In an appeal, lawyers for Mr. Combs wrote that a judge’s decision to withhold bail was not based on evidence that he had sought to interfere with the sex trafficking investigation.
Sean Combs, the embattled music mogul fighting racketeering and sex trafficking charges, filed an appeal on Tuesday of a judge’s decision to deny him bail, arguing that concerns he would intimidate witnesses if released from jail were unfounded.
Mr. Combs has been incarcerated at the Metropolitan Detention Center in Brooklyn for three weeks, since the federal case against him was revealed to the public. Judge Andrew L. Carter of Federal District Court in Manhattan ordered that Mr. Combs be detained ahead of his trial, ruling that he posed a danger of witness tampering and a safety risk to others.
In their appeal to the U.S. Court of Appeals for the Second Circuit, lawyers for Mr. Combs, who has pleaded not guilty to the charges, wrote that the government’s argument that their client posed a risk of obstructing justice was based on speculation, not evidence that he had sought to interfere with the criminal investigation into his conduct.
The lawyers, Alexandra A.E. Shapiro and Jason A. Driscoll, argued in the court filing that Mr. Combs’s decision to travel to New York to face the charges, coupled with an intricate proposal for monitoring outside the government’s custody, helped support his release from jail ahead of his trial.
“Mr. Combs is presumed innocent,” they wrote in the filing. “He traveled to New York to surrender because he knew he was going to be indicted. He took extraordinary steps to demonstrate that he intended to face and contest the charges, not flee. He presented a bail package that would plainly stop him from posing a danger to anyone or contacting any witnesses.”
Prosecutors have accused Mr. Combs of running a “criminal enterprise” that helped him carry out a decades-long pattern of physical and sexual violence, alleging that he coerced women into “highly orchestrated” sexual encounters with prostitutes through the use of drugs, physical and emotional abuse, and financial pressure.
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Source: Music - nytimes.com
