The London-based actress has been heralded as one of the most talented of her generation. Still, she worried audiences would balk at her “very unconventional Blanche.”
Patsy Ferran will not judge a book by its cover. But covers are important to her. “See?” she said, palming a copy of a Barbara Kingsolver novel at a Brooklyn branch of McNally Jackson bookstore. “Such a good cover. Aesthetics do matter.”
Ferran, a London-based actress, is currently starring in Tennessee Williams’s “A Streetcar Named Desire” at the Brooklyn Academy of Music, just up the road from the store. A latecomer to reading for pleasure, Ferran picked up fiction, particularly American fiction, during the pandemic lockdowns and has yet to put it down. Currently working her way through Percival Everett’s “James,” with Samantha Harvey’s “Orbital” cued up next, she had promised herself that she wouldn’t buy any more books. But the shelves were calling.
“I kind of explore cities via book shops,” she said. “That and good coffee.”
In the store, Ferran, lively, shrewd and lightly self-deprecating, (“I do my own glam,” she said wryly as she shook out her hair from a woolly hat) picked up and put down several recent paperbacks, enthusing about their feel. “British paperbacks are so stiff, you have to crowbar them open, which I hate,” she said. Ferran decided that she might buy just one. Or two. Certainly not more than three.
Ferran, 35, made her professional debut just after her graduation from the Royal Academy of Dramatic Art, in a production of Noël Coward’s “Blithe Spirit.” More stage roles followed, including her first lead, as Alma in “Summer and Smoke,” also by Williams, directed by Rebecca Frecknall. “This young actor is a genuine marvel, as hilarious as she is heartbreaking,” one critic wrote of the performance. Soon she was recognized as one of the most talented stage actresses of her generation.
Small and quick, with dark, curling hair, Ferran was an unusual choice for Blanche. A great American heroine, “an aging Southern belle who lives in a state of perpetual panic about her fading beauty” in Williams’s words, Blanche is typically played by willowy, languorous blondes. (Recent New York Blanches include Cate Blanchett and Gillian Anderson). Ferran knows this. She worried that audiences would dismiss her as the wrong cover for this particular book.
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Source: Theater - nytimes.com