Action Movies to Stream Now: ‘Midnight,’ ‘The Childe’ and More

‘13 Bombs’

Stream it on Netflix.

The espionage action-thriller “13 Bombs” acutely blends quick back-stabbing with big explosions. In the film, interest rates and economic inequality are running rampant in Jakarta, Indonesia. To even the odds, a Robin Hood-type group, led by a mysterious figure code-named Arok (Rio Dewanto), has planted 13 bombs across the city that will explode if thee group isn’t paid a ransom in crypto cash. As a result, two unwitting crypto traders named Oscar (Chicco Kurniawan) and William (Ardhito Pramono) are picked up by Karin (Putri Ayudya), a steely counterintelligence agent who is worried about a mole in her ranks.

The director Angga Dwimas Sasongko loves a good shootout, and this film brims with them. As Karin races through Jakarta, the highlights include a SWAT-led raid on an office building and an all-out assault on Arok’s hide-out. You could probably fill an entire theater with the number of bullets fired just in these two raucous scenes, and probably slice through glass with the film’s sharp and shattering editing.

‘The Childe’

Rent or buy on most major platforms.

Marco (Kang Tae-joo) is a boxer taking dives and using the payoffs to care for his ailing Filipino mother (Caroline Magbojos). His father is a rich Japanese man his mother had an affair with, and Marco is an outcast because of his mixed-ethnic parentage. A possible golden ticket arrives when his father, who he has never met and is now dying, flies him from the Philippines to Japan with promises of finally building a relationship. Instead, Marco is thrust into a power struggle between his wealthy half brother (Kim Kang-woo) and half sister (Jeong Ra-el) for the family business. Even worse, an assassin known as the Nobleman (Kim Seon-ho) has been hired to kill him.

While Marco is a sympathetic lead, it’s the zealous Nobleman — who switches from hunting Marco to befriending him — who is the real draw: He is gleefully sadistic, laughing as he savagely kills every goon the half brother sends after Marco. In a film with wonderful verticality — the camera tilts upward for exciting rooftop chases — Kim is extraordinarily athletic. By the final hallway confrontation in the bowels of a luxurious mansion, he is soaked in blood and loving it.