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Review: ‘Suits LA’ Is Flat and Joyless

This NBC attempt to capitalize on the surprising Netflix success of “Suits” has almost none of the charming traits that distinguished the original.

“Suits LA” is a spinoff of “Suits” — a sequel, sort of, but it feels like a seance. Gather, viewers, as we attempt to contact the spirit of “Suits.” Can you feel it in the room with us? Its fraternal jockeying? Its fascination with sleeveless tops as office wear for women? Maybe looking at a photograph of one of its characters will help maintain the delusion. Maybe hearing the theme song. Ooooohh. “Suits” says hi. “Suits” misses you.

And like a seance, “Suits LA,” premiering Sunday on NBC, is an attempt to turn an unanswerable question into a little money. A question not about the nature of mortality but rather the nature of hits: Why does a show become popular? Why did a series that was a decent USA show from 2011-2019 become a Netflix sensation in the summer of 2023?

The truth is, no one knows. If they did, they would make hits every time, and no show would be canceled prematurely, and we would have candy for dinner every day before the bliss orgy. But we live in the same world as the characters on “Suits LA” — the one where nothing nice can be simply enjoyed; it must be capitalized upon. Maybe plenty of “Suits” fans will be perfectly satisfied with this conjuring.

Not all of us, though, because “Suits LA” is flat and joyless. The original “Suits” distinguished itself with its quick dialogue, pert sense of humor and thrilling, wall-to-wall horniness, none of which are present here. Instead of a brilliant little scammer who stumbles into a law career under the tutelage of an alluring alpha, we have a generic mad hunk who snarls within the first five seconds of the show, “My father left when I was very young, and I never respected him.” Fun! When does Meghan Markle get here? (She does not.)

Our big dog here is Ted, played by Stephen Amell, whose voice and cadence resemble that of Gabriel Macht, who played the cocky boss in the original, thus adding a bit of “Suits”-iness. Years ago, Ted was a federal prosecutor taking down mob guys in New York. We see this story unfold in tedious flashbacks that include scenes with his slimy dad and warm memories of his tender relationship with his brother, who has Down syndrome.

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Source: Television - nytimes.com


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