet) who decide to swap houses — and lives — after they experience heartbreak. Though it takes place around Christmas (and also stars Jack Black and Eli Wallach), it is ultimately a story about love: “The men and women in a Nancy Meyers film don’t just fall in love,” Manohla Dargis wrote in her review for The Times, “they talk about falling in love, about falling out of love, about needing, fearing and surrendering to love.”ME OR THE MENU 10 p.m. on Food Network. Though the old saying goes that you should never mix business with pleasure, Food Network’s newest show does exactly that. The show follows four couples as they work toward the dream of opening a restaurant — without putting a strain on their relationships. The first episode will introduce the couples and then follow their journeys from there.FridayMarilyn Monroe, Jack Lemmon, center, and Tony Curtis in “Some Like It Hot.”United ArtistsSOME LIKE IT HOT (1959) 8 p.m. on TCM. This comedy directed by Billy Wilder revolves around Joe (Tony Curtis) and Jerry (Jack Lemmon), who transform themselves into Josephine and Daphne in an attempt to avoid the gangsters that are following them. They join a female jazz band, where they meet Sugar (Marilyn Monroe). Shenanigans ensue. If you can’t get enough of the 1959 film, which was written by Wilder and I.A.L. Diamond, a Broadway adaptation of the movie is coming to the stage this fall.SaturdayFUNNY FACE (1957) 8 p.m. on TCM. This classic is packed with star power: Audrey Hepburn and Fred Astaire star as Jo Stockton and Dick Avery, and the film features a score with music by George and Ira Gershwin. It’s also a romantic comedy that starts with a meet cute: Dick is a fashion photographer and Jo works at the Greenwich Village bookstore where the two meet. Dick is struck by Jo’s beauty and whisks her off to Paris, where they eventually fall in love. “Miss Hepburn has the meek charm of a wallflower turned into a rueful butterfly,” the Times critic Bosley Crowther wrote, “and Mr. Astaire plays her lens-hound suitor softly, as if afraid to turn on too much steam.”SundayTHE MAN WHO FELL TO EARTH 10 p.m. on Showtime. This series, which was inspired by the 1976 Nicolas Roeg film and the 1963 novel by Walter Tevis, is wrapping up its first season after a 10-episode arc. The show begins when Chiwetel Ejiofor’s character, Faraday, crashes in the oil fields of New Mexico and sets off to find Justin Falls (Naomie Harris), who is the only woman who can save his species. It has yet to be renewed by Showtime. More

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      Immersed in ‘Stranger Things,’ Then Strolling to Beckett

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      Our writer checked out two very different experiences in New York. In Netflix’s TV re-creation, you fight Demogorgons. In “Cascando,” you walk off your existential angst.Before the pizza parlor, before the arcade games, before the ice cream shop and the merch kiosks (so many merch kiosks!) and the photo op with a fiberglass-and-silicone Demogorgon, “Stranger Things: The Experience,” at the Navy Yard in Brooklyn, puts on a show.Netflix, which has created other immersive entertainments based on its “Bridgerton” and “Money Heist” properties, co-produced this 45-minute experience with Fever. Based on the teen-horror pastiche “Stranger Things,” it plunks participants, many of them dressed in 1980s finery, into tens of thousands of square feet of Hawkins, Ind. Some rooms have an unfinished feel (did the budget not include ceilings?); others suggest a theme-park-quality buildout. The most fully realized ones are nestled inside Hawkins’s cheery state-of-the-art lab. Ostensibly, ticket holders have signed up for a sleep study. An interdimensional rift soon complicates study protocols. Will these test subjects survive? Of course. They have tote bags to buy afterward.“Stranger Things: The Experience” is a piece of fan service that adopts the vocabulary of immersive theater. While legible, barely, for those unfamiliar with the series, this story has been built for devotees, allowing them to enter into the fictional world. Enterprises like this used to be lower-budget affairs of the do-it-yourself variety, the province of live-action role-players and tabletop gamers. Now for about $58 — less for gutsy under-17s, more if you book on a weekend — Netflix and its partners will do the doing for you.“We look at live experiences as providing fans another way to see themselves more in the stories they love,” Greg Lombardo, the head of live experiences at Netflix, told me in an interview a couple of days after my visit.This show, which runs for about 45 minutes, chugs along like a reasonably well-oiled machine. What eldritch fluids comprise that oil? Best not ask. The cast members who circulate are trained improvisers, skilled at eliciting responses, practiced at batting those responses back. At one point I was harangued by a journalist character — sweaty, anxious, overconfident. Ow.The Upside-Down World of ‘Stranger Things’After a three-year wait, Netflix’s sci-fi series returns with a fourth season.Season 4 Guide: As in seasons past, this go-round is full of nods and Easter eggs to 1970s and ’80s pop culture. Here are the major highlights.Review: “Stranger Things” has gone from lovingly echoing 1980s touchstones to industriously copying itself, our critic writes of the show’s fourth installment.The Duffer Brothers: The “Stranger Things” creators seem to share a brain. But they could never lock themselves in a writing cabin together.David Harbour: While “Stranger Things” was on hiatus, the actor tackled a string of strangely compelling deadbeat characters.While immersive, “The Experience” doesn’t really depend on you. The Demogorgons will eventually explode, whether or not you deploy your extrasensory powers. Which is a letdown. Because there is a fantasy that many of us entertain about the art we love — that we might matter to the art as much as it matters to us. Still, the teenagers and young adults in the room gasped and screamed and unleashed their psychic abilities with apparent delight.“We’re trying to give fans a chance to be the hero of their stories,” Lombardo said. This is pushing it. Eleven, the psychokinetic phenom played by Millie Bobby Brown, who appears via hologram, is the real hero here. The motivating factors of “The Experience” owe less to art than to marketing, and its ultimate goal suggests a branding ouroboros: devotion to the show encourages consumption of the experience, consumption of the experience urges re-engagement with the show.After “The Experience,” with the rift safely sealed, you can consume without the distractions of a plot — which is when “Stranger Things: The Experience” achieves its final and ideal form. There is pizza to be eaten and ice cream to be licked and cocktails to be drunk. Bertolt Brecht used to rail against the culinary theater, a theater that delivered only emotion and sensation, rather than intellectual engagement. Brecht probably never had a drink with a stroopwafel as garnish. I didn’t buy a tote bag, but I did play through the “Stranger Things”-branded pinball game. I think I did pretty well.“Cascando,” an adaptation of a Beckett radio play, comes courtesy of Pan Pan Theater. Upon arrival each ticket holder is outfitted in a black-hooded robe and handed a pair of headphones.Jeenah Moon for The New York TimesTo wander the streets of Manhattan dressed as a high-fashion druid, a goth garden gnome, is fun of a kind.Jeenah Moon for The New York TimesNo amusement genius has yet made a Samuel Beckett pinball machine — I imagine a gloomy palette, defective flippers and a high-score list that reads GODOT GODOT GODOT. But those eager for a Beckett brand extension can instead arrive at New York University’s Skirball Center for “Cascando,” an adaptation of a Beckett radio play from the early 1960s. It comes courtesy of Pan Pan Theater, an Irish company with an insouciant approach to the classics.Originally created in conjunction with the composer Marcel Mihalovici, “Cascando” is intended as a passive audio experience. But this “Cascando,” directed by Gavin Quinn and designed by Aedin Cosgrove, adds a participatory element.Upon arrival each ticket holder is outfitted in a black-hooded robe and handed a pair of headphones. Loosed onto La Guardia Place, a quiet street adjacent to Washington Square Park in Manhattan, participants begin a single-file walk around and through the neighboring blocks. As they stroll, they listen to the text, prerecorded here by Andrew Bennett and Daniel Reardon.To wander the Village dressed as a high-fashion druid, a goth garden gnome, is fun of a kind. But there are no stops along the way, no interactions, no activations. The choreography — a sharp turn here and there — is minimal. At one point, I wondered, with almost breathless excitement, if we would sit. We did not sit.While it makes sense to encounter Beckett’s text via headphones — there are references throughout to a story existing only in someone’s head — the alone-together walk doesn’t illuminate or galvanize the text, which is, like so much of Beckett’s work, heavy on repetition and ellipses. On the rainy sidewalk, meaning slid away.In another city, at another moment, a show like “Cascando” might at least have ornamented the street life. But New York’s typical street life is already a variety of theater, druids or no. As we re-entered the park, I saw a clump of skateboarders look us up and down. We had become part of their story, I thought for a moment, part of their experience. Then they shrugged and returned to their conversation. Just another Wednesday in the Village, bro.Stranger Things: The ExperienceThrough Aug. 21 at Duggal Greenhouse, Brooklyn; strangerthings-experience.com. Running time: 45 minutes for the show, then mingling.CascandoThrough July 3 at N.Y.U. Skirball, Manhattan; nyuskirball.org. Running time: 30 minutes. More

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      Trevor Noah Has Gun Law Ideas for New York

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      Noah says the state should propose new restrictions where “anyone can buy a gun if they want, but the gun stores are only open on the nights that the Knicks win.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.And You Get a Gun! And You Get a Gun!The U.S. Supreme Court issued a major ruling on Thursday, striking down a New York State gun law that allowed residents a conceal and carry permit only if they demonstrated a special need.Trevor Noah said the ruling “makes complete sense — because that would be making the militia well regulated, and I mean, you can’t do that, you know? It’s not like it’s written anywhere.”“You can see where this is going. This Supreme Court is feeling themselves, huh? Because you realize they finally have all the justices they need to do anything they want. It’s like Amy Coney Barrett was the last infinity stone that they needed. Yeah, they put it in, and now they’re just snapping away at all the laws. It’s like voting rights, gun control, Miranda rights, abortion. I love this song, yeah!” — TREVOR NOAH“Yeah, I don’t know about you guys, whenever I’ve been sitting in rush-hour traffic in New York with drivers screaming at each other and bikers cussing out the drivers and pedestrians wailing at the bikers and the drivers, the one thing I always think is, ‘Man, one thing that would calm this down is if everyone had a gun right now. Just a Glock or two would really chill the situation out.’” — TREVOR NOAH“So this is obviously a big setback for gun safety. But if you ask me, New York just needs to get creative. Yeah, they need to think outside of the box, the same way that Texas did, right? Look at what Texas did with banning abortion — they weren’t allowed to ban it, so they just made a crazy new law that basically banned it anyway. That’s what New York needs to do with guns. Like, yeah, they should say, ‘OK, anyone can buy a gun if they want, but the gun stores are only open on the nights that the Knicks win.’” — TREVOR NOAHThe Punchiest Punchlines (Gun Show Edition)“The Supreme Court today issued several rulings, including one that overturns a New York State gun law restricting concealed weapons. So move over, tourists! Seriously, move over, ’cuz you’re gonna get shot.” — SETH MEYERS“That’s right, the Supreme Court overturned a New York law — a New York State gun law restricting concealed weapons. ’Cuz you know how sometimes you’ll be on the F train in August and there’s no A.C. and then it stops in the middle of the tunnel and the conductor doesn’t announce anything and you think to yourself, ‘Man, I wish we all had guns.’” — SETH MEYERS“Basically, New York had a law for the past 100 years that said if you want to just carry a gun around with you wherever you go, you need to prove that you have a specific reason you need that gun, you know, for your protection. You have to go to the police, you have to tell them, explain the whole thing. Maybe someone is making threats against you, or maybe you’re Liam Neeson’s daughter and people keep trying to kidnap you, even though it seems like it would be way easier to kidnap someone else’s daughter at this point.” — TREVOR NOAHThe Bits Worth WatchingSamantha Bee shot this week’s “Full Frontal” while she had Covid, saying the news of a potential abortion ban was important enough to power through.Also, Check This OutAustin Butler as Elvis Presley in “Elvis,” directed by Baz Luhrmann. The soundtrack shakes up the expected playlist, and offers the strongest argument for Presley’s relevance.Warner Bros.Austin Butler plays Elvis Presley in Baz Luhrmann’s operatic, chaotic anti-biopic, “Elvis.” More

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      ‘Transparent’ Musical Highlights Center Theater Group Season

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      “A Transparent Musical,” with music and lyrics by Faith Soloway, will have its world premiere in May 2023 at Mark Taper Forum in Los Angeles.The world premiere of a stage musical adaptation of the groundbreaking Amazon series “Transparent” will highlight the 2022-23 season of Center Theater Group in Los Angeles, the company announced Thursday.The production, “A Transparent Musical,” features characters from the original series about a sexagenarian parent in a Jewish Los Angeles family who comes out as a transgender woman. The new musical comedy is billed as “a story of self-discovery, acceptance and celebration.” It will have its world premiere in May at the Mark Taper Forum.The creator of the original series, Joey Soloway, and MJ Kaufman wrote the book, with music and lyrics by Faith Soloway (who wrote for all four seasons of the television series and composed the songs for its finale). The choreography is by James Aslop (“Girls5eva”), and it will be directed by Tina Landau (“SpongeBob SquarePants: The Broadway Musical”).“My sibling and I have dreamed of creating a stage musical that brings the experiences of being trans and Jewish into a mainstream, pop culture fantasia,” Joey Soloway said in a release.The original series, which was inspired by the siblings Joey and Faith Soloway’s parent’s own transition later in life, was one of the first mainstream shows to focus on transgender issues when it premiered in 2014. It won eight Emmy Awards, and The New York Times’s Alessandra Stanley praised it as “an insightful, downbeat comedy told without piety or burlesque.” It was also the first scripted series to showcase a transitioning transgender character.“A Transparent Musical” will begin performances on May 20, 2023, and open on May 31, with a limited run through June 25, 2023.Center Theater Group, a 55-year-old nonprofit theater, will present the world premiere of Larissa FastHorse’s comedy “Fake It Until You Make It” (Aug. 2-Sept. 3, 2023), about “shifters” — people who exist in a world of self-determined identity. It will also present Jane Wagner’s one-woman play “The Search for Signs of Intelligent Life in the Universe,” which stars Cecily Strong of “Saturday Night Live” (Sept. 21-Oct. 23); Lynn Nottage’s Tony-nominated truck-stop-set comedy “Clyde’s” (Nov. 15- Dec. 18); and a revival of Anna Deavere Smith’s “Twilight: Los Angeles, 1992” (March 8- April 9, 2023) at the Taper.The productions are part of a Center Group season that includes work exclusively by writers who identify as female, transgender or nonbinary, a majority of whom are artists of color, which took shape after the company was called out last fall for its 10-play 2021-22 season, which included only one work by a woman. More

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      Stephen Colbert Taunts Ron Johnson for Faking It

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      Colbert said that the Wisconsin senator tried to avoid talking to reporters after Tuesday’s Jan. 6 hearing, “but like most things, he’s not very good at that.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Bad FakeTuesday’s Jan. 6 hearings presented evidence suggesting that Senator Ron Johnson sought to hand-deliver fake elector votes from Michigan and his home state of Wisconsin to then-Vice President Mike Pence. Johnson acknowledged receiving the package but claimed he had no idea where it came from or what it contained.“It could have been anything in that envelope — he doesn’t care. Fake electors, angry bees, naked pictures of Mary Todd Lincoln. It don’t matter to Ron — he’s just a delivery boy,” Stephen Colbert joked on Wednesday.“You know those announcements in the airport when they say, ‘Do not carry onto the flight a package for someone you don’t know’? I’ve always wondered who those announcements are for. Turns out, it’s Ron Johnson.” — STEPHEN COLBERT“During yesterday’s hearing on the Capitol attack, committee members showed texts that indicated Republican Senator Ron Johnson wanted to hand-deliver a list of fake electors for then-Vice President Mike Pence to introduce on Jan. 6. You sent that over text? How do you send bribes — Venmo?” — SETH MEYERS“When this came out, Johnson tried to avoid talking to reporters, but like most things, he’s not very good at that.” — STEPHEN COLBERT“Everyone knows you put the phone on the same side as the reporter — that’s scam artistry 101.” — SETH MEYERSThe Punchiest Punchlines (Farewell to Juul Edition)“Finally, if you are one of those people who regularly likes to vape, first of all, congratulations on being basic, and second of all, you might want to stock up because your supply is about to run out.” — TREVOR NOAH“The F.D.A. just announced that they are banning all Juul e-cigarettes in the U.S. Yeah, no more Juul. No more Juul. That will explain tomorrow when you see a bunch of your co-workers sucking on a Glade plug-in.” — JIMMY FALLON“But this is a big move by the F.D.A., because you realize Juul is the iconic vaping brand. So by them doing this, it is like going after soda by banning Coke, or going after coke by banning Don Jr.” — TREVOR NOAH“It’s a big deal because if they also ban fedoras, your old college roommate is going to have a nervous breakdown.” — JIMMY FALLON“It’s a tough day for everyone who loves ingesting chemicals, you know what I’m saying? Can’t even huff gas anymore — it’s too expensive.” — JIMMY FALLONThe Bits Worth WatchingOn “Jimmy Kimmel Live,” the guest host, Sean Hayes, revealed he was an original cast member of the hit Netflix show “Ozark” and shared scenes from the cutting-room floor.What We’re Excited About on Thursday NightEvan Rachel Wood will appear on Thursday’s “Tonight Show.”Also, Check This OutFrom left: Naomi McPherson, Josette Maskin and Katie Gavin of Muna. The band’s third album, “Muna,” moves in more pop-influenced directions.Tonje Thilesen for The New York TimesThe Indie-pop group Muna is back with a self-titled third album and a new label boss: Phoebe Bridgers. More

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      Trevor Noah Calls Out Rudy Giuliani for Being ‘Thirsty’

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      “Yeah, Rudy made so many unanswered calls, the iPhone started labeling him as spam,” Noah said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Spam LikelyThe Jan. 6 hearings continued on Tuesday, where reports of former President Trump’s attempt to flip the outcome of the election with state officials took center stage.“One of the people Trump depended on most in the pressure campaign was Rudy Giuliani, his personal lawyer and final boss in a Resident Evil game,” Trevor Noah said on Tuesday. “Unfortunately, it seemed like no one wanted to take Rudy’s calls.”“Yeah, Rudy made so many unanswered calls, the iPhone started labeling him as spam.” — TREVOR NOAH“Can we acknowledge what a fall this has been, huh? This man went from being an American hero to now sounding like a telemarketer selling a coup: [imitating Giuliani] ‘If you order now, I’ll throw in that chair Abraham Lincoln is sitting on.’” — TREVOR NOAH“And you know, this is another example of how historic President Trump really was. Any other time in U.S. history, if the president’s lawyer called someone, they would take that call. But when Trump’s vampire lawyer called people, everyone was, like, ‘Tell him I’m not here! Yeah, tell him I went camping and died!’” — TREVOR NOAH“Also, not that I’m encouraging it, because I’m not, but if you are going to try to overturn an election, maybe don’t leave voice mails? It’s a paper trail. Also it’s 2022 — text! Who leaves voice mails? You realize how thirsty you’re coming off? ‘Hey, it’s me again.’ Come on, Rudy, just hit ’em with a quick late-night ‘U Up? For subverting democracy? Eggplant emoji, red hat emoji, vampire emoji.’ Come on, Rudy, keep up with the times!” — TREVOR NOAHThe Punchiest Punchlines (Summer Solstice Edition)“Thank you for joining us on the first day of summer, which is wild. This is the day when both the sun and Jimmy Kimmel are said to be at their highest.” — SEAN HAYES, guest host of “Jimmy Kimmel Live”“Today is also known as the summer solstice, which is the longest day of the year, which is funny, because I thought the longest day of the year was the time I saw Steven Seagal do Shakespeare in the park.” — SEAN HAYES“Out of all the days in the year, this is the one where we get the most sunlight, so if you were still sad today, I hate to break to it you, but your seasonal depression is just regular depression.” — SEAN HAYES“Of course I’m in a good mood today. It’s the first day of summer. Seriously, I heard so many White Claws crack open today I thought the — I thought the cicadas were back.” — JIMMY FALLON“You could tell it’s summer. This morning, my Uber driver drove around with the top down and by the top, I mean his shirt.” — JIMMY FALLON“But yeah, summer is here, which means that you’ve got about a week until it’s pumpkin season at Starbucks.” — JIMMY FALLON“That’s right, today is the summer solstice, which means it’s the longest day of the year. So if today felt extra long, you’re either in our hemisphere or you own Bitcoin.” — JIMMY FALLONThe Bits Worth WatchingDulcé Sloan broke down the commercialization of Pride on Tuesday’s “Daily Show.”What We’re Excited About on Wednesday NightDavid Sedaris will sit down with Stephen Colbert on Wednesday’s “Late Show.”Also, Check This OutGeorge Michael during his Faith World Tour in 1988. Michael Putland/Getty Images“George Michael: Freedom Uncut” details the singer’s life and career via interviews and previously unseen footage. More

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      Bill Cosby Loses Sex Assault Lawsuit and Must Pay Damages

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      A jury in California sided with Judy Huth, who accused Mr. Cosby of molesting her at the Playboy Mansion in 1975, when she was 16.SANTA MONICA, Calif. — A jury on Tuesday found that Bill Cosby sexually assaulted Judy Huth in 1975, when as a 16-year-old girl she accepted his invitation to join him at the Playboy Mansion in Los Angeles.The decision by the jury once again tarnished the reputation of a man whose standing as one of America’s most beloved entertainers dissolved as dozens of women came forward to accuse him of sexual misconduct.As part of its decision, the jury awarded Ms. Huth $500,000 in compensatory damages, but declined to award punitive damages.Beyond its significance to Ms. Huth, who first came forward with her accusations in 2014, the verdict offered a degree of satisfaction for many of the women who for years have accused Mr. Cosby of similar abuse. The Huth case, for them, offered a second chance at getting public vindication of their accounts after Mr. Cosby’s criminal conviction in the Andrea Constand case was overturned by an appellate panel last year on due process grounds.Many of the accusers had been time-barred from filing their own suits because they had not come forward at the time when they said Mr. Cosby had attacked them. But Ms. Huth’s suit was able to move forward because the jury agreed she was a minor at the time, and California law extends the time frame in which people molested as children can file a civil claim.After the verdict was announced, and the jury dismissed, Ms. Huth hugged her lawyers.“I feel good, I feel vindicated.” Ms. Huth said.The verdict was a damaging setback for Mr. Cosby who, upon his release after serving nearly three years in prison, had promoted the appeals court decision as a full exoneration, an overstatement now overshadowed by a finding that reinforces an image of him as a person who wielded his celebrity to take advantage of women.Mr. Cosby has consistently denied the accounts of all of the women, asserting that, if he had sexual encounters with anyone, it had always been consensual. He invoked his Fifth Amendment privilege against self-incrimination and did not attend the trial. But parts of his deposition, which was videotaped several years ago, were played for the jurors and they heard him say he had no recollection of ever meeting Ms. Huth.The 12-person jury was not unanimous in its findings and voted 9 to 3 to award Ms. Huth the compensatory damages. After the jury was dismissed, one juror, Aldo Reyna, 25, explained why he decided in her favor.“Given the time frame, you have to go on somebody’s word,” he said in an interview. “Either you believe them, or you don’t. I believed her on the stand.”Jennifer Bonjean, a lawyer for Mr. Cosby, claimed some victory in the fact that the jury had decided against awarding punitive damages.“We do feel some relief,” she said. “Finding no punitive damages was a significant win for us.”A spokesman for Mr. Cosby, Andrew Wyatt, said the entertainer would appeal.“Mr. Cosby continues to maintain his innocence,” Mr. Wyatt said in a statement, “and will vigorously fight these false accusations, so that he can get back to bringing the pursuit of happiness, joy and laughter to the world.”The jury, which began deliberating Thursday, heard 10 days of testimony during which Ms. Huth, now 64, told of how a chance meeting with Mr. Cosby while he filmed a movie in a local park eventually led her to an isolated bedroom in the Playboy Mansion. In often emotional testimony, she described how a famous man she had once admired, whose comedy records her father collected, tried to put his hand down her pants and then forced her to perform a sex act on him.“I had my eyes closed at that point,” Ms. Huth said in court. “I was freaking out.”Afterward, she said, she was “mad — I felt duped, fooled. I was let down. I was hurt.”The Playboy encounter occurred several days after Ms. Huth and a friend, Donna Samuelson, met Mr. Cosby as he filmed a scene for a movie, “Let’s Do It Again,” in a park in San Marino, Calif., not far from their homes.Ms. Huth and Ms. Samuelson testified that Mr. Cosby invited them several days later to his tennis club and then to a house where he was staying, where they played billiards, he gave them alcohol and got them to follow him in their car to the Playboy Mansion, where he told them to say they were 19 if anyone asked their age.A snapshot of Ms. Huth and Mr. Cosby at the Playboy Mansion, taken by Ms. Huth’s friend. It was entered as evidence at trial.Jenna Schoenefeld for The New York TimesMr. Cosby, 84, denied Ms. Huth’s allegations, with his lawyer Jennifer Bonjean describing her account as “a complete and utter fabrication.” Though the jury was shown photographs of Mr. Cosby with Ms. Huth at the Playboy Mansion, taken by Ms. Samuelson, Mr. Cosby said in the deposition that he takes pictures with a lot of people and his lawyer suggested Ms. Huth had made up the assault and coordinated with her friend to make money.Ms. Bonjean pointed out that Ms. Huth, by her own account, had spent hours at the mansion after what Ms. Huth had described as a callous molestation, swimming in the pool and ordering cocktails. And she challenged Ms. Huth’s explanation for why she had not spoken about the episode in the months and years afterward, questioning whether Ms. Huth had really repressed a terrible experience or whether she simply came forward with an accusation to join others who were providing accounts of misconduct by Mr. Cosby at that time.Ms. Huth said she had simply buried the traumatic experience for years.“It’s like trash,” she said. “You dig a hole and throw trash in it.”The jury sided with Ms. Huth. But its decision came after lengthy deliberations punctuated by multiple questions from jurors who sought guidance on how to interpret the language of questions on a verdict sheet they were given as a guide. The process was further complicated when the jury forewoman had to be excused after the second day of deliberations. The panel, which reported it was close to a verdict on Friday, had to take on an alternate and was told to start over.As the trial progressed, Mr. Wyatt increasingly criticized the judge and one of Ms. Huth’s lawyers, Gloria Allred. Mr. Wyatt said the judge had unfairly favored Ms. Huth and he objected when Ms. Allred made an acknowledgment of Juneteenth in court, releasing a statement that she was exploiting the memory of “enslaved people” even as she helped a suit against Mr. Cosby, whom he called “Black America’s Icon.”After the verdict, Ms. Allred congratulated Ms. Huth on persevering through a long legal battle.“She has demonstrated so much courage and made so many sacrifices to win justice,” Ms. Allred said. “She won real change. She fought Bill Cosby and won.”Ms. Huth’s was the first civil case accusing Mr. Cosby of sexual assault to reach trial. He had been sued by other women, many of whom said he had defamed them after his legal team dismissed their allegations as fictions. Eleven civil cases ended in settlements, with 10 of the settlements having been agreed to by Mr. Cosby’s former insurance company over his objections, his spokesman said.Ms. Huth’s case had largely been put on hold while prosecutors in Pennsylvania pursued Mr. Cosby on criminal charges that he had drugged and sexually assaulted Ms. Constand, a former Temple University employee.But his 2018 conviction in that case was overturned by the Pennsylvania Supreme Court, which ruled that a nonprosecution agreement made by a previous prosecutor meant that Mr. Cosby should not have been charged in the case.One remaining civil case was filed last year by Lili Bernard, an actor and visual artist, who accused him of drugging and sexually assaulting her at a hotel in Atlantic City in 1990, when she was 26. Mr. Cosby has denied her account, and the case is still in its early stages.Ms. Bernard was one of several women who have accused Mr. Cosby of abusing them sexually who attended the trial in Santa Monica on some days in support of Ms. Huth. She praised the verdict, saying, it “goes way beyond Cosby survivors.”“Judy Huth is a hero!” she said. “Her coming forward inspired others to find their voices.” More

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      What Judy Huth Said Happened at the Playboy Mansion

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      Judy Huth, who is now 64, and a friend, Donna Samuelson, testified that in 1975 when they were teenagers they were invited by Mr. Cosby to join him at the Playboy Mansion in Los Angeles several days after meeting him on a film set in a park near their homes, where he was making a film, “Let’s Do It Again.”According to them, he invited them to his tennis club days later, and then took them to a house where he was staying, where they played a game in which they had to drink beer every time they lost at billiards. He then asked them to follow him in their car to the Playboy Mansion.“Are you girls ready for your surprise?” he said, according to Ms. Huth. “I had no clue what it could be,” Ms. Huth testified in court at the trial.During the trial, her lawyers showed the jury a photograph of Ms. Huth standing with Mr. Cosby in the game room at the mansion where they played arcade games and pinball, they said. It was taken by Ms. Samuelson, Ms. Huth told the court, 15 minutes before, she said, Mr. Cosby molested her.Mr. Cosby first put his hands on Ms. Samuelson’s shoulders, but she squirmed away, Ms. Samuelson said.Ms. Huth asked to use a bathroom, she said, and when she came out Mr. Cosby was sitting on a bed in an adjoining bedroom.“He patted the seat next to him,” she said. “I sat down. He tried to lean me back, he tried to kiss me, he tried to put his hands underneath my belly button where my high-waisted pants were.”To deflect him, Ms. Huth said, she told Mr. Cosby she was on her period. But then, she said, “he pulled his sweats down, grabbed my hand, put it over his hand, closed it” and forced her to perform a sex act on him.Mr. Cosby has denied that he sexually assaulted Ms. Huth, or any of the other women who have come forward in recent years to accuse him of sexual misconduct. In a video deposition taken in 2015, Mr. Cosby denied having any sexual contact with Ms. Huth, said that he didn’t know her and could not recall taking her to the Playboy Mansion.Mr. Cosby’s lawyer noted that Ms. Huth’s recollection of when the encounter took place had changed: While she initially said it happened in 1974, when she was 15, she more recently concluded it was in 1975, when she was 16.Mr. Cosby’s lawyers had argued that she had in fact been a willing visitor to the Playboy Mansion and noted that she did not flee after what she had described as a distressing encounter with Mr. Cosby but rather stayed on at the mansion for hours, swimming in the pool, ordering cocktails and mixing with celebrities.“Boy, did Judy and Donna enjoy themselves,” a lawyer for Mr. Cosby, Jennifer Bonjean, said, referring to Ms. Huth and her friend.Ms. Huth testified that she had been angry afterward and wanted to leave. Ms. Samuelson testified that she had persuaded Ms. Huth to stay to calm down. Ms. Huth agreed, she said, because Ms. Samuelson was the one who was driving.But even though they stayed, Ms. Huth said she was preoccupied, only going through the motions and thinking about what had happened in the bedroom. The two friends said that they left the mansion at about midnight and agreed to keep what had happened secret. More