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Daniel Kramer’s Year With Bob Dylan

For six months in 1964, the photojournalist Daniel Kramer, who died at 91 on April 29, dialed the office of Bob Dylan’s manager, Albert Grossman, to ask if he could photograph Mr. Dylan, a rising star at the time. Finally, Mr. Grossman said yes.

What was meant to be a one-hour shoot turned into a five-hour shoot, which turned into a 366-day photographic odyssey in which Mr. Kramer was granted unrivaled access to Mr. Dylan. He captured rare behind-the-scenes images of the artist at home, on tour and at recording sessions.

Mr. Kramer’s images were soon popping up in publications around the world. He also shot cover photos for two of Mr. Dylan’s best-known albums.

Here is a look at some of those images.

Mr. Kramer’s original photograph for the cover of Mr. Dylan’s 1965 album “Bringing It All Back Home.” (The woman in the photo is Sally Grossman, the wife of Mr. Dylan’s manager at the time. She died in 2021.)Daniel Kramer, via Staley-Wise Gallery, New York
Mr. Dylan was surrounded by fans after a concert in Philadelphia in October 1964.Daniel Kramer, via Kramer family
Mr. Dylan at the time of the Philadelphia concert.Daniel Kramer, via Kramer family
Mr. Dylan with the singer Joan Baez in Woodstock in 1964.Daniel Kramer, via Kramer family

Away from the stage, Mr. Kramer managed to capture Mr. Dylan in rare moments of downtime. Rolling Stone magazine once described him as “the photographer most closely associated with Bob Dylan.”

Mr. Dylan in 1964. Although he had already begun his rise to global fame, Mr. Kramer knew little about him until he saw him perform on television that February.Daniel Kramer, via Staley-Wise Gallery, New York
Mr. Dylan during the recording of his album “Bringing It All Back Home.”Daniel Kramer, via Kramer family
Mr. Dylan in performance at Forest Hills Stadium in Queens.Daniel Kramer, via Staley-Wise Gallery, New York
At a Greenwich Village cafe in 1965.Daniel Kramer, via Staley-Wise Gallery, New York

Before his photo shoot with Mr. Dylan, Mr. Kramer was a young Brooklynite trying to carve out a career as a freelance photographer. He went on to shoot portraits of luminaries, always maintaining his ability to connect with them on an intimate level.

Mr. Kramer said that the historic significance of what was unfolding before his lens was not always apparent to him at the time. Daniel Kramer, via Kramer family
“Bob didn’t really want to be Woody Guthrie,” Mr. Kramer said. “He wanted to be Elvis Presley.”Daniel Kramer, via Staley-Wise Gallery, New York
Out for a stroll in Philadelphia.Daniel Kramer, via Staley-Wise Gallery, New York
Mr. Kramer took the cover image for “Highway 61 Revisited” in 1965, in front of the Manhattan building where Mr. Dylan’s manager lived.Daniel Kramer, via Staley-Wise Gallery, New York

Source: Music - nytimes.com


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