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    ‘June’ Review: More Than Johnny Cash’s Wife

    A new documentary by Kristen Vaurio details the life and career of the singer-songwriter, who was a member of country music royalty.The singer June Carter Cash was born in 1929 into the Carter Family, an influential early country music group, and toured with Elvis Presley in the 1950s. She married Johnny Cash in 1968 and became part of his touring show. She also wrote, with Merle Kilgore, of one of Cash’s greatest hits, “Ring of Fire.”Despite her contributions to music, her solo endeavor in 1999, “Press On,” elicited little interest from the major labels, but the album went on to win a Grammy regardless. Archival footage of its making anchors the new documentary “June,” directed by Kristen Vaurio.The phrase that gave that album its title, “Press On,” is a neat encapsulation of June’s life philosophy. Her love story with Cash, and her perseverance as he battled addictions, is one of the most renowned in the annals of 20th-century celebrity.“I thank God for people like her who still thought I had a little good in me,” Cash said in an archival interview. And John Carter Cash, the sole child of June and Johnny, says of the love his parents shared: “To get a window on that strength and beauty we have but to listen” to their music.The critic Robert Christgau once characterized Carter Cash, who died in 2003, as “that rare thing, an interesting saint: fiery, feisty, creative, proactive.” Contemporary interviews here with the likes of Willie Nelson, Emmylou Harris, Carter Cash’s stepdaughter Rosanne Cash and Carter Cash’s daughter Carlene Carter, expand on her gifts, both musical and maternal.The bare facts of Carter Cash’s story are such that the filmmakers would have had to really mess up to not produce a movie that entertains and moves a viewer to tears. “June,” rest assured, does the job well.JuneNot rated. Running time: 1 hour 38 minutes. Watch on Paramount+. More

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    8 Upcoming Albums to Get Excited About

    Sample songs from LPs by Waxahatchee, the Smile, Helado Negro and more.Waxahatchee’s “Tiger’s Blood” is due on March 22.Molly Matalon Dear listeners,Now that 2023 and all of its best-of-the-year lists are finally in the rearview, it’s time to look ahead to the music being released in 2024.Some marquee pop stars — Ariana Grande, Dua Lipa, Lil Nas X — are likely to put out their next albums in the near future, but for today’s playlist I wanted to spotlight some slightly lesser-known artists with fresh releases on the horizon.Sure, you’ll probably see some familiar names among the track list (including two members of Radiohead) but I hope this mix also introduces you to at least one artist you haven’t heard before, whether that’s the pop-minded neo-classical composer Julia Holter, the atmospheric indie artist Helado Negro or the kinetic rock band Sheer Mag. Without further ado, here are eight reasons to be excited about 2024 — musically speaking, at least.Listen along on Spotify while you read.1. Waxahatchee featuring MJ Lenderman: “Right Back to It”It’s been a slow, gradual joy to witness Katie Crutchfield, the founder of Waxahatchee, come into her maturity as a songwriter across the past decade or so. Her debut, “American Weekend,” a piercing, acoustic guitar-driven album released in 2012, announced her as a major talent, but she seemed to unlock a new level of confidence on her breakout 2020 album “Saint Cloud,” which melded laid-back country-rock with Crutchfield’s self-searching lyrics. Its follow-up, “Tiger’s Blood,” finally comes out on March 22, and its leadoff single “Right Back to It” finds Crutchfield in fine form, duetting with the guitarist and singer MJ Lenderman and contemplating a relationship that continues “like a song with no end.” (Listen on YouTube)2. Sheer Mag: “Playing Favorites”The punky, energetic rock band Sheer Mag has been a staple in the Philadelphia indie scene for years thanks in part to its reputation as a stellar live act. But the group’s recorded output is great, too — a streak it will hopefully continue on “Playing Favorites,” its third LP, out March 1. This jangly, driving title track showcases, among other things, the power of the lead singer Tina Halladay’s vocals. (Listen on YouTube)3. Brittany Howard: “Red Flags”A few months ago, I recommended Brittany Howard’s blisteringly funky “What Now,” the title track of the Alabama Shakes frontwoman’s second solo album. The next single, “Red Flags,” delves into the moodier and more meditative side of her versatile sound — at least until she lets it rip and hits a screaming high note that takes the song ever higher. “What Now” comes out on Feb. 9. (Listen on YouTube)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Lawsuit Claims James Dolan Pressured Woman Into Sex

    In the court filing, the woman also says Harvey Weinstein sexually assaulted her in a 2014 encounter that she believes was set up by Mr. Dolan. Both men denied her accusations.A woman filed a federal lawsuit Tuesday accusing James L. Dolan, the entertainment and sports mogul behind Madison Square Garden and the New York Knicks, of pressuring her into unwanted sex and then coordinating an encounter with Harvey Weinstein, whom she accused of sexually assaulting her.The woman, Kellye Croft, says in the court filing that she told Mr. Dolan — a former friend and business associate of Mr. Weinstein’s — about the alleged incident after it occurred in early 2014, years before Mr. Dolan made public statements that he had been unaware of Mr. Weinstein’s history of misconduct.In her suit, filed in Federal District Court in Los Angeles, Ms. Croft says that in late 2013, when she was 27, she was hired to work as a massage therapist on a tour by the classic rock band Eagles. Mr. Dolan — who moonlights as a blues-rock musician — was an opening act with his band JD & the Straight Shot.In court papers, Ms. Croft describes the experience as a dream gig that went awry because of the misconduct of two men who were among the most powerful figures in media and entertainment. First, Ms. Croft’s suit says, she was pressured into unwanted sex with Mr. Dolan, and then found herself alone in a Beverly Hills hotel room with Mr. Weinstein, who chased her down a hallway, held her down and penetrated her against her will.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Morgan Wallen’s Latest Album Reclaims No. 1 for a 17th Time

    “One Thing at a Time,” the country star’s 2023 release, tops the Billboard chart in a slow sales week.So far in 2024, the Billboard album chart is looking a lot like 2023.For the first two weeks of the year, Taylor Swift held at No. 1 with her “1989” remake. Now, the country star Morgan Wallen returns with “One Thing at a Time,” which dominated the chart for 16 weeks last year and now logs its 17th time in the top spot.“One Thing at a Time,” which had a blockbuster opening last March and remained a steady hit for months, rose to No. 1 with the equivalent of 61,000 sales in the United States, including 80 million streams and 2,000 copies sold as a complete package, according to the tracking service Luminate.Luminate’s recent year-end report named “One Thing at a Time” the most popular album of 2023 in the United States, logging the equivalent of about 5.4 million sales, largely from streaming.With no major new releases to challenge it, “One Thing” has the lowest weekly sales number for a No. 1 album in almost two years, since Pusha T’s “It’s Almost Dry” logged 55,000 in May 2022. Swift’s total on last week’s chart was also notably low, at just 64,000 equivalent sales.Also this week, Drake’s “For All the Dogs” is No. 2, Swift’s “1989 (Taylor’s Version)” falls two spots to No. 3 and Nicki Minaj’s “Pink Friday 2” is No. 4.“Stick Season” by the Vermont pop-folkie Noah Kahan is in fifth place, that album’s highest chart position yet in the nearly year and half since its release. Kahan, who has scored streaming hits and has a major arena tour coming this year, is in contention for best new artist at the Grammys on Feb. 4. More

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    Winter Jazzfest Has Company: Unity Jazz Festival

    The decision to place another festival right on top of Jazzfest highlighted how much has been flipped upside-down in jazz over the past 20 years.Back in 2005 — when the first NYC Winter Jazzfest was held at the Knitting Factory in Lower Manhattan, and Jazz at Lincoln Center’s multimillion-dollar facilities had recently opened on the Upper West Side — it was clear which represented the establishment, and which was proposing an alternative. Today, it’s not such an easy distinction.Steered by its artistic director, the Pulitzer Prize-winning trumpeter and retro jazz philosopher Wynton Marsalis, Jazz at Lincoln Center was cultivating an older and affluent audience, adjacent to the opera-going crowd. Marsalis’s bookings proudly held the line for what he considered jazz’s defining virtues. Two decades later, those things are still true.Winter Jazzfest was geared toward disruption. The mid-2000s were lean years for the music: Online file sharing hit jazz musicians especially hard, and the fallout from the Sept. 11 attacks left many live-music venues closed throughout New York City.Brice Rosenbloom, Winter Jazzfest’s founder, positioned it as both an infusion of crucial life support and a challenge to some of jazz’s passively dominant trends. The festival’s biggest target, perhaps, was the idea that you could draw any stark dividing lines through music: Pop-friendly, fusion-driven, acoustic and tradition-revering improvisers coexisted on the festival’s bill, which in that first year unfolded across three stages on a single night at the Knit.New York jazz lost its flagship summertime festival in 2009, leaving Winter Jazzfest as the biggest game in town; since then it has grown into more than a week of concerts and satellite events. Every year, it offers a full buffet of the current flavors in jazz at a mix of theaters, rock halls and small rooms.The 20th annual Winter Jazzfest marathons took place over the weekend, in Lower Manhattan on Friday night and Williamsburg, Brooklyn, on Saturday. From the sound of things, no matter how dark things may look in the wider world, the state of improvised music appears strong.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Critics Choice Awards Winners 2024: See the Full List

    “The Holdovers” wins early trophies. Going into the night, “Barbie,” with 18 nominations, led the field. Its closest rivals, with 13 apiece, were “Oppenheimer” and “Poor Things.”Stars from “The Holdovers” were early were early winners in the Critics Choice Awards on Sunday. Da’Vine Joy Randolph won best supporting actress and Dominic Sessa won the newcomer award. Going into the evening, “Barbie,” packed with a cast of household names and filled with hit songs, had by far the most nominations — 18, far ahead of its rival all season, “Oppenheimer,” and “Poor Things,” with 13 each. “Killers of the Flower Moon” also made a strong showing, with a dozen nominations.Whether multiple nominations will translate into wins remains to be seen. The ceremony is being broadcast on the CW with Chelsea Handler as the host. We’ll be updating the winners’ list all evening long.FilmBest Supporting ActorRobert Downey Jr., “Oppenheimer”Best Supporting ActressDa’Vine Joy Randolph, “The Holdovers”Best Young Actor or ActressDominic Sessa, “The Holdovers”Best Animated Feature“Spider-Man: Across the Spider-Verse”TelevisionBest Supporting Actor, Drama SeriesBilly Crudup, “The Morning Show”Best Supporting Actress, Drama SeriesElizabeth Debicki, “The Crown”Best Supporting Actor, Limited Series or TV MovieJonathan Bailey, “Fellow Travelers”Best Supporting Actress, Limited Series or TV MovieMaria Bello, “Beef” More

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    ‘Mean Girls’ and the New (Home-Schooled) Kid in Class

    As our critic knows, missing out on the shared experience of school is deeply strange. It’s something Hollywood rarely acknowledges, except in these films.The original 2004 movie “Mean Girls” contained something unusual, both then and now: a main character who was home-schooled. But not that kind of home-schooled.“I know what you’re thinking,” Cady Heron (Lindsay Lohan) tells us in voice-over. “Home-schooled kids are freaks.” The movie cuts to a tiny bespectacled girl spelling “xylocarp” at the National Spelling Bee. “Or that we’re weirdly religious or something,” Cady continues. A family of boys in suspenders appears; behind them are sandbags displaying paper targets with human outlines. “And on the third day,” one of the boys drawls, “God created the Remington bolt-action rifle, so that man could fight the dinosaurs. And the homosexuals.”“Amen,” his brothers chime in.It was a funny bit no matter who you were back in 2004, dependent on Bush-era perceptions of home-schoolers as, well, weirdly religious, survivalist freaks who insisted that God made the world in six days around 6,000 years ago. Like everything in “Mean Girls” — and, indeed, Tina Fey’s entire body of work — it was an exaggerated caricature based on a kernel of truth. Home-schooling in the 1990s, at least in the United States, was largely insular, and mostly the purview of conservative evangelical Christians with views that could appear extreme even to others in the same pew.I was a junior in college when “Mean Girls” first hit theaters, and the joke tickled me because I’d spent the last few years trying to figure out hierarchies myself: I’d been home-schooled, just like Cady.Well, not just like Cady. I left my private school after the fifth grade to be home-schooled, and a number of the communities my family dipped into along the way were similar to the gun-toting, dinosaur-loving kids from the movie. (The first time I really felt like my youth was represented onscreen was last year’s documentary series “Shiny Happy People.”) I went to seminars where we were taught that dinosaurs did roam the earth at the same time as humans, that the fossil record was designed by God to mess with scientists, and a whole lot of other things.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Leon Wildes, Immigration Lawyer Who Defended John Lennon, Dies at 90

    Leon Wildes, a New York immigration lawyer who successfully fought the United States government’s attempt to deport John Lennon, died on Monday in Manhattan. He was 90.His death, at Lenox Hill Hospital, was confirmed by his son Michael.For more than three years, from early 1972 to the fall of 1975, Mr. Wildes (pronounced WY-ulds) doggedly battled the targeting by the Nixon administration and immigration officials of Mr. Lennon, the former Beatle, and his wife, Yoko Ono, marshaling a series of legal arguments that exposed both political chicanery and a hidden U.S. immigration policy.Uncovering secret records through the Freedom of Information Act, he showed that immigration officials, in practice, can exercise wide discretion in whom they choose to deport, a revelation that continues to resonate in immigration law. And he revealed that Mr. Lennon, an antiwar activist and a vocal critic of President Richard M. Nixon, had been singled out by the White House for political reasons.Mr. Wildes was ultimately vindicated by the stinging decision of a federal appeals court in October 1975, which said that “the courts will not condone selective deportation based upon secret political grounds,” and which halted the effort to kick Mr. Lennon out of the country.Mr. Lennon and Mr. Wildes addressing reporters about the case, which centered on Mr. Lennon’s 1968 London conviction for marijuana possession.via Wildes Family ArchivesThe Beatles had broken up in 1970, and Mr. Lennon and Ms. Ono moved to New York the next year. Mr. Lennon had been convicted of marijuana possession in London in 1968; that record would normally have barred him from entry, but he had obtained a waiver. The waiver was coming to an end, and the Lennons received a deportation notice.“It was a very frightening moment,” Ms. Ono said in the 2007 documentary “The U.S. vs. John Lennon.”When the Lennons engaged Mr. Wildes to represent them, he had barely heard of his famous clients. In his book about the case, “John Lennon vs. the USA,” published by the American Bar Association in 2016, he wrote that he was vaguely aware of the Beatles — it was nearly impossible not to be — but that the names of its members had escaped him.“I think it was Jack Lemmon and Yoko Moto,” he recalled telling his wife after meeting them in their apartment on Bank Street in Greenwich Village. She quickly corrected him.In the 2007 film, Mr. Lennon is seen telling reporters about Mr. Wildes: “He’s not a radical lawyer. He’s not William Kunstler.”Mr. Lennon had publicly opposed the Vietnam War — he recorded the antiwar anthem “Give Peace a Chance” in 1969 — and he had been involved in protests on behalf of figures in the New Left movement, which campaigned against the war.Nixon administration officials feared that he had outsize influence among the young, who would be allowed to vote in greater numbers in the 1972 presidential election, the first after the voting age had been lowered to 18 from 21. In the paranoid atmosphere then prevailing in the White House, that was enough for administration officials and their allies, notably the conservative South Carolina senator Strom Thurmond, to go after Mr. Lennon.Their case centered on the London marijuana conviction. But the appellate court judge, Irving Kaufman, ultimately ruled that the crime was insufficient to make Mr. Lennon an “excludable alien.”The real reasons for the quixotic pursuit of Mr. Lennon, Mr. Wildes argued, lay elsewhere, as he was able to show thanks to his relentless digging through records. Early in 1972, Mr. Thurmond had drafted a letter recommending that Mr. Lennon be thrown out of the country, which Attorney General John N. Mitchell forwarded to the Immigration and Naturalization Service, the agency then in charge of visas. Of particular concern was the fact that Mr. Lennon had performed at a rally in support of a New Left figure, the poet John Sinclair, who had been jailed on a marijuana charge.“If Lennon’s visa is terminated it would be a strategic countermeasure,” the South Carolina senator wrote.Ten days later, “a telegram went out to all immigration offices in the United States instructing that the Lennons should not be given any extensions of their time to visit the United States,” Mr. Wildes wrote in his book.For the next three years, the government continued to press its case, in efforts that appeared increasingly ham-fisted as public support for Mr. Lennon and Ms. Ono grew. In letters and testimony, many of the era’s cultural celebrities spoke up for them, including Bob Dylan, Joan Baez, Leonard Bernstein, the artist Jasper Johns and the authors John Updike, Joyce Carol Oates and Joseph Heller, as well as Mayor John V. Lindsay of New York.“The sole reason for deporting the Lennons was President Nixon’s desire to remove John and Yoko from the country before the 1972 election and a new, much younger electorate getting the vote,” Mr. Wildes wrote. “To ensure his grip on power, any ‘dirty tricks,’ including the abusive misuse of the immigration process, were acceptable.”Mr. Wildes, seated, consulted with his partner, Steven Weinberg, at their immigration law office in 1983.via Wildes Family ArchivesThe whole time, the F.B.I. was keeping a close watch on Mr. Lennon. “Surveillance reports on him ran to literally hundreds of pages,” Mr. Wildes wrote.When Mr. Lennon learned of the skulduggery, he was infuriated. “They’re even changing their own rules because we’re peaceniks,” he said in a television interview.The 1975 ruling allowed him to remain in the country. He was killed in front of the Dakota, the Upper West Side building where he and Ms. Yoko lived, five years later.In another breakthrough, Mr. Wildes found that immigration officials had the discretion to deport or not, depending on whether there were extenuating circumstances. The revelation of this policy continues to aid immigration lawyers battling the deportation of noncitizens today.“As part of his legal strategy, Wildes conducted groundbreaking research on the ‘nonpriority’ program, and eventually filed an application for ‘nonpriority status’ for Lennon,” the immigration expert Shoba Sivaprasad Wadhia wrote in her 2015 book, “Beyond Deportation.” “Wildes learned that I.N.S. had for many years been granting ‘nonpriority’ status to prevent the deportation of noncitizens with sympathetic cases, but I.N.S. had never publicized the practice.”Throughout what Mr. Wildes acknowledged was the all-consuming job of representing the Lennons, he kept a bemused and friendly eye on his famous clients, sometimes encountering them, as others did, in what he called the “wonderful upright bed” in their Bank Street apartment.“One could meet half the world around that bed,” he wrote — “radical types like Jerry Rubin or Bobby Seale, oddball musicians like David Peel, poets like Allen Ginsberg, actors like Peter Boyle, television personalities like Geraldo Rivera, or even political operatives like the deputy mayor of New York.”Mr. Wildes at his office in 2015. “He’s not a radical lawyer,” John Lennon said. “He’s not William Kunstler.”via Wildes Family ArchivesLeon Wildes was born on March 4, 1933, in Olyphant, Pa., a small coal-mining town near Scranton. His father, Harry, was a clothing and dry goods merchant, and his mother, Sarah (Rudin) Wildes, worked in his store. Mr. Wildes was educated at public schools in Olyphant and earned a bachelor’s degree from Yeshiva University in 1954 and a law degree from New York University in 1958.He quickly gravitated toward immigration law, working for the Hebrew Immigrant Aid Society, a refugee aid organization, and helping two Americans who had gone to Israel establish their U.S. citizenship. He founded the immigration law firm Wildes & Weinberg in 1960 and went on to write numerous law review articles on immigration law and to teach at the Benjamin N. Cardozo School of Law at Yeshiva University.In addition to his son Michael, he is survived by another son, Mark; his wife, Alice Goldberg Wiles; eight grandchildren; and five great-grandchildren.Immigration law had “biblical import to him,” Michael Wildes, who is also a lawyer, recalled in a phone interview. “My father drew value from helping others achieve their American dream, as he had done — the golden grail of a green card, or citizenship.” More