Anna Kendrick’s ably directed drama about a real-life serial killer focuses on his victims instead.
An oft-repeated quotation usually attributed to the writer Margaret Atwood — it’s actually a paraphrase, but no matter — posits that men are afraid women will laugh at them, while women are afraid men will murder them. It’s repeated frequently because it has the ring of truth. Most women have experienced the panicked discomfort of placating a man who seems unhappy with some response of hers, because it’s unclear what will happen if she doesn’t. Whether he is a guy at a bar, an explosive partner, a random stranger, a colleague after hours or someone else, her own unease takes a back seat to mollifying his bruised ego.
“Woman of the Hour,” directed by Anna Kendrick and written by Ian McDonald, is this maxim in the form of a feature-length movie. It’s based on the true story of Rodney Alcala, a serial killer who sexually assaulted his victims. He was convicted of murdering six women and one girl in the 1970s, though text at the end of the movie states that some authorities believe he murdered as many as 130 women.
Alcala also, improbably, appeared as Bachelor No. 1 on a 1978 episode of “The Dating Game,” right in the middle of a yearslong killing spree. He won, though the woman on the show subsequently declined to go on a date with him because he creeped her out.
That “Dating Game” appearance, lightly fictionalized (he’s become Bachelor No. 3, for one thing), provides one of the main narrative threads in “Woman of the Hour,” named for the woman who queries the three bachelor contestants during the show. Kendrick plays the woman, here named Sheryl, an aspiring actress on the verge of giving up altogether and leaving Los Angeles. Her agent convinces her to go on the show because it will get her “seen,” and Sheryl reluctantly agrees.
There are other women in other timelines, too. In 1979, a teenage runaway (Autumn Best) is trying to find somewhere to sleep and meets a gentle man who compliments her looks. In 1971, a flight attendant (Kathryn Gallagher) is moving into her new New York City apartment and asks the guy across the street for help. In 1977, a pregnant woman abandoned by her boyfriend (Kelley Jakle) has met a longhaired photographer who seems like a sweet guy. And in 1978, a woman (Nicolette Robinson) attending a taping of “The Dating Game” suddenly begins to feel nervous about one of the guys onstage.
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Source: Movies - nytimes.com