Eliana Willis

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    in Television

    Why ‘Perfect Strangers’ Keeps Coming Back

    From “The Leftovers” to “Only Murders in the Building,” “Perfect Strangers,” the wacky 1980s sitcom with a bombastic theme song, is enjoying a strange afterlife.In the latest season of “Only Murders in the Building,” the show’s trio of amateur detectives are investigating yet another murder and discover a theme — and a song — from an unlikely source: another TV show.The show is “Perfect Strangers,” the wacky 1980s sitcom that paired two cousins who — like the stars of “Only Murders” and its new cast of characters this season — couldn’t have been more different. The uplifting, bombastic “Perfect Strangers” theme song appears in the “Only Murders” fourth season, which concludes Tuesday.“We needed something that landed as a clue, something that opened up something curious for our trio to discover, something that kept hitting over and over again,” John Hoffman, the “Only Murders” showrunner, said.And so the “Perfect Strangers” theme song appears as a call sign over the ham radios of misfit residents introduced in this season of “Only Murders” and referred to as “the Westies.” Those are the tenants who live in the West tower of the Arconia, across from where Mabel Mora (Selena Gomez), Oliver Putnam (Martin Short) and Charles-Haden Savage (Steve Martin) live and where much of the investigation focuses.In one scene, in an apartment in the West tower of the Arconia, the New York City residential building at the center of the show, Mabel softly begins singing.“No matter what the odds are this time / nothing’s gonna stand in my way,” she chimes.Oliver mumbles along: “This flame in my heart / long-lost friend / Gives every dark street / a light at the end.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    in Television

    New Horror TV Shows to Stream This Halloween: ‘Teacup,’ ‘Uzumaki’ and More

    This year’s horror series take us to damned villages, cursed towns and countries fallen into anarchy.This selection of shows from October’s annual parade of horror series will take you on a tour of places where the world appears to be out of control: a South Korea going through a religious frenzy, a Georgia farm under attack, a bucolic English village visited by aliens, a Japanese seaside town haunted by spirals. Just keep telling yourself it’s fiction.‘Hellbound’Based on an online cartoon, this Korean series on Netflix has a comic-book hook, repeated a time or two per episode: A trio of towering, golem-like figures materialize, heralded by cracks of thunder, and roast a human who has been identified as a sinner. This usually involves a lot of smashing and tossing about of people and vehicles. These scenes are kinetically satisfying — it is a Korean production, after all — and there’s something counter-intuitively adorable about the silent, hulking reapers. Directed by Yeon Sang-ho of the “Train to Busan” zombie films, “Hellbound,” whose second season premiered last week, is a solidly constructed supernatural thriller, with well-choreographed action that often features a tight-lipped lawyer (Kim Hyun-joo) who gets more use out of her police baton than her legal training.The bam-pow does not dominate the show, however. The screenwriter Choi Gyu-seok, adapting Yeon’s 2002 webtoon, focuses less on explaining the supernatural happenings than on portraying a society’s reactions to a terrifying rip in reality. Those responses are bad and badder, running from coercive religious fanaticism to cathartic, mordant anarchy — parallels to current trends around the world are almost certainly intentional — while a few contrarians fight for rationality and free will.The drama of ideas is talky and pitched between comic book and Philosophy 101, but there is enough inventiveness and feeling in the storytelling to keep you attuned to the show’s evocation of a world quickly going mad.‘The Midwich Cuckoos: Village of the Damned’When this mini-series premiered in Britain two years ago, it had the same title as the John Wyndham novel on which it is loosely based, “The Midwich Cuckoos.” For its American release, Acorn TV and Sundance Now (both will have the third of seven episodes on Thursday) tacked on the name of the cult-favorite 1960 film adaptation, “Village of the Damned.” The series is a solid, watchable piece of work, though it might have been better if they hadn’t reminded us of the chilling, compact, highly satisfying movie.The story, if you are unfamiliar, begins with everyone in a British village blacking out; shortly after, every woman of childbearing age finds herself pregnant. The resulting children, as you might guess, are a scary bunch, with powers of mind control that represent an extinction-level threat. “The Midwich Cuckoos” handles the science-fiction aspects capably, and like the film, it has its share of quietly creepy moments. Filling out the expanded running time with a lot of agonizing about motherhood and parenting, though, feels a little precious when the story is about aliens getting Earth women pregnant. Focus!We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jon Stewart Fears Madison Square Garden Will Never Be the Same

    After Donald Trump’s rally, Stewart showed an image of Billy Joel and asked, “How dare they desecrate the stage that the Piano Man has consecrated?”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘The Clueless Klux Klan’On Monday’s “Daily Show,” Jon Stewart showed a montage of speakers from the weekend’s Trump rally at Madison Square Garden, including those who called Kamala Harris the devil and the Antichrist and said she had “pimp handlers.” Tucker Carlson called her “Samoan-Malaysian-low-I.Q.” and issued a high-pitched cackle.“Now, generally, that’s a lineup that you see outside Madison Square Garden yelling at strangers as they try to get inside Madison Square Garden,” Stewart said.“And let me just say, how dare they desecrate the stage that the Piano Man has consecrated?” — JON STEWART, showing an image of Billy Joel“Former President Trump held a rally yesterday at Madison Square Garden in front of a crowd of 20,000 people, and it was the most vitriolic, rage-filled group of white people in that building since the last Rangers game.” — SETH MEYERS“Everyone was on the edge of their seat waiting for the Menendez brothers to come out.” — JIMMY FALLON“The Clueless Klux Klan showed up in force for what I think may have been the nuttiest Trump event of all time.” — JIMMY KIMMEL“Trump’s rally was described as unhinged, crude and racist — as opposed to the stable, polite and tolerant Trump rallies we’re accustomed to.” — JIMMY FALLONThe Punchiest Punchlines (Hulkster Edition)“That is just sad, to see an old man like that. We’ve all had that moment, when you have to look at your grandpa and say, ‘Peepaw, it’s just not safe anymore. We’re going to have to take away the keys to your shirt.’” — STEPHEN COLBERT, after showing a clip of Hulk Hogan struggling to tear his shirt off at the Trump rally“You know you’re getting old when you lose a wrestling match to your tank top.” — JIMMY KIMMEL“I warned him not to wear the Beefy T, but nobody listens.” — JIMMY KIMMELWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    in Theater

    ‘Bad Kreyòl’ Review: Dueling Cultural Identities Make for a Weighty Comedy

    Dominique Morisseau’s new play explores the tensions between a Haitian American woman and her Haitian-born cousin.Concluding a four-show run as one of Signature Theater’s writers-in-residence, Dominique Morisseau looks beyond her usual American petri dish in the comic and contemplative “Bad Kreyòl.” It’s the second world premiere of her seven-year tenure (stretched from five because of the Covid pandemic) with the company, which has staged her explorations of 1940s jazz (“Paradise Blue”), campus race relations and slavery (“Confederates”) and the aftershocks of revolutionary movements (“Sunset Baby”).In “Bad Kreyòl,” Morisseau follows a Haitian American woman’s trip to the island, where she intends to work with nongovernmental organizations and reconnect with her cousin following their grandmother’s death. Directed by Tiffany Nichole Greene, this co-production with Manhattan Theater Club deftly tackles diasporic identity, as well as personal, familial and national duty.If that sounds like a serious undertaking, it never feels that way here. Morisseau is incredibly skilled at weaving her ideas into compelling human dramas, and “Bad Kreyòl” finds the writer at her funniest, operating in the digestible vacation comedy genre.When Simone (Kelly McCreary) arrives at the upscale Port-au-Prince boutique her cousin Gigi owns, her appearance is instantly assessed. Gigi (Pascale Armand) is a tough-love type, and their odd couple dynamic represents most of the play’s humor and duel of national mentalities. As opposed to Simone’s relaxed athleisure, Gigi is impeccably dressed in colorful fabrics (costumes by Haydee Zelideth). She is the picture of the hard-working Haitian who can’t understand why her American cousin lets things like personal happiness get in the way of a lucrative career in finance.Another point of contention: whether Pita (Jude Tibeau), their family’s longtime housekeeper, is more like their slave. Born into poverty, he was essentially sold to Gigi’s family in exchange for room and board through an underground Haitian practice called restavèk. Simone says it violates international labor laws, Gigi compares it to American foster care.In this case, Gigi says, it’s worked out for the best: In their homophobic country, the flamboyant Pita, who is gay, also finds protection in their home. Simone, of course, lives out a liberal fantasy by nudging him to join a queer activism group, an idea the fiercely protective Gigi knows could bring harm. But, again, Morisseau balances this gravity by making Pita the play’s beating heart, and often the source of its funniest lines.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Bob’s Burgers’ Actor Sentenced to One Year in Prison for Role in Jan. 6 Riot

    The actor, Jay Johnston, pleaded guilty in July to obstructing police during the riots at the Capitol on Jan. 6, 2021, according to prosecutors.Jay Johnston, a comedian and actor who voiced Jimmy Pesto Sr. on the Fox sitcom “Bob’s Burgers,” was sentenced to a year and a day in prison over his involvement in the attack on the U.S. Capitol on Jan. 6, 2021.Mr. Johnston, 55, pleaded guilty in July to a felony charge of obstruction of law enforcement after reaching a plea agreement that dropped three other charges originally brought against him. The actor was arrested in June 2023 in California with the help of internet sleuths who identified Mr. Johnston after the F.B.I. posted photos of him at the Capitol during the riot. Three other people who know Mr. Johnston also identified him.While Mr. Johnston is best known for his role in “Bob’s Burgers,” he was a regular on the 1990s sketch comedy show, “Mr. Show with Bob and David,” as well as on “The Sarah Silverman Program.” He has mostly starred in comedies on television and in movies.He will be on supervised release for two years after his yearlong prison sentence, according to a news release from the U.S. attorney’s office for the District of Columbia. U.S. District Judge Carl J. Nichols also ordered Mr. Johnston to pay a $2,000 fine.Authorities said that when rioters broke through police barricades, Mr. Johnston continued to get closer to the police line. Security footage showed that he had helped push others up against police officers who were pinned against a door near the tunnel entrance of the Capitol building, prosecutors said.Mr. Johnston also filmed the crowds throughout the day on his phone, according to the news release. A person who knows Mr. Johnston showed investigators a text message that he had sent in which he admitted to having been at the Capitol.“The news has presented it as an attack,” the message stated, according to court documents. “It actually wasn’t. Thought it kind of turned into that. It was a mess. Got maced and tear gassed and I found it quite untastic.”Investigators also found that he had booked flights to arrive in Washington on Jan. 4, 2021, and to return to Los Angeles three days later.Mr. Johnston is one of more than 1,500 people who have been charged with crimes related to the Jan. 6 riots at the Capitol, according to the Justice Department. More

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    in Television

    Why Trump Uses Comics Like Tony Hinchcliffe to Spread His Message

    Like the former president, these stand-ups loathe the news media, delight in transgression and harbor a deep-seated love of cruel insult jokes.The stand-up of Tony Hinchcliffe, a popular insult comic, became an immediate issue in the presidential campaign on Sunday after his racist lines at a Donald J. Trump rally earned immediate blowback and criticism from, among others, the Democratic vice-presidential candidate, Tim Walz.As Hinchcliffe has done in the past when embroiled in controversy, he doubled down. On X, he wrote that Walz had found the time to “analyze a joke taken out of context to make it seem racist.” Walz didn’t do that. But to the extent that there was a relevant context to Hinchcliffe’s dopey, trolling punchlines, it’s this: They were delivered at a Trump campaign event nine days before the election.There was a time not long ago when people wondered why there weren’t more conservative comedians or why there wasn’t a right-wing version of “The Daily Show.” These questions have always been a little naïve. Comedy has long had a conservative streak, and anyone who ever attended middle school knows that jokes can be as effective at reaffirming the status quo as challenging it.But comedy has become more partisan over the years; late-night TV’s move from neutral Johnny Carson to anti-Trump hosts is only one example. In this election, a forceful new Trump-friendly contingent has emerged, one dominated by male comics, many from Joe Rogan’s orbit. Whereas the biggest names in pop music have come out aggressively for Vice President Kamala Harris, the artists who have provided the most support for Trump have been comedians.Trump and his running mate, JD Vance, have made comedy podcasts a regular stop, aiming to win over young male voters dissatisfied with mainstream news outlets. Just in the past week, Vance has appeared on the podcasts of Tim Dillon, a satirical comic who specializes in booming nihilistic rants, and the oddly poetic, bro-ish comic Theo Von. After much public speculation over whether Trump would be invited to sit down with Rogan — the most popular comedy podcaster and the one who gave a boost to many of these comics — it happened. (Trump has also appeared on podcasts with Von and with the New York standup Andrew Schulz, a podcaster so popular he headlined Madison Square Garden this year.)This doesn’t even count Greg Gutfeld, who as Fox’s highly rated right-wing answer to late night has had Trump on as well.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jon Stewart Extends ‘Daily Show’ Run Through 2025

    Stewart, who returned to the show in February as a host on Monday nights, originally planned to work through the presidential election.Jon Stewart is sticking around. After nearly nine months with Stewart back at the desk of “The Daily Show,” Comedy Central announced on Monday that he would continue to host the show on Monday nights through 2025.Stewart, who regularly won Emmys while hosting the Comedy Central show full-time from 1999 to 2015, was originally expected to host through the 2024 presidential election.“I’ve truly enjoyed being back working with the incredible team at ‘The Daily Show’ and Comedy Central,” Stewart, 61, said in a statement. “I was really hoping they’d allow me to do every other Monday, but I’ll just have to suck it up.”In addition to continuing his hosting duties one night a week, Stewart will also continue to serve as an executive producer.“Jon’s incisive intellect and sharp wit make him one of the most important voices in political and cultural commentary today,” Chris McCarthy, a senior executive at Paramount, Comedy Central’s parent company, said in the statement. “His ability to cut through the noise and deliver cleareyed insights is exactly what we need.”In September, “The Daily Show” won an Emmy for best talk series. “You have made an old man very happy,” Stewart said in the acceptance speech. “It has really made my Mondays.”A rotating lineup of hosts — including Desi Lydic, Ronny Chieng, Michael Kosta and Jordan Klepper — will continue to anchor the rest of the week. “The Daily Show” has been without a permanent host since Trevor Noah stepped down in late 2022. More

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    in Theater

    Broadway Is Singing Louis Armstrong’s Songs. Here Are 6 Classics.

    When Christopher Renshaw was growing up in England in the 1950s and ’60s, everybody knew about Louis Armstrong. “He was an icon for me as a child,” he said. “He was just there — he’s smiling, he’s funny.”But when Renshaw — whose directing credits include the 1996 Broadway production of “The King and I” and “Taboo,” which he conceived with Boy George — was approached about creating an Armstrong musical, he quickly learned that the musician was far more than just the affable, popular entertainer he saw on television.Armstrong’s story sprawls across five decades, numerous musical and social upheavals, and his own creative breakthroughs from the revolutionary 1920s recordings with his Hot Five band to worldwide celebrity with the ’60s pop smashes “Hello, Dolly!” and “What a Wonderful World.”That story is now being told on Broadway in “A Wonderful World: The Louis Armstrong Musical,” which is in previews at Studio 54, following a 2021 premiere in Miami and runs in New Orleans and Chicago. For the show’s creative team, exploring the offstage struggles and tensions of this cultural and musical titan was as important as illustrating his pioneering, radical work as a trumpeter and singer.“Louis Armstrong was a real Black man,” James Monroe Iglehart, who is portraying Armstrong and is one of the directors, said, noting the ways Armstrong’s image was cleaned up and deracinated for Hollywood and television. “We worked really hard to show that side of him, the good and the bad.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More