Television

The documentary “Roadrunner” by Morgan Neville uses 45 seconds of a voice that sounds like Bourdain, generated with artificial intelligence. Is it ethical?The new documentary about Anthony Bourdain’s life, “Roadrunner,” is one hour and 58 minutes long — much of which is filled with footage of the star throughout the decades of his career as a celebrity chef, journalist and television personality.But on the film’s opening weekend, 45 seconds of it is drawing much of the public’s attention.The focus is on a few sentences of what an unknowing audience member would believe to be recorded audio of Bourdain, who died by suicide in 2018. In reality, the voice is generated by artificial intelligence: Bourdain’s own words, turned into speech by a software company who had been given several hours of audio that could teach a machine how to mimic his tone, cadence and inflection.One of the machine-generated quotes is from an email Bourdain wrote to a friend, David Choe.“You are successful, and I am successful,” Bourdain’s voice says, “and I’m wondering: Are you happy?”The film’s director, Morgan Neville, explained the technique in an interview with The New Yorker’s Helen Rosner, who asked how the filmmakers could possibly have obtained a recording of Bourdain reading an email he sent to a friend. Neville said the technology is so convincing that audience members likely won’t recognize which of the other quotes are artificial, adding, “We can have a documentary-ethics panel about it later.”The time for such a panel appears to be now. Social media has erupted with opinions on the issue — some find it creepy and distasteful, others are unbothered.And documentary experts who frequently consider ethical questions in nonfiction films are sharply divided. Some filmmakers and academics see the use of the audio without disclosing it to the audience as a violation of trust and as a slippery slope when it comes to the use of so-called deepfake videos, which include digitally manipulated material that appears to be authentic footage.The director Morgan Neville said in a statement on Friday about the use of A.I. that “it was a modern storytelling technique that I used in a few places where I thought it was important to make Tony’s words come alive.”Bryan Bedder/Getty Images for Tribeca Festival“It wasn’t necessary,” said Thelma Vickroy, chair of the Department of Cinema and Television Arts at Columbia College Chicago. “How does the audience benefit? They’re inferring that this is something he said when he was alive.”Others don’t see it as problematic, considering that the audio pulls from Bourdain’s words, as well as an inevitable use of evolving technology to give voice to someone who is no longer around.“Of all the ethical concerns one can have about a documentary, this seems rather trivial,” said Gordon Quinn, a longtime documentarian known for executive producing titles like “Hoop Dreams” and “Minding the Gap.” “It’s 2021, and these technologies are out there.”Using archival footage and interviews with Bourdain’s closest friends and colleagues, Neville looks at how Bourdain became a worldwide figure and explores his devastating death at the age of 61. The film, “Roadrunner: A Film About Anthony Bourdain,” has received positive reviews: A film critic for The New York Times wrote, “With immense perceptiveness, Neville shows us both the empath and the narcissist” in Bourdain.In a statement about the use of A.I., Neville said on Friday that the filmmaking team received permission from Bourdain’s estate and literary agent.“There were a few sentences that Tony wrote that he never spoke aloud,” Neville said in the statement. “It was a modern storytelling technique that I used in a few places where I thought it was important to make Tony’s words come alive.”Ottavia Busia, the chef’s second wife, with whom he shared a daughter, appeared to criticize the decision in a Twitter post, writing that she would not have given the filmmakers permission to use the A.I. version of his voice.A spokeswoman for the film did not immediately respond to a request for comment on who gave the filmmakers permission.Experts point to historical re-enactments and voice-over actors reading documents as examples of documentary filmmaking techniques that are widely used to provide a more emotional experience for audience members.For example, the documentarian Ken Burns hires actors to voice long-dead historical figures. And the 1988 documentary “The Thin Blue Line,” by Errol Morris, generated controversy among film critics when it re-enacted the events surrounding the murder of a Texas police officer; the film received numerous awards but was left out of Oscar nominations.But in those cases, it was clear to the audience that what they were seeing and hearing was not authentic. Some experts said they thought Neville would be ethically in the clear if he had somehow disclosed the use of artificial intelligence in the film.“If viewers begin doubting the veracity of what they’ve heard, then they’ll question everything about the film they’re viewing,” said Mark Jonathan Harris, an Academy Award-winning documentary filmmaker.Quinn compared the technique to one that the director Steve James used in a 2014 documentary about the Chicago film critic Roger Ebert, who, when the film was made, could not speak after losing part of his jaw in cancer surgery. In some cases, the filmmakers used an actor to communicate Ebert’s own words from his memoir, or they relied on a computer that spoke for him when he typed his thoughts into it. But unlike in “Roadrunner,” it was clear in the context of the film that it was not Ebert’s real voice.To some, part of the discomfort about the use of artificial intelligence is the fear that deepfake videos may become increasingly pervasive. Right now, viewers tend to automatically believe in the veracity of audio and video, but if audiences begin to have good reason to question that, it could give people plausible deniability to disavow authentic footage, said Hilke Schellmann, a filmmaker and assistant professor of journalism at New York University who is writing a book on A.I.Three years after Bourdain’s death, the film seeks to help viewers understand both his virtues and vulnerabilities, and, as Neville puts it, “reconcile these two sides of Tony.”To Andrea Swift, chair of the filmmaking department at the New York Film Academy, the use of A.I. in these few snippets of footage has overtaken a deeper appreciation of the film and Bourdain’s life.“I wish it hadn’t been done,” she said, “because then we could focus on Bourdain.”Christina Morales contributed reporting. More

Jin Xing, the first person in China to openly undergo transition surgery, is a household name. But she says she’s no standard-bearer for the L.G.B.T.Q. community.Jin Xing, a 53-year-old television host often called China’s Oprah Winfrey, holds strong views about what it means to be a woman. She has hounded female guests to hurry up and get married, and she has pressed others to give birth. When it comes to men, she has recommended that women act helpless to get their way.That might not be so unusual in China, where traditional gender norms are still deeply embedded, especially among older people. Except Ms. Jin is no typical Chinese star.As China’s first — and even today, only — major transgender celebrity, Ms. Jin is in many ways regarded as a progressive icon. She underwent transition surgery in 1995, the first person in the country to do so openly. She went on to host one of China’s most popular talk shows, even as stigmas against L.G.B.T.Q. people remained — and still remain — widespread.China’s best-known personalities appeared on her program, “The Jin Xing Show.” Brad Pitt once bumbled through some Mandarin with her to promote a film.“All my close friends teased me: ‘China would never let you host a talk show,’” Ms. Jin said, recalling when she first shared that goal with them. “‘How could they let you, with your transgender identity, be on television?’”But even as Ms. Jin’s remarkable biography has elevated her to an almost mythic level, it has also, for some, made her one of the most perplexing figures in Chinese pop culture.Ms. Jin on the set of “The Jin Xing Show” with her co-anchor, Shen Nan. For years, the show was one of the most popular in China.The Jin Xing ShowThough often lauded as a trailblazer for the L.G.B.T.Q. community, she rejects the role of standard-bearer and criticizes activists whom she perceives as seeking special treatment. “Respect is earned by yourself, not something you ask society to give you,” she said.She also has attracted fierce criticism for her views on womanhood. In a 2013 memoir, Ms. Jin wrote that a “smart woman” should make her partner feel that she was a “little girl who needs him.” On “The Jin Xing Show,” she told the actress Michelle Ye that only after giving birth would she feel complete.“You say that as if you’ve given birth,” Ms. Ye said with a nervous laugh.Ms. Jin didn’t pause. “I’ve given rebirth to myself,” she said.Ms. Jin bristles at being called a conservative. If she were a male chauvinist, she said, she would have continued living as a man. She has denounced gender-based employment discrimination and called out China’s Women’s Day as an empty commercial holiday. In May, she was featured in a Dior campaign celebrating women’s empowerment, in which she said the most important thing any woman could be was independent.Still, she admits that she is not looking to upend the rules set by men, only to help women better navigate them.In addition to appearing on television, Ms. Jin hawks products on internet livestreams.Gilles Sabrié for The New York Times“What percentage of the world’s leaders are queens or female presidents? They’re still mostly men,” said Ms. Jin. “If men conquer the world to prove themselves, women can conquer men to prove themselves.”Ms. Jin was born in 1967 in Shenyang, in China’s northeast, to an army officer father and translator mother. In memoirs, she described being pleased when family friends compared her to a “lively little girl” for her love of song and dance.At 9, she was recruited by a military dance troupe. Her mother opposed the choice, but not on gender grounds, wanting her to instead continue with regular schooling, Ms. Jin wrote. Both boys and girls could earn prestige by dancing in the military, where the arts were seen as important propaganda tools.As a teenager, Ms. Jin won a dance scholarship to New York, where in 1991 The New York Times called one of her performances “astoundingly assured.” After four years in the United States, she toured Europe — picking up French and Italian, in addition to the English, Chinese, Korean and Japanese she already knew.But in 1993, at 26, she returned to China to prepare to come out as transgender.Though she had known she was female since she was 6, she did not want to announce it until she was sufficiently prepared, Ms. Jin said. Transition surgery, though legal, was heavily stigmatized. She decided to wait until she had become one of China’s most prominent dancers.“When you haven’t accumulated enough power, you can’t speak out,” she said. “Once you’ve achieved enough strength, and people can’t knock you down, then you can face them.”Ms. Jin with members of the Jin Xing Dance Theatre in “Shanghai Tango” at the Joyce Theater in New York City in 2012.Andrea Mohin/The New York TimesHer calculation appeared correct. While some attacked her after her surgery, much of the public reception was supportive.China in some ways offers more recognition to transgender people than to gay people, said Bao Hongwei, a scholar of Chinese queer culture at the University of Nottingham, in England. In the 1980s and 1990s especially, surgery was seen as a cure that allowed transgender people to live within traditional gender roles.“She upholds all the gender norms,” Professor Bao said. “I think all this contributed to her being recognized in China’s media sphere.”Yet even as Ms. Jin hewed to certain norms, she flouted others.She founded Jin Xing Dance Theatre, the country’s first private dance group, in 1999. She became a single mother, adopting three children, though China’s one-child policy was still in place at that time.And she has made being unapologetically blunt the secret to her success on television.Ms. Jin’s television fame began in 2013, when her at-times abrasive assessments of competitors on a dance show earned her the nickname Poison Tongue. In 2015, she channeled that popularity into “The Jin Xing Show.” With guests she was warm and conspiratorial.Ms. Jin instructing dancers from her troupe in Shanghai in 2006. The Jin Xing Dance Theatre was the country’s first private dance group.Mark Ralston/Agence France-Presse — Getty ImagesBut she also didn’t hesitate to name celebrities who she thought lacked talent. She spoke openly about taboo issues, including sex.She was polarizing but wildly popular, saying on her show that 100 million people tuned in each week.Ms. Jin has consistently rejected the idea that her fame was tied to her transgender identity.“Don’t think that I did surgery and became an enchanting person. Wrong. When I was a boy, I was plenty enchanting,” she said. “Stick whatever label on me, male or female, I’m still a very luminous person.”In 2017, “The Jin Xing Show” was abruptly canceled. At the time, Ms. Jin blamed “small people” who were jealous of her success, but the details of the decision have never been made public.Since then, she has continued to run her dance troupe, sold products on internet livestreams and hosted matchmaking shows, though none has approached the popularity of her talk show.Ms. Jin has long talked openly about taboo issues, including sex.Gilles Sabrié for The New York TimesGuo Ting, a gender studies scholar at the University of Hong Kong, said Ms. Jin’s ebb in popularity coincided with a broader government crackdown on gender-related activism. While there is no clear link between the two, the state has recently sought to promote traditional values, Dr. Guo said.Still, others noted, many in China have grown more accepting of transgender people. They said they hoped Ms. Jin — vital as she had been to that acceptance — would no longer be the community’s only face.“I see Jin Xing as part of our parents’ generation: They have achieved progress in their time, but to us, they may seem outdated,” said Jelly Wang, 25, a transgender rights activist in Sichuan Province.That assessment is just fine with Ms. Jin.“I have always acted entirely according to my own wishes,” she said. “If I indirectly became an idol to some young people, that’s fine, but I have never made myself into a leader.“By living healthily and facing life positively, I’ve already positively impacted society,” she continued. “That’s enough.” More

“You can tell a leader really knows his stuff when he uses the phrase ‘do a coup,’” Fallon said of Trump, who belittled a general for fearing he might try to stay in power.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘I’d Coup You’In a new book about Donald Trump’s final year in office, the authors write that Gen. Mark A. Milley, the chairman of the Joint Chiefs of Staff, feared Trump would attempt to stage a coup to remain in power after losing the election. Trump responded on Thursday: “If I was going to do a coup, one of the last people I would want to do it with is Gen. Mark Milley.”“You can tell a leader really knows his stuff when he uses the phrase, ‘do a coup,’” Jimmy Fallon joked on “The Tonight Show.”“For the next 15 minutes, he named all the people he would do a coup with: ‘I’d coup you. I’d coup you. You’re coup-able.’” — JIMMY FALLON“OK, you’ve clearly put some thought into this thing you’re ‘not into.’” — STEPHEN COLBERT“We really need to come up with a better early warning system than tell-all books. ‘We’re in danger — quick, get me a typewriter!’” — SETH MEYERS“In a new book, Milley reveals that following the election night, he thought the ex-president ‘was stoking unrest, possibly in hopes of an excuse to invoke the Insurrection Act and call out the military,’ saying, ‘This is a Reichstag moment.’ No surprise — the last president was very popular with the alt-Reich.” — STEPHEN COLBERT“Of course, the Reichstag fire was in 1930s Germany, when an attack on the country’s legislative branch was used as a pretext to solidify fascist control. What the MAGA crowd did this year was totally different — because it was in English.” — STEPHEN COLBERTThe Punchiest Punchlines (Olivia Rodrigo Edition)“During a visit to the White House yesterday, pop star Olivia Rodrigo made a surprise appearance at the afternoon press briefing to help promote youth vaccinations, which should have a big impact on the millions of teens who watch the White House press briefings.” — SETH MEYERS“That’s right, pop star Olivia Rodrigo made a surprise appearance at the afternoon press briefings. It was almost as surprising as when Sarah Sanders would appear at one.” — SETH MEYERS“Side note here — it’s nice to see a real celebrity at the White House after the last four years, when the previous president could only manage to dig up the likes of Ted Nugent or Scott Baio.” — SETH MEYERS“Biden’s got huge celebrities helping him out with an unprecedented nationwide campaign to get Americans vaccinated against a deadly disease, and all Trump could muster was 18 holes with Kid Rock and his flag pants, which look like something you buy for six bucks at a truck stop because you tore the [expletive] out of your good pants rock-climbing on peyote.” — SETH MEYERSThe Bits Worth WatchingBarry Jenkins, an Oscar-winning screenwriter and director, talked to Desus and Mero about telling stories of Black trauma onscreen.Also, Check This OutDavid Byrne, center, with Chris Giarmo, left, and Tendayi Kuumba in “American Utopia.”Sara Krulwich/The New York TimesBroadway is finally back, with new Covid safety protocols and productions in previews still working out the kinks. More

Tell-alls about the Trump presidency include “Landslide,” “Betrayal” and “Nightmare Scenario,” “which is also how the former president describes having to read a book,” Colbert joked on Wednesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Good Reads“We’re learning a lot of new details about the last days in office of former president, the Turd Reich,” Stephen Colbert joked on Wednesday of Donald J. Trump. Those books have names like “Landslide,” “Betrayal” and “Nightmare Scenario,” which Colbert said was “also how the former president describes having to read a book.”“Other new books are using titles that are actually quotes of his, like ‘I Alone Can Fix It,’ and ‘Frankly, We Did Win This Election.’ Those, of course, join the ranks of other great titles, like ‘People Are Flushing Toilets 10 Times, 15 Times,’ ‘The Kidney Has a Very Special Place in the Heart,’ ‘Person, Woman, Man, Camera, TV: The Book,’ and, of course, ‘In Europe, They Live, Their Forest Cities. They Are Called Forest Cities, They Maintain Their Forests, They Manage Their Forests. I Was With the Head of a Major Country — It’s a Forest City.” — STEPHEN COLBERT“The big bombshell from these books is an account of the infamous moment during the D.C. Black Lives Matter protest when the big strong law and order president hid in an underground bunker. The ex-president was so embarrassed when his little hidy-hole adventure was leaked that he reportedly said, ‘Whoever did that, they should be charged with treason,’ adding, ‘They should be executed.’ Careful, sir, if you start executing people for leaking, you’ll have to find a new lawyer.” — STEPHEN COLBERTTonight’s Monologue: Trump says whoever ‘leaked’ info on his White House bunker stay should be ‘executed,’ the Olympics’ new weird medal rule, and Biden’s “red phone” with China. #FallonMono #FallonTonight pic.twitter.com/hm3CYZwVps— The Tonight Show (@FallonTonight) July 15, 2021
“In Trump’s defense, he didn’t want to stay in that bunker, but once he went down all those stairs, there’s no way he’s going back up.” — JIMMY FALLON“Speaking of Trump, a new book just came out that describes ‘anarchy and chaos’ in the final days of his administration. Yeah, the final days were ‘anarchy and chaos,’ as opposed to the early days of Omarosa and Scaramucci that were a well-oiled machine, I guess.” — JIMMY FALLONThe Punchiest Punchlines (‘Good 4 You’ Edition)“Pop star Olivia Rodrigo met with President Biden and Dr. Anthony Fauci today to discuss coronavirus vaccine outreach. That story, again: America’s No. 1 teen idol met with Joe Biden and Olivia Rodrigo.” — SETH MEYERS“Vaccination rates are especially low among the younglings, so today pop star Olivia Rodrigo went to the White House to promote vaccines. Rodrigo told everyone who has already been vaxxed, ‘Good for you, you look happy and healthy.’ If you didn’t get that reference, I’m guessing you’ve been eligible for a vaccine since December.” — STEPHEN COLBERT“There she is about to enter the same door used by historical figures like James Monroe, Abraham Lincoln and Kid Rock.” — STEPHEN COLBERTThe Bits Worth WatchingThe comedian Phoebe Robinson, who was the guest host on Wednesday’s “Jimmy Kimmel Live,” surprised the Scripps National Spelling Bee champion Zaila Avant-garde with an appearance from Bill Murray.What We’re Excited About on Thursday NightLorde will perform her new single, “Solar Power,” on Thursday’s “Late Show.”Also, Check This OutIn “Ted Lasso,” Jason Sudeikis plays a character he helped create in 2013 for NBC Sports promos. “It was like, What about just playing a good guy?” he said.Daniel Dorsa for The New York TimesJason Sudeikis and the creative team behind the Apple TV+ show, “Ted Lasso,” which returns for a second season on July 23, talk about its surprise success. More

An appeals court upheld the conviction but ruled that the trial court had miscalculated the sentence for hiring people to kill Carole Baskin.The 22-year prison sentence given to Joe Exotic, the central character in the popular Netflix series “Tiger King,” was vacated as improper on Wednesday by a federal appeals court that affirmed his conviction but ordered him resentenced for hiring people to kill his nemesis, Carole Baskin.Joe Exotic, whose real name is Joseph Maldonado-Passage, was sentenced to prison last year after he twice tried to hire people — including an undercover F.B.I. agent — to kill Ms. Baskin, a self-proclaimed animal-rights activist who had criticized his big cat zoo’s treatment of animals.The U.S. Court of Appeals for the 10th Circuit ruled in favor of Mr. Maldonado-Passage’s appeal that his sentence was too long. He argued that a Federal District Court in Oklahoma did not group his two murder-for-hire convictions when his sentence was calculated. If the court had grouped the two counts together instead of considering the counts for separate sentences, his prison term could have been as low as 17 and a half years, according to the court ruling.In addition to two counts of murder-for-hire, Mr. Maldonado-Passage, 58, was found guilty of falsifying wildlife records and violating the Endangered Species Act for his role in trafficking and killing tigers. The court on Wednesday upheld his convictions.In a recording his lawyers provided to The Times, Mr. Maldonado-Passage said after the ruling that he believed his original sentence was “absolute crap.” He also said that Ms. Baskin said she would help him get out of prison if he supported the Big Cat Public Safety Act, a congressional bill limiting the trade of big cats.Mr. Maldonado-Passage’s lawyer for the appeal, Brandon Sample, said in a statement on Wednesday that he was optimistic that the court’s decision was the first of many victories for his client.“I knew when I agreed to represent Joe that an appeal would be difficult,” Mr. Sample said, “but I also knew that the law was on Joe’s side.”Carole Baskin at her Big Cat Rescue compound near Tampa, Fla., in 2017.Loren Elliott/Tampa Bay Times, via Associated PressThe contentious relationship between Mr. Maldonado-Passage and Ms. Baskin, 60, was one of the main plot lines of “Tiger King.” He owned a zoo, the G.W. Exotic Animal Park in Wynnewood, Okla., that housed lions, tigers and big cat crossbreeds, which Ms. Baskin condemned, prosecutors said. Ms. Baskin operated her own big cat facility in Florida, but she described hers as a sanctuary that did not crossbreed big cats.The feud escalated when Mr. Maldonado-Passage renamed his cat shows “Big Cat Rescue Entertainment,” a name similar to Ms. Baskin’s sanctuary, “Big Cat Rescue.” Ms. Baskin won a $1 million lawsuit against him over the name dispute, and he filed for bankruptcy because he could not afford his legal fees, prosecutors said.“It was a rivalry made in heaven,” the court ruling said.Mr. Maldonado-Passage decided to retaliate by hiring two people in 2017 to kill Ms. Baskin in Florida, a federal jury found. He paid his zoo employee, Alan Glover, $3,000 to travel to Tampa and cut off Ms. Baskin’s head.But Mr. Glover “got no further than partying on Florida beaches,” the appeals court ruling said.A month later, Mr. Maldonado-Passage offered a $10,000 payment to a man who turned out to be an undercover F.B.I. agent. He was arrested in 2018.“Despite all his efforts, Maldonado-Passage’s murderous plans failed,” the court ruling said.Mr. Maldonado-Passage now awaits a new sentence as he languishes in a Texas prison, the same place where he tried and failed to persuade President Donald Trump to pardon him. He’s hoping that President Biden will free him.“President Biden, if you are listening,” Mr. Maldonado-Passage said in the recording, “this is the time that you need to be a world hero and sign that pardon.”John M. Phillips, another lawyer for Mr. Maldonado-Passage, said in a statement that his team has new evidence that could change the outcome of the case. The lawyer claims that Ms. Baskin’s husband, Howard Baskin, had spoken years ago with the U.S. Fish and Wildlife Service about infiltrating Mr. Maldonado-Passage’s zoo.“People should know what they saw in television isn’t the full truth,” Mr. Phillips said. “It isn’t even the tip of the iceberg.”Mr. Baskin did not immediately respond to requests for comment. More

Proposals for the embattled Hollywood Foreign Press Association include adding 50 members to its voting ranks to bring in more diversity and creating a for-profit spinoff company.LOS ANGELES — For months, the Hollywood Foreign Press Association, the troubled nonprofit organization behind the big-money Golden Globe Awards, has been wrestling with how to reform itself after an outcry over financial, ethical and diversity lapses and NBC’s cancellation of next year’s Globes telecast.Part of the challenge: Swaths of the entertainment industry — and a few H.F.P.A. members, two of whom quit in protest in recent weeks — have deemed the “transformational” changes proposed by the group’s board as insufficient. A particular point of contention has been inclusion; the group currently has about 80 members, none of whom are Black.On Wednesday, an expanded reform plan was presented to the organization’s members for consideration.Todd Boehly, the chairman of Eldridge Industries, a holding group with assets that include Dick Clark Productions, the decades-long producer of the Golden Globes, presented the complex plan over Zoom. Its core components involve the speedy addition of 50 journalist voters to the current group of about 80, with an emphasis on diversity; the creation of a spinoff, for-profit Golden Globes company in partnership with Eldridge that would be governed by a 15-member board; and tougher and more transparent requirements for reaccreditation as an H.F.P.A. member, which must be done annually.Jesse Collins, a producer whose awards-show credits include the Academy Awards, the BET Awards and the Grammys, and who will produce the next American Music Awards, a Dick Clark production, has agreed to work with Eldridge to advance H.F.P.A. reform. “This is an exciting opportunity to be part of real change,” Mr. Collins said in an email.Eldridge has gotten involved because the Golden Globes generate tens of millions of dollars in revenue for Dick Clark Productions. Eldridge wants to set the Golden Globes up for long-term stability and even growth — possibly by expanding overseas to produce local versions of the show or perhaps turning the flagship ceremony into a multiday event. If the organization moves quickly enough (a long shot considering its recent infighting), Eldridge even believes the 2022 Golden Globes could be salvaged.“While we recognize that this is ultimately an H.F.P.A. membership decision, we look forward to investing time and resources to ensure that essential reforms — prioritizing inclusion, transparency and governance — are implemented, creating meaningful change and long-term, sustained success,” Eldridge said in a statement.The H.F.P.A. is expected to vote this summer on various reform proposals. The organization requires a two-thirds majority vote to change its bylaws.In the meantime, those in Hollywood who are pressuring the H.F.P.A. to change — stars, publicists, filmmakers, show creators — will undoubtedly scrutinize the fine print on Eldridge’s proposal and weigh in. It is unclear, for instance, how the voter-expansion plan will be received.Eldridge’s suggestion of 50 additional voters would be a 63 percent increase. But those voters would not become members, at least not immediately. That means they would not receive the same financial opportunities as the current members, who would become employees, with rolling terms, of the new for-profit company and have responsibilities that include producing content that can be used to promote the Globes.(A nonprofit H.F.P.A. arm would continue to exist as well, with responsibilities that include charitable giving; the organization says it has given away $45 million over the last 28 years. On Wednesday, Mr. Boehly proposed that the charitable entity expand its mission, including by endowing journalism chairs at one or more historically Black colleges and universities.)The foreign press association has been under fire since February, when a wide-ranging Los Angeles Times article found, among other things, that the group had no Black members, had more than $50 million in cash on hand at the end of October and paid large sums to members for serving on committees. The newspaper has continued to scrutinize the organization, publishing more than 40 articles about its problems and the most recent Globes ceremony.During the Globes telecast on Feb. 28, members of the foreign press association vowed to diversify the group. A set of changes were announced in early May. They included increasing the group’s membership by 50 percent over the next year and a half and hiring diversity consultants (those initially hired to do the job quit under protest). The association also said it planned to hire a search firm to seek potential candidates to run the group, and had retained a law firm to help carry out the changes.But Hollywood — long willing to turn a blind eye to the group’s problematic inner workings — pushed back. Netflix declared that it would not work with the organization unless additional changes were made. Amazon and WarnerMedia said the same. Scarlett Johansson said in a statement that the organization’s news conferences “bordered on sexual harassment,” and Tom Cruise returned his three Golden Globe trophies. A group of more than 100 publicity firms that serve the entertainment industry vowed a boycott.All of that, and the knowledge that the ratings for February’s show dropped precipitously, prompted NBC to cancel the 2022 show.“We continue to believe that the H.F.P.A. is committed to meaningful reform,” the network said at the time. “However, change of this magnitude takes time and work, and we feel strongly that the H.F.P.A. needs time to do it right.” More

On May 29, a single-pilot jet plane crashed into a lake near Nashville, killing all seven people on board. Among them were Gwen Shamblin Lara, a weight-loss guru and the founder of the Remnant Fellowship Church of Brentwood, Tenn., and her husband, William Lara, who was known as Joe and had once portrayed Tarzan in both a television series and the movie “Tarzan in Manhattan.”The leader of a midsize congregation, Ms. Lara, 66, had for the past several years been the main subject of a documentary project that sought to get beyond the gilded veneer of the Remnant Fellowship and investigate its inner workings. Set to debut on HBO Max in the fall, the multi-episode project, “The Way Down,” details the church’s origin in Ms. Lara’s religious-based weight-loss program, the Weigh Down Workshop.The diet program brought Ms. Lara fame — through appearances on popular shows like “Larry King Live” — and fortune, thanks to best-selling books touting her strategies to lose weight. But it also made her a controversial figure, with critics saying Weigh Down focused more on unconventional theology than on healthy eating habits. The documentary examines those issues, along with allegations that the church shunned and even harassed members who wanted to leave and that it functions more as a cult than a traditional religious institution.Ms. Lara in 2011. Her church grew out of the Weigh Down Workshop, a religious-based diet program she started in 1986.Sanford Myers/The Tennessean, via ImagnAt the time of the crash, the finishing touches were being put on the series. Suddenly, the filmmakers were faced with a new set of questions. What was the extent of Mr. Lara’s flying experience (he was operating the aircraft), and were his medical records up to date? What would happen to the church now that its founder and leader was dead? (A day after the crash, the church released a statement saying Ms. Lara’s daughter and son “intend to continue the dream that Gwen Shamblin Lara had of helping people find a relationship with God.”)And what would happen in the bitter custody case, involving Mr. Lara’s daughter with his ex-wife, which formed a crucial story line in the documentary?The filmmakers also said that since the crash, they had found that more people were eager to speak to them — former congregants who said they had previously been unwilling to go against the church publicly because they still had family members who are affiliated, and relatives of those killed in the crash who were skeptical of the church and now felt compelled to share their stories.On May 29, a single-pilot jet plane crashed into a lake near Nashville, killing all seven people on board including Ms. Lara.George Walker IV/The Tennessean, via Imagn“Within 24 hours I had heard from every single source, and the first thing everyone said was ‘I don’t want to be disrespectful, but please tell me this doesn’t change anything,’” regarding the documentary, said the producer Nile Cappello, an investigative journalist who started researching Remnant Fellowship in 2018.Ms. Cappello added that for those who had already spoken out against the church, some at great personal sacrifice, what she heard most frequently was worry the documentary would be curtailed in some way, “that we have opened up these wounds for nothing.”Though archival footage of Ms. Lara preaching and making media appearances is shown in the documentary, neither she nor any representatives from Remnant Fellowship were interviewed on camera by the filmmakers.“I never thought she would give us an interview,” the series director, Marina Zenovich, said of Ms. Lara. “Never.”Remnant Fellowship did not return calls seeking comment about the series for this article.While the filmmakers scrambled to incorporate news of the crash and its aftermath into the documentary, HBO Max altered its plans too. Now, rather than release a four-part series at the end of September, the first three episodes of “The Way Down,” will become available on Sept. 30, concluding with a “To Be Continued” message. The final two episodes will debut in early 2022, giving the filmmakers time to deal with the new footage. The documentary now begins with local news coverage of the crash.Marina Zenovich directed “The Way Down,” which will conclude early next year with two episodes that can incorporate new footage.Coley Brown for The New York Times“There is a fuller story to be told,” said Lizzie Fox, senior vice president of nonfiction at HBO Max. “We just want to make sure that we can allow enough time for the story to progress and the investigation to pursue some answers and give us time to interview all the subjects. With a limited docu-series, if there’s ever a chance to have a second part, I think it’s something that people tend to get excited about.”Ms. Zenovich is a documentarian who has spent most of her career focusing on men like Roman Polanski, Lance Armstrong and Robin Williams. But the world of evangelical religion was new terrain, one she decided to embark on because of the compelling character at the story’s center.“It’s deeply upsetting,” she said. “But I decided to do it because I was fascinated by Gwen.”Ms. Lara, who trained as a dietitian, began her Weigh Down Workshop in 1986. It was a diet plan that set aside common health guidelines and instead focused on a reliance on God, urging members that in order to understand true hunger they should eat only when their stomach growled. By the mid-2000s, her advice had become very popular within religious communities, and Ms. Lara’s books sold millions of copies. She parlayed that success into Remnant Fellowship, a church she founded in 1999 with her husband at the time, David Shamblin, after splitting with the Church of Christ. The Weigh Down philosophies remained a central tenet of her new congregation.Nile Cappello, right, the producer of the documentary, started researching Remnant Fellowship in 2018.Coley Brown for The New York TimesAs ex-members describe it in the documentary, the church was less a place of worship and more an all-encompassing power that took over every aspect of their lives, from where they worked and how they dressed to whom they married. Body image and appearances were central components, and the documentary chronicles Ms. Lara’s own transformation, from a bubbly young dietitian with girl-next-door looks into a very thin, heavily made-up avatar whose hair seemed to grow in height in relation to her power.Ms. Lara’s broader popularity eventually began to wane in part because of her rejection of the Holy Trinity, views that prompted a Christian publisher to cancel her upcoming book and others to stop promoting her weight loss program.“Gwen’s whole control is using misogyny against other women,” Ms. Cappello said, adding that Ms. Lara was one of the few female religious leaders in the evangelical Christian movement but had an entirely male leadership team. Ms. Lara also demanded that her congregants adhere to traditional familial gender roles in order to maintain their standing in the church.Among the allegations raised in “The Way Down” are accusations that individuals unable to lose weight were marginalized by the church community and that members were encouraged by Remnant leadership to stop taking prescribed medication including birth control and psychiatric drugs.Now the filmmakers are scrambling to tell a more comprehensive story of the church, its founding and its impact on Brentwood.“It was never about not continuing,” said Ms. Zenovich, who is particularly compelled by the stories of those who left the church. “It’s about shifting how we were going to tell the story.” More

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