‘Mister Organ,’ ‘Destroyer’ and More Streaming Gems

A unique horror omnibus, an existentialist supernatural story, and atypical star turns are among our recommendations from the subscription streaming services this month, along with some essential background viewing for one of this year’s Oscar nominees.

‘Mister Organ’ (2023)

Stream it on Netflix.

The New Zealand journalist David Farrier has carved out an unusual niche for himself, crafting documentaries about fringe figures that at first seem to be jokey oddities, but later reveal disturbing dimensions and shadowy back stories. His previous feature, “Tickled,” took him into the bizarre world of Competitive Endurance Tickling, and the mysterious figure bankrolling it; this time, an investigation into predatory parking practices puts him in the sights of a con artist named Michael Organ. And that’s when things really get strange. As with “Tickled,” Farrier’s latest begins like a human interest story and turns into something closer to a thriller, as the peculiarities of this unstable personality reveal themselves, often unnervingly. Farrier is a solid anchor for this strange journey, proving unflappable (and capable of finding the gallows humor) in even the most extreme of circumstances.

‘Destroyer’ (2018)

Stream it on Amazon Prime Video.

Nicole Kidman — de-glammed and borderline unrecognizable — stars as the corrupt, alcoholic Los Angeles Police detective Erin Bell, whose investigation of a stray dead body leads her down a rabbit hole of re-examining her own troubled past. The director Karyn Kusama and the screenwriters Phil Hay and Matt Manfredi, who previously collaborated on the tense and terrifying thriller “The Invitation,” expertly tell two stories at once: of Bell’s undoing in her 20s as an undercover F.B.I. agent, and of her current, perhaps irredeemable iteration. It’s a tough balancing act to pull off, but Kusama gets the job done, keeping our interest in each timeline piqued without one overwhelming the other. And this is among Kidman’s finest and most chameleonic work, expertly dramatizing both a woman in disarray and the circumstances that got her there.