Chan, playing a former stuntman, has a few good trademark fight scenes, but the film is too busy stuffing sentimental elements into its lowbrow comedy premise.
One doesn’t necessarily expect much going into a slapstick stunt animal comedy, and yet even by these softened standards, the director Larry Yang’s “Ride On” cooks up an egregiously, almost comically bad movie. Starring Jackie Chan as Luo, a washed-up former stuntman who trains his horse, Red Hare, to become his partner, this film from China is a consistently awkward, over-the-top mess, attempting to infuse a cheaply written, sentimental father-daughter (and father-horse) story into its lowbrow laughs.
After being out of work for years, Luo catches a lucky break that leads him back into the movie business, with Red Hare by his side. Yet, amid his newfound success, Luo finds himself in a legal battle over ownership of Red Hare, forcing him to go to his estranged daughter for help.
As the two slowly reconcile their strained relationship, seemingly every other scene is populated by a new tear-jerker back story or moment of triumph, signaled by a maudlin score that relentlessly hammers away at the viewer. The film is so graceless and bizarre in its attempts at tugging at the viewer’s emotions that it often feels like a work of parody.
Chan has a few trademark fight scenes, as a gang keeps chasing him down for money owed, though it’s clear that the 68-year-old actor naturally doesn’t bear the same kind of comic physicality he once did. In a way, one could see the film as both a potential tribute to his remarkable and decades-long career doing real, often dangerous stunt work and a consideration of his sunset years as a performer. But that hope is quickly buried underneath a cynical film that has nothing to offer by way of charisma, comedy or the like, outside of Chan’s name itself.
Ride On
Not rated. In Chinese, with subtitles. Running time: 2 hours 6 minutes. In theaters.
Source: Movies - nytimes.com
