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The Price of a Show

Tickets for the hottest Broadway plays are now out of reach for many.

There’s a starry production of “Othello” opening on Broadway tonight. And if you’re among the many people who really, really want to see Denzel Washington as a jealous general, opposite Jake Gyllenhaal as a scheming Iago, it’s going to cost you: Most of the center orchestra seats, as well as a few rows in the mezzanine, are being sold for $921 apiece.

The high prices for this Shakespeare classic are setting records. During its second week of previews, “Othello” grossed more at the box office than any other nonmusical play had ever grossed on Broadway.

Tickets for the hottest Broadway shows are now out of reach for many. And the same is true for other sought-after live events, such as pop concerts (which now cost hundreds, sometimes thousands, of dollars per ticket) and big sports games. (A few weeks before the Super Bowl, the cheapest available tickets were reselling for more than the average monthly mortgage payment.)

In today’s newsletter, I’ll explain how Broadway seats became so eye-poppingly pricey.

Producing Broadway shows has become more expensive since the pandemic, and a vast majority of them lose money. So producers have been staging more short runs of plays with stars in lead roles — the stars attract ticket buyers, and the short runs allow those stars to more quickly return to filmmaking, which pays better than Broadway. Limited runs also seem to incentivize potential ticket buyers, because people find the now-or-never aspect motivating.

There is, of course, a tension between profitability and accessibility. These prices are preventing some potential theatergoers from seeing high-profile productions of important work.

Investors who spend money to bring shows to Broadway embrace high ticket prices because they want at least a shot at recouping their expenses. But many theater lovers, as they reminded me in a rollicking comments thread on the story I wrote about this subject last week, find these prices upsetting, because they want to see the shows they want to see at price points they consider reasonable.

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Source: Theater - nytimes.com


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