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    Artist David Choe on His New FX and Hulu Show

    An hour into our interview, the artist David Choe admits that he lied about something.He said he had turned down two offers to do a television show many years ago, one from the producer Scott Rudin, the other from the celebrity chef Anthony Bourdain. He had said the same thing during his first burst of media attention nearly 10 years ago; and he said it again during a Zoom call last week from his home in the Los Feliz neighborhood of Los Angeles. More

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    Late Night Reams Republicans for Blocking the For the People Act

    “The Republicans instead supported the ‘For Some of the People — We Can’t Say It Out Loud, but You Know Which Ones We Mean — Act,’” Stephen Colbert said of the voting rights bill.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Who’s the Fairest of Them AllRepublicans blocked a far-reaching voting rights bill, known as the For the People Act, in the Senate on Tuesday.“The Republicans instead supported the ‘For Some of the People — We Can’t Say It Out Loud, but You Know Which Ones We Mean — Act,’” Stephen Colbert said on Wednesday night.“The Senate voted yesterday to block the For the People voting rights bill, but not until they got their voting paperwork in order. Let’s see, I got my license, passport, tax returns, high school yearbook. OK, I think I’m ready for my riddle.” — SETH MEYERS“Senate Republicans haven’t been this happy since Kenny G started touring again.” — JIMMY FALLON“Yep, Democrats wanted things like automatic voter registration and Election Day to be a national holiday, while Republicans wanted every polling place to be at a yacht club.” — JIMMY FALLON“Republican Senator Mike Lee said in an interview yesterday with Fox News host Sean Hannity that the For the People voting rights act was, quote, ‘written in hell by the devil himself,’ which is also what it says on the poster for ‘F9.’” — SETH MEYERS“Yes, the Senate’s founding purpose: to do nothing. It’s right there in Article I: ‘All legislative powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate, where one wizened, ancient turtle man, with no regard for anything but the self-preservation of his own power, shall, with his pockets stuffed with greasy bags full of money, strangle the hope of all who dare to dream of true democracy, and recognize April as National Jazz Month.’”— STEPHEN COLBERT, on Senator Mitch McConnell’s saying the Senate was fulfilling its “founding purpose”The Punchiest Punchlines (Dad, You’re Embarrassing Me Edition)“Speaking of the former president, his daughter and son-in-law don’t want to, because reports say that Ivanka and Jared Kushner have distanced themselves from the former president and his constant complaints. That complaint? [imitating Trump] ‘Why does he get to date my daughter? Doesn’t seem fair. We’re both family.’” — STEPHEN COLBERT“Trump has become so distant from Ivanka that he started to call her ‘Eric.’” — JIMMY KIMMEL“When he heard that one of his kids wanted distance, Trump was like, ‘Please be Eric, please be Eric!’” — JIMMY FALLON“Apparently the feeling is somewhat mutual, because insiders say there is jealousy from the former president about Kushner’s ‘seven-figure book deal.’ Early reports are that Jared’s book is going to be a lot like Jared: glossy and no spine.” — STEPHEN COLBERTThe Bits Worth WatchingOn Wednesday’s “Late Show,” the actress Christine Baranski joined Colbert in singing “Side by Side by Side” from Stephen Sondheim’s “Company.”What We’re Excited About on Thursday NightJack Black will be the final guest on Conan O’Brien’s TBS talk show.Also, Check This OutEd McMahon seemed to define the job when he worked with Johnny Carson on “The Tonight Show.”NBCU Photo Bank/NBCUniversal, via Getty ImagesFrom Ed McMahon to Andy Richter, late-night shows have a long history of sidekicks. More

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    Drake Bell Pleads Guilty to Attempted Child Endangerment

    Mr. Bell, a former star of the Nickelodeon series “Drake & Josh,” faces up to two years in prison.Jared Drake Bell, a former star of the Nickelodeon series “Drake & Josh,” faces up to two years in prison after pleading guilty on Wednesday to two charges against him relating to a girl who met him online and attended one of his concerts in Cleveland in 2017.Mr. Bell, 34, who was charged earlier this month with attempted child endangerment, a felony, and disseminating material harmful to children, a misdemeanor, agreed to a plea deal at a virtual court hearing on Wednesday. He had initially pleaded not guilty to both charges.Mr. Bell’s lawyer, Ian N. Friedman, did not immediately respond to a request for comment on Wednesday.The sentencing range is probation to two years in prison. A sentencing hearing is scheduled for July 12.According to prosecutors, the charges stem from an incident at a concert in Cleveland on Dec. 1, 2017. Mr. Bell, who is also known as Drake Campana, had posted a tweet saying that he had a show scheduled at the Odeon Concert Club there on that date.Prosecutors said that Mr. Bell engaged in a conversation with a 15-year-old girl that was at times sexual in nature. An investigation by the Cleveland Police Department also revealed that Mr. Bell had sent the girl inappropriate social media messages in the months before the show, the prosecutors said.The judge told Mr. Bell that if he did serve time in prison, his activities could be restricted for up to three years after his release.“Drake & Josh,” a young adult sitcom, aired for four seasons on Nickelodeon from 2004 to 2007. Mr. Bell played one half of a pair of stepbrothers (the other was played by Josh Peck) who lived together despite having opposite personalities.In the years since, Mr. Bell has started a music career and toured in support of several albums. More

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    Does the Job of Talk-Show Sidekick Even Make Sense Anymore?

    Andy Richter reinvigorated the thankless, tired role, but now that “Conan” is going off the air, it’s time to re-evaluate work that was often mired in stereotypes.Several years ago, Conan O’Brien’s talk show did a bit about Andy Richter’s forgetting how to do his sidekick job after a summer break. A woman from human resources has to remind him, “You need to make the host believe in the irrational fantasy that he is the funniest person in the world.” She instructs him, “Laugh first, think later.” More

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    Jimmy Kimmel: Trump Can’t Take a Joke

    The former president denied reports that he tried to use his office to keep late-night shows from poking fun at him. “Not only that, he wanted Guillermo to pay for the wall,” Kimmel said on Tuesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now. More

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    A Complicated Collaboration for a New ‘Enemy of the People’

    Without seeing a script, Ann Dowd jumped at the chance to work with Robert Icke on his solo adaptation of the Ibsen classic. Then the debates began.You are an established stage and screen actress, an Emmy winner with pivotal roles in two of the most critically acclaimed series of the past decade. One day, a young theatermaker rings with an offer you should refuse: a drastic remix of the Henrik Ibsen play “An Enemy of the People” as a solo show in which you would play all the parts. Oh, and he hasn’t written it yet.Ann Dowd (the cult leader Patti Levin in “The Leftovers” and the brutal enforcer Aunt Lydia in “The Handmaid’s Tale”) did not hesitate. “I knew on that first call that I would trust him completely,” she said.That bond was evident during a recent chat with Dowd, 65, and her new collaborator, the British writer and director Robert Icke, 34, at the Park Avenue Armory, which commissioned and is presenting their show from June 22 through Aug. 8. Sitting on an overstuffed maroon couch upstairs at the Armory, the pair batted around ideas, arguing affectionately but spiritedly, and dryly teasing each other.In the original play, Dr. Thomas Stockmann discovers that the waters feeding his town’s popular spa baths are contaminated. For the sake of public health, he wants to disclose his findings and close the baths; this pits him against his own brother, Peter, who happens to be the mayor and fears a fatal blow to the local economy.Icke (pronounced Ike) kept that mainframe, which feels prescient in the light of debates surrounding Covid-19, then changed … a lot. For starters, Thomas is now Professor Joan Stockman, the town has become Weston Springs and there are references to pizza delivery and TV. More importantly, the audience gets to influence the outcome by voting at key points of the story.“Rob rewrites classics to bring them closer to us,” said Pierre Audi, the Armory’s artistic director. “Not by trivializing them, but by going straight to the complexity of why they are great plays. He’s categorical about being able to understand why a play needs to be done, why it’s a story we want to tell now.”Icke’s only other New York credit, “1984,” received mixed reviews when it ran on Broadway in 2017 but in his native Britain he is celebrated for daring, bracing productions that strip the rust and barnacles off familiar material. Dowd — whose stage career includes a 2008 Broadway production of “The Seagull” opposite Kristin Scott Thomas and Peter Sarsgaard — is not shy about disagreeing about some of Icke’s aesthetic choices. But these differences appear to fuel their artistic collaboration, not hamper it. These are edited excerpts from the conversation.What was your starting point when you decided to rethink Ibsen’s play?ROBERT ICKE All I really had was the notion that it was interesting but maybe there was a different route through the story that might make a social-distanced environment feel natural rather than pragmatic. And it relied on me finding somebody I felt 100 percent confident I could write for.ANN DOWD Were you sure it would be a woman?ICKE Yes.DOWD How come?ICKE Good question. I don’t know. There’s just something about this show with a man that is completely uninteresting to me.Dowd in rehearsal with her director Robert Icke. They are fond collaborators — except when it comes to their respective takes on Chekhov.Krista Schlueter for The New York TimesAnn, how did the project reach you?DOWD My very wonderful agent and manager said, “You have an offer to do a one-person show based on ‘Enemy of the People’ with Rob Icke” — Robert Icke, I think they said. Block your ears — can’t compliment him, I mean, truly, don’t even try. I could tell from the sound of their voice that it was an extraordinary honor to be asked. I didn’t know Rob’s work — I don’t really know anything about a lot of things [stage whisper] you can just cut that part — but at any rate they educated me. Part of me was thinking, “Give me a reason to say no, please, let me avoid this walk up Everest.” I say “walk” because there’ll be no climbing. Then we spoke and I thought, “Who would ever turn this man down?”ICKE Oh, it’s happened.Were you familiar with his work?DOWD My sister is a casting director in London and said, “Rob Icke? Oh, my God, I saw his ‘Vanya,’ I was riveted and when it was finished it had been four hours.” [Actually, about three and a half.] I said, “Wait a minute — whaaaat?” She was just so in the story.ICKE Chekhov said he wants that play to feel like real life so sometimes it was just like, “I just want to watch you all live for a minute, so you just tune your guitar and you maybe look at your phone for a second and then you put it back.”DOWD Well, that irritates me: What is a phone doing in “Vanya”?ICKE We do differ about this. What is our experience of being in the country in the modern age? [He pretends to hold a cellphone up in the air.] “Have I got any bars?” So there’s that idea that wherever they are, there’s no phone signal, just a rusty landline somewhere in the house.DOWD My pushback was: “No, no, it’s called imagination.” Having played Sonya [in a 1986 production] and loving her — lo-ving her — I said, “I’ll trick you: I want to be in ‘Vanya’ and I’m going to play Sonya.” But he said he would never cast me in a role I’ve played before.ICKE But there would be something interesting in asking where Sonya is when she’s your age. Like, what happened?DOWD Yeah, write that play! But let me wear the damn clothes that I wore in Russia and don’t change my name. And don’t take out a cellphone!ICKE Unfortunately if you’re doing Chekhov with me, you’re wearing contemporary clothes. There will be no samovar, there will be no parasols.How did you approach the central character of Joan? She has become a distinct person, not just Thomas Stockmann in a dress. And she can be aggressively intransigent, bordering on zealotry.ICKE It’s both simple and incredibly complicated: the genius of this lady [pointing to Dowd] is that the characters are like real people. I came in one day with a rewrite of a section. She looked at me with a genuine hurt and said, “I just don’t think that’s fair on Joan.” Joan was now a real person who existed inside the actor.DOWD If you track her early years, I think she was probably shut down quite a bit: “Lower your voice, let your older brother” — mother taking you aside — “Joan, he’s the shy one, don’t bully him.” So just learning: “I’m not going to be listened to so might as well just yell it out. And [expletive] every one of you!” I imagine one or two women have experienced that in their lives.The play now introduces an interactive element with the audience votes: The majority’s decision has an impact on what happens in the town and in the play, and it might not be to everybody’s liking.ICKE I think the same thing is true of Trump because he was democratically elected: He won a fair and free election. Whether any of us like that or not, there’s a horrible dichotomy to wrestle with.DOWD How does that excuse —ICKE It doesn’t excuse anything. But that’s the big bind: the process that put him there is the process we all claim to like and the one we signed up to. The British equivalent of that is Brexit.Audience members at this “Enemy” will be asked to respond to plot points by voting from their seats.Krista Schlueter for The New York TimesDOWD If Peter [the mayor] had said, “Look, we are going to have to close down the baths, we’re going to figure it out together. We will find a way to get help. You are not alone.” Real leadership.ICKE Isn’t real leadership to just get it done quietly: shut the baths, give a vague reason?DOWD No, people deserve to know the truth about their lives.ICKE But does it help us? Sometimes I wonder whether we’d all be happier if we knew a bit less. I sometimes think we’re all so flooded with information, it’s more than we can take in.DOWD This is slightly off topic, sorry, but you think about the people who knew what Trump knew [about Covid-19] and stayed quiet. What is that? Your job is more important than your integrity?Ann, how do you burrow into the heads of these tough characters? Of course Aunt Lydia comes to mind.DOWD I was a pre-med student for four years and the way you get through it is that you study to the point of insanity. Then I realized, You know what? Let’s go to acting school! But I applied those same rigorous studies to acting for a very long time. That’s misery because you’re not letting anything in around you. All the doors shut, except for the one you choose to go through.The other thing, and this is big: It’s playing. People ask, “How do you ever play Lydia?” I can’t get to her fast enough. It’s make believe — not to diminish the intensity — but if it wasn’t, emotionally, you’d go home, put a pillow over your head and end it all! Just chill a little bit: It’s a play, there is supposed to be fun in it.Have you reached the fun stage on this one yet?ICKE We had fun on Sunday, when you did all of it.DOWD I was in a state of shock!ICKE I’ve got the WhatsApps to prove it.DOWD [resigned] OK. The point is, that’s the goal. I’ll get there.Enemy of the PeoplePerformances June 22-Aug. 8; armoryonpark.org More

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    Three Hollywood Stars Recast Their Lives Deep in the Heart of Texas

    As the pandemic upended Tinseltown, Jamie-Lynn Sigler, Haylie Duff and Becca Tobin made a pact to abandon Los Angeles and join the mass migration from California to Texas.During the blockbuster plot twist that was 2020, three Los Angeles-based actors and longtime friends wrote themselves a scene that was playing out in cities across the United States. Early into lockdown, Becca Tobin, best known for her role as Kitty Wilde on the Fox series “Glee,” formed a pandemic pod with her fellow actors Haylie Duff and Jamie-Lynn Sigler, gathering for regular backyard confabs about shifting priorities, family demands and their future in Hollywood.“We had been able to work from home successfully and set up our careers from anywhere,” Ms. Tobin said. “And we were all kind of ready for a change.”Ms. Tobin, 35, Ms. Duff, 36 and Ms. Sigler, 40, had all moved to Los Angeles in their 20s for work and, like so many others, spent much of 2020 wondering if they wanted to live somewhere else. Hollywood the town and Hollywood the job had been cleaved apart, with acting classes going online, self-tape auditions replacing in-person, and the offscreen demands of the job — red carpets, award shows, interviews — going virtual or extinct.“We found our conversations shifting more toward life,” said Ms. Sigler, who made her mark playing Meadow Soprano on “The Sopranos.” “And then we started to fantasize about what it would be like to live in different cities, and would we ever want to leave L. A.?”They were far from alone. For the first time in more than a century, California lost people last year, according to population estimates released by the state in May. Some of that was a result of Covid-19 deaths, falling birthrates and the Trump administration’s efforts to limit immigration. But for many, it was simply a matter of finding better prices in greener pastures.The three made a pact to relocate their “quaranteam,” leaving Hollywood together for a new city where they could keep working but enjoy a less hectic, and less expensive, life.“It reminded me of being in high school and being like, ‘You’re gonna go home tonight and shave your legs, right? Because I’m going to do it, too,’” Ms. Tobin said of the agreement. “Like adult peer pressure.”During the summer, Ms. Duff, the native Texan in the group, had visited her parents in Houston and felt the pull back home. The older sister of the actress Hilary Duff, she has been acting since she was a teenager and had always planned to move back to Texas eventually, and after the trip, she cut her family’s five-year plan to a five-month plan. As more friends relocated, there was “an energy around people choosing to make a change in their life, for a positive reason, for a self-care reason,” she said.The friends considered different cities they had heard of people moving to, like Nashville or Atlanta, but they kept coming back to Texas. “We liked the idea of being in a progressive city, but not necessarily something so overly populated,” Ms. Tobin said.The obvious choice was Austin, the booming southern crossroads of culture and technology, where they could more or less split the distance between Los Angeles and New York. It was a madcap move in the rush of a red-hot sellers market, a once-in-a-century chance to pause, then fast-forward.Austin’s housing market, already in a decade-long development frenzy, wound up defying the pandemic and roaring back to life. In May 2021, the median sale price in the Austin metro area hit an all-time high of $465,000.Stacy Sodolak for The New York Times“Even though we were together so much during quarantine and Covid, it really chipped away at us as a family, like many families,” said Ms. Sigler, who had only been to Austin once, for a film premiere at the South by Southwest festival. “Coming to this new city all together on this adventure offered a lot of repair for us, as well.”Ms. Tobin, a Georgia native who had lived in Los Angeles for 12 years, said of Tinseltown: “As easy as it was to come, it was as easy for me to say goodbye.”The three families made a common checklist, headlined by ample outdoor space and good public schools. They “hit the Zillow hard,” Ms. Sigler said, lobbing listings at one another from film sets and playgrounds. In October, they embarked on a house-hunting tour with partners and children in tow (Ms. Duff has two daughters; Ms. Sigler has two sons), and settled on a neighborhood about 20 minutes northwest of downtown Austin.When they arrived in the spring, the culture shock came by way of small-town hospitality and everyday conveniences. “You mean I can get in my car, drive five minutes and not fight people when I’m in the grocery store to get in a lot?” said Ms. Tobin, who arrived in April after filming a TV reboot of the 1989 film “Turner & Hooch” in Vancouver, British Columbia. “Oh, and you don’t pay for parking anywhere.”In decamping to Austin — home to an ever-expanding ecosystem of film festivals and production studios — they were joining a wave of high-profile Californians like Tesla founder Elon Musk and podcaster Joe Rogan, as well as the other roughly 70,000 people who moved to the area last year, according to U.S. census data, making it the fastest-growing metro area in the United States.“Once you come here, it’s hard to leave,” said Ms. Duff, whose film roles include “Napoleon Dynamite” and “The Wedding Pact,” and who spent time this year shooting a movie in Fort Wayne, Ind. She noted that each of the friends booked gigs not long after closing on their Austin homes, which felt like a nod from the universe.“I almost feel more connected to my craft and why I love acting,” said Ms. Sigler, who had just returned from recording dialogue at a studio in downtown Austin for an ABC pilot she shot in Los Angeles. “When the calls come in, it’s a beautiful surprise. I’m still on things and I’m still a businesswoman and it’s still my career, but I don’t feel the pressure around it because we took a stand for ourselves and we made decisions for our families.”With its bohemian charms, natural splendors and lack of state income taxes, Austin has been courting California’s twin economic engines, Hollywood and Silicon Valley, for years, all while trying to maintain its cherished “Keep Austin Weird” credibility. According to Rice University’s Kinder Institute for Urban Research, about 90,000 Californians moved to Texas in 2018 and 2019. The pandemic has only deepened the romance. Austin enjoyed a P.R. blitz of high-profile corporate relocations and expansions last year, with tech giant Oracle moving its headquarters there from Redwood Shores, Calif., and Mr. Musk announcing Tesla’s $1 billion “gigafactory” on the southeast edge of town.The housing market, already in a decade-long development frenzy, wound up defying the pandemic and roaring back to life. In May 2021, the median sale price in the Austin metro area hit an all-time high of $465,000, according to the Austin Board of Realtors. High-end home prices spiked 24 percent, according to Redfin, the most of any area in the country.Still, anyone used to California prices sees Texas as a bargain, said Scott Michaels, an Austin real estate agent with Compass, who described cutthroat, all-cash bidding wars that drew 40 to 60 offers on a single property. “It’s a challenge because we’re competing with people moving from out-of-state, and there’s just not a lot of inventory on the market,” he said.For Ms. Sigler, who is from Long Island, Austin’s square footage and outdoor space were revelatory. “There was a lot of like, ‘Oh my God, look what we can get for this. Look at the life we can give ourselves,’ you know, compared to what we’re able to afford here in L.A.,” she said. “I just feel like we’re taking a big, deep breath since we got here.”Apartment towers sprout on the shores of Lady Bird Lake, luring workers in entertainment, tech and other high-profile industries from cities across the U.S. “It’s an incredible burst of prosperity for the city, but it’s also just terrifying from a housing affordability standpoint, what that means for people living here,” said Jake Weggman, an associate professor of community and regional planning at the University of Texas at Austin.Stacy Sodolak for The New York TimesMs. Sigler and Ms. Duff started their careers as teens but wanted a different lifestyle for their children in Austin, where space and nature are plentiful, and paparazzi aren’t. “That was a big choice for us, wanting our kids to stay young,” Ms. Duff said.Austin has been contending with growing pains since the early 1980s, during its first hint of what locals call Silicon Hills, said Natasha Harper-Madison, the city’s Mayor Pro-Tem. Born and raised in East Austin, Ms. Harper-Madison said the changing cityscape was best described by her mother: “She said, ‘I really like my neighbors. I just wish I didn’t have to lose so many of the old ones to get new ones.’ And I think, in large part, that’s how folks feel. It’s not any sort of absence of the desire to welcome people to our communities. It’s the exact opposite. In fact, people want to preserve and sort of steward the evolution of their communities.”Despite some natal cries of “Don’t California My Texas” from both ends of the political spectrum, what’s fueling the migration are the states’ similarities. Sitting on the border with relatively sunny climates, “they’re both super diverse, in every possible way — ethnically, economically, geographically,” said Jake Weggman, an associate professor of community and regional planning at the University of Texas at Austin.“It’s an incredible burst of prosperity for the city, but it’s also just terrifying from a housing affordability standpoint, what that means for people living here,” Mr. Weggman said.Ms. Tobin has sensed some side-eye when she tells locals where she’s from, but she tries to put them at ease. Voting and donating are two ways to do it, she said, and she has contributed to causes that support homeless outreach and abortion rights through local nonprofits like Mobile Loaves & Fishes and the Lilith Fund.“I get it, they don’t want us to L.A. their Austin,” she said. “My husband and I personally are going to really try to do our best to help out in the community and get involved where we can.”For weekly email updates on residential real estate news, sign up here. Follow us on Twitter: @nytrealestate. More

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    Stephen Colbert Skewers Trump’s Covid Response

    Colbert joked on Monday night about a forthcoming book on the former president’s pandemic plan: “The main detail: There wasn’t one.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Looking for more to watch? Here are the 50 best movies on Netflix right now.Detour to GuantánamoA forthcoming book by two Washington Post journalists is said to provide new information about the Trump administration’s response to the coronavirus pandemic.“The main detail: There wasn’t one,” Stephen Colbert joked on Monday night.According to the book, early in the pandemic former President Donald J. Trump suggested sending Covid-infected American cruise ship passengers to the Guantánamo Bay naval base in Cuba to avoid adding to U.S. case numbers.“The president wanted to send cruise ship passengers to Gitmo, so enjoy your beach day with a complimentary head sack, then hit the bar for bottomless piña colada boarding.” — STEPHEN COLBERT“And you know he said he wants to send them to ‘Geronimo Bay’ or something like that.” — JIMMY KIMMEL“Of course the reality star wanted to send them to an island. He probably sent a camera crew, too, and called it ‘Survirus’ or something.” — JIMMY KIMMEL“This is another good McNugget for the book. Trump — they say he was very upset about Covid testing because he believed that positive tests would look bad and hurt his chances of re-election. He had a call with Alex Azar, who was his secretary of health and human services, and he demanded to know what ‘idiot’ decided to make the federal government do testing, and Alex Azar was like, ‘Uh, do you mean Jared?’” — JIMMY KIMMEL, referencing Jared Kushner, Trump’s son-in-law and senior adviser“Imagine being in that administration and someone calling you ‘the idiot.’ That’s like being in the N.B.A. and your nickname is ‘the tall guy.’” — STEPHEN COLBERTThe Punchiest Punchlines (Half the Cheer Edition)“The Olympics are almost here, and today organizers announced that venues will be at 50 percent capacity. That’s right, 50 percent, which means only four people will be allowed to watch fencing instead of the normal eight.” — JIMMY FALLON“Tokyo residents will be allowed to go to the Games but will not be allowed to cheer and they have to go straight home after. Whoever came up with these rules should win the gold medal for buzzkill.” — JIMMY KIMMEL“Can you imagine going to a live sporting event with no cheering allowed? It’s like a Detroit Lions game.” — JIMMY KIMMEL“Also they said fans aren’t allowed to cheer. Although they say that at the beginning of every graduation, and parents are still like, ‘Thomas, yeah! Tommy, you did it. That’s my boy, Tommy!’” — JIMMY FALLONThe Bits Worth WatchingPaul Rudd crashed Bill Hader’s “Conan” interview on Monday night.What We’re Excited About on Tuesday NightWanda Sykes, star of the new Netflix sitcom “The Upshaws,” will appear on Tuesday’s “Late Show.”Also, Check This OutJack Robinson/Hulton Archive, via Getty ImagesJames Taylor, Brandi Carlile and other artists reflect upon Joni Mitchell’s album “Blue” on its 50th anniversary. More