Eliana Willis

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    in Television

    Super Emmy: Is the Time Now Right for This Former Disaster?

    Fifty years ago, the Emmy Awards implemented a change deemed such a disaster it was quickly eliminated.For the 1974 ceremony, the Television Academy created a “Super Emmy” that pitted winners in the comedy and drama balloting against each other. For example, the “M*A*S*H” star Alan Alda took home two trophies that year: one for best comedy actor and a second in a head-to-head showdown with Telly Savalas, who had already won the drama lead acting award for “Kojak.”The stated goal was to streamline the televised ceremony — the category honors were given out before the telecast and only the Super Emmys were awarded on air. But Alda and his fellow winner Mary Tyler Moore joined critics like John J. O’Connor of The New York Times in panning the stunt, and organizers retreated.Yet a half-century and a reshaped television environment later, the Super Emmy, that strange visitor from the 1970s, might be one of those once-bad ideas whose time has finally come.Not that the Emmys are looking to prolong the show, which will air Sunday on ABC. Unlike the Oscars, TV’s most prestigious award remains pretty rigidly held to its allotted time, so adding a category would likely require pushing another out of the main broadcast.But a Super Emmy would do more than merely add a “Highlander”-style bolt of excitement — “There can be only one!” — to a generally predictable telecast. It would also acknowledge the blurring of lines in TV’s categorical designations, which often makes it hard to differentiate between drama, comedy and limited series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 88 Shares139 Views

    in Theater

    Yesterday’s Broadway Warhorses, Saddled With Today’s Concerns

    Revivals of “Romeo and Juliet,” “Our Town,” “Gypsy” and “Sunset Boulevard” aim to show that rethinking for the present is what makes classics classic.Two cheers for new voices! Of the 16 productions scheduled to open on Broadway between now and the end of the year, 12 are new to the Boulevard of Broken Budgets.But I’d like to reserve a third cheer for the fall’s four revivals, which may get less attention, having been this way before, but are likely to earn their keep if history holds true. Old voices are, after all, where new voices come from. And though 240 years separate the Broadway debuts of “Romeo and Juliet” and “Sunset Boulevard,” with “Our Town” and “Gypsy” in between, they all have much in common, at least in their continued haunting of theatergoers’ imaginations.That haunting arises, in part, from our memories of past stars who hover alongside the new ones. In “Our Town,” Henry Fonda and Paul Newman will be whispering the Stage Manager’s lines to Jim Parsons. Ethel Merman, Angela Lansbury and Patti LuPone will no doubt watch over Audra McDonald as she takes on the role of Rose in “Gypsy.” LuPone will also be looking over Nicole Scherzinger’s shoulder in “Sunset Boulevard”; presumably keeping a safe distance, so will Glenn Close. And though few are likely to remember Robert Goffe, the original Juliet, he too will be felt on Broadway this fall. However long ago, the part was built on him.But revivals of shows like these have more to offer than ghosts. There’s a reason, aside from name recognition, that they keep coming back. Though products of vastly different times and cultures, they dig so deep into their specific truths that they reach a common, eternal one, from which many others may spring.Perhaps that’s most evident in “Our Town,” Thornton Wilder’s 1938 play about two families whose ordinary life events, from birth to death, are consecrated by a kind of communal love. The director Kenny Leon said that in his production, “1936 runs into 2024,” allowing the story to serve “as a metaphor for our world, for our country, even our time.”Paul Newman in a 2002 production of “Our Town.”Sara Krulwich/The New York TimesHenry Fonda in a 1969 production of “Our Town.”Everett CollectionWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 75 Shares159 Views

    in Television

    Late Night Observes ‘Debate Night Eve’

    Jimmy Kimmel predicted Kamala Harris and Donald Trump will face questions “on all the big issues: the economy, immigration, electrocution, sharks.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Night BeforeVice President Kamala Harris and former President Donald Trump will meet for their only scheduled debate on Tuesday night.On Monday, Jimmy Kimmel predicted the candidates will field questions “on all the big issues: the economy, immigration, electrocution, sharks — everything we care about.”“It’s Debate Night Eve, so don’t forget to put out some milk and cookies for Santa and then give him two minutes for a rebuttal.” — STEPHEN COLBERT“Of course, both candidates are very busy with last-minute preparations. Right now, Trump is trying to decide which shade of bronzer: jack-o’-lantern orange or burned corn on the cob?” — JIMMY FALLON“How could you possibly prepare to debate Donald Trump? This is a man who, if he doesn’t like the direction a hurricane is going, just draws a new hurricane on the map — you can’t debate that.” — JIMMY KIMMEL“Trump, of course, is claiming that the debate is rigged against him, even though it hasn’t happened yet. Over the weekend, he announced that no boxes or artificial lifts will be allowed for Kamala — who is 5-foot-4 — to stand on because he says, ‘It would be a form of cheating, and the Democrats cheat enough.’ That’s right. You know, cheating is only allowed when it comes to wives, taxes and every round of golf that he’s ever played.” — JIMMY KIMMEL“There’s a lot riding on this. If Kamala doesn’t do well, you know, come January, our national bird might be the Kentucky Fried Chicken.” — JIMMY KIMMEL‘An Honor Just to be Nominated’An article in Rolling Stone said that while Trump was president, he tried to persuade Justice Department officials to use campaign finance laws and equal-time broadcast regulations to rule that anti-Trump jokes on late-night shows were illegal. Stephen Colbert and Jimmy Kimmel were among those on Trump’s list of targets.“Finally, I made an enemies list!” Colbert said. “I mean, obviously, there’s no guarantee I’ll be arrested, but it’s an honor just to be nominated.”“I’m now imagining me and all the other late-night hosts in prison together like the mobsters in ‘Goodfellas.’ I’m stirring the sauce, Colbert’s slicing the garlic with a razor blade.” — JIMMY KIMMEL“No doubt it’ll all be decided this weekend in Los Angeles — whoever wins the Emmy for best talk show will be sent to a camp: ‘And the gulag goes to …’ So, to my old colleague Jon Stewart, I just want you to know, I voted for you.” — STEPHEN COLBERT“How would this work for Jon Stewart? Would he only go to jail on Mondays?” — JIMMY KIMMELThe Punchiest Punchlines (Change of Heart Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 163 Shares199 Views

    in Theater

    James Earl Jones, Actor Whose Voice Could Menace or Melt, Dies at 93

    James Earl Jones, a stuttering farm child who became a voice of rolling thunder as one of America’s most versatile actors in a stage, film and television career that plumbed race relations, Shakespeare’s rhapsodic tragedies and the faceless menace of Darth Vader, died on Monday at his home in Dutchess County, N.Y. He was 93.The office of his agent, Barry McPherson, confirmed the death in a statement.From destitute days working in a diner and living in a $19-a-month cold-water flat, Mr. Jones climbed to Broadway and Hollywood stardom with talent, drive and remarkable vocal cords. He was abandoned as a child by his parents, raised by a racist grandmother and mute for years in his stutterer’s shame, but he learned to speak again with a herculean will. All had much to do with his success.So did plays by Howard Sackler and August Wilson that let a young actor explore racial hatred in the national experience; television soap operas that boldly cast a Black man as a doctor in the 1960s; and a decision by George Lucas, the creator of “Star Wars,” to put an anonymous, rumbling African American voice behind the grotesque mask of the galactic villain Vader.Mr. Jones in 1979 as the author Alex Haley on “Roots: The Next Generation.”Warner Brothers Television, via Everett CollectionThe rest was accomplished by Mr. Jones himself: a prodigious body of work that encompassed scores of plays, nearly 90 television network dramas and episodic series, and some 120 movies. They included his voice work, much of it uncredited, in the original “Star Wars” trilogy, in the credited voice-over of Mufasa in “The Lion King,” Disney’s 1994 animated musical film, and in his reprise of the role in Jon Favreau’s computer-animated remake in 2019.Mr. Jones was no matinee idol, like Cary Grant or Denzel Washington. But his bulky Everyman suited many characters, and his range of forcefulness and subtlety was often compared to Morgan Freeman’s. Nor was he a singer; yet his voice, though not nearly as powerful, was sometimes likened to that of the great Paul Robeson. Mr. Jones collected Tonys, Golden Globes, Emmys, Kennedy Center honors and an honorary Academy Award.

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    .css-14ehajx{font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:500;font-size:1rem;line-height:1.4375rem;max-width:600px;margin-left:0px;width:100%;border:1px solid #dfdfdf;padding:9px 18px 24px 18px;width:calc(100% – 40px);background-image:url(‘data:image/svg+xml,%3Csvg%20width%3D%2219%22%20height%3D%2217%22%20viewBox%3D%220%200%2019%2017%22%20fill%3D%22none%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%0A%3Cpath%20id%3D%22Vector%22%20d%3D%22M13.2271%2017L7.66331%2012.5661H1.42971C1.05056%2012.5661%200.686942%2012.4151%200.418844%2012.1464C0.150746%2011.8777%200.00013055%2011.5133%200.00013055%2011.1333V1.45216C-0.00242853%201.26238%200.0326583%201.07398%200.103355%200.897906C0.174051%200.72183%200.278947%200.561586%200.411951%200.42648C0.544956%200.291375%200.703417%200.1841%200.878133%200.110887C1.05285%200.0376746%201.24034%20-1.73249e-05%201.42971%205.97386e-09H17.5704C17.9496%205.97386e-09%2018.3132%200.150955%2018.5813%200.419657C18.8494%200.68836%2019%201.0528%2019%201.4328V11.1139C19%2011.4939%2018.8494%2011.8583%2018.5813%2012.127C18.3132%2012.3957%2017.9496%2012.5467%2017.5704%2012.5467H13.285L13.2271%2017ZM1.42971%201.21014C1.37079%201.21014%201.31428%201.2336%201.27262%201.27535C1.23095%201.31711%201.20754%201.37375%201.20754%201.4328V11.1139C1.20754%2011.1729%201.23095%2011.2296%201.27262%2011.2713C1.31428%2011.3131%201.37079%2011.3366%201.42971%2011.3366H8.05934L12.01%2014.4926V11.3366H17.5125C17.5714%2011.3366%2017.6279%2011.3131%2017.6696%2011.2713C17.7112%2011.2296%2017.7346%2011.1729%2017.7346%2011.1139V1.4328C17.7346%201.37375%2017.7112%201.31711%2017.6696%201.27535C17.6279%201.2336%2017.5714%201.21014%2017.5125%201.21014H1.42971Z%22%20fill%3D%22%23121212%22%2F%3E%0A%3C%2Fsvg%3E’);background-repeat:no-repeat;background-position:calc(100% – 20px) 20px;}@media (min-width:630px){.css-14ehajx{margin-left:auto;margin-right:auto;box-sizing:border-box;}}@media (min-width:1440px){.css-14ehajx{max-width:600px;width:600px;margin-left:calc((100% – 600px) / 2);}}.css-7b274f{margin-left:45px;}.css-raoif9{font-size:0.875rem;line-height:1.25rem;font-family:nyt-franklin,helvetica,arial,sans-serif;margin-bottom:16px;word-break:break-word;}.css-raoif9 a{color:#326891;font-family:nyt-franklin,helvetica,arial,sans-serif;-webkit-text-decoration:none;text-decoration:none;}.css-k02trr{font-weight:700;-webkit-text-decoration:none;text-decoration:none;}.css-2f9c0w{list-style:none;margin:0;-webkit-box-flex:1;-webkit-flex-grow:1;-ms-flex-positive:1;flex-grow:1;font-size:0.875rem;line-height:1.0625rem;}.css-nmiwmx{color:#888;-webkit-text-decoration:none;text-decoration:none;}.css-fg7rxm{margin:0;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;}.css-1ebkpg2{-webkit-text-decoration:none;text-decoration:none;display:block;font-size:0.875rem;line-height:1.0625rem;}.css-1ebkpg2:afer{content:’ ‘;position:absolute;top:0;right:0;left:0;bottom:0;}.css-1ebkpg2:hover{-webkit-text-decoration:none;text-decoration:none;}.css-1ebkpg2:hover .css-dvomd1{-webkit-text-decoration:underline;text-decoration:underline;}.css-85qk5p .css-1ebkpg2{margin:21px 0 0 16px;}.css-ept3uu{display:inline-block;margin-right:10px;overflow:hidden;object-fit:cover;border-radius:50%;height:34px;width:34px;}span.css-ept3uu{background:#ccc;color:#fff;display:inline-block;font-size:1rem;text-align:center;text-transform:uppercase;line-height:2.25rem;}.placeholder .css-ept3uu{background:#ccc;}We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 88 Shares169 Views

    in Theater

    James Earl Jones: A Life in Pictures

    If it seemed at times that James Earl Jones was everywhere, it was perhaps because he really was. Over a 50-year career, Jones — who died on Monday at the age of 93 — acted prolifically on television, in movies and under the spotlight of Broadway stages, one of which is now named after him.An imposing man who stood taller than six feet, Jones was hard to miss. But it was his voice — deep, authoritative, powerful and sometimes menacing — that some fans may most remember. His voice work as Darth Vader in the original “Star Wars” trilogy and as Mufasa in “The Lion King” conveyed his presence to millions without audiences ever seeing him.Here are some snapshots from his life and career.Jones was a guest star on “Sesame Street” in 1970.Afro American Newspapers/Gado, via Getty ImagesJones, with Lauren Bacall, won the Tony for best actor in a play in 1969 for “The Great White Hope.”Bettmann Archive, via Getty ImagesJones with Diana Ross and Michael Jackson at a Broadway opening in 1978.Sonia Moskowitz/Getty ImagesJones and his wife, the actor Cecilia Hart, at the Tony Awards in 1989.Ron Galella/Ron Galella Collection, via Getty ImagesJones in his dressing room in 1983.Steve Ringman/San Francisco Chronicle, via Getty ImagesJones with his son, Flynn, and his father, Robert, in 1987.Michael Tighe/Donaldson Collection, via Getty ImagesJones in a Hollywood recording studio in 1991.Edmund Eckstein/Getty ImagesJones and Cicely Tyson in 1991.Ron Galella, Ltd./Ron Galella Collection, via Getty ImagesThe actors would star in a revival of Donald L. Coburn’s “The Gin Game” in 2015.Bruce Glikas/FilmMagicA Broadway theater was named after Jones in 2022.Todd Heisler/The New York Times More

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    in Television

    The Life-Changing Journey of ‘My Brilliant Friend’

    The four actresses who played Lenù and Lila from adolescence to middle age discuss the end of the HBO series.In the fourth season of “My Brilliant Friend,” premiering Monday on HBO, the childhood friends and fierce rivals Lila and Lenù navigate marriage and divorce, motherhood, loss and middle age.This is the final chapter, catapulting the protagonists from the 1970s to the 21st century against the background of Italy’s upheavals, and is based on “The Story of the Lost Child,” the fourth book in Elena Ferrante’s wildly popular Neapolitan series.Writing in The Times, James Poniewozik called the show “one of the most incisive portraits of a lifelong relationship ever made for TV.” But this final season also ends a production project that started in 2016 and which all of its lead actresses agreed was the most important of their careers.Margherita Mazzucco, 21, played Elena “Lenù” Greco, and Gaia Girace, 20, played Raffaella “Lila” Cerullo, through three seasons — from the characters’ adolescence to their 30s. Neither had acted before they were cast in 2017, but they are both now stopped on the street at home and abroad.For the seasoned actress Irene Maiorino, 39, who plays Lila in Season 4, the show offered a chance to become better known outside Italy. And the already internationally acclaimed Alba Rohrwacher, 45, who narrated the series before being cast as the grown Lenù. Rohrwacher described the role as an “incredible journey” that “can only happen once in a lifetime.”The four women met together for the first time on a recent muggy afternoon in Rome, to discuss passing the baton from one pair of Lenùs and Lilas to the next and whether there were heightened expectations now that Ferrante’s “My Brilliant Friend” had been named the best book of the 21st century in a recent New York Times survey. (They all laughed: They’d heard.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    in Theater

    John Mulaney to Star in a Broadway Comedy About Love and Marriage

    “All In: Comedy About Love,” a new play by Simon Rich, includes a celebrity cast taking on the roles of pirates, dogs and other zany characters.John Mulaney is coming back to Broadway.The comedian will star in a new play, “All In: Comedy About Love,” staged as vignettes about relationships, marriage and heartbreak and written by the humorist Simon Rich, Mulaney’s former “Saturday Night Live” collaborator.The production, set to feature a rotating group of actors, will be directed by Alex Timbers, who helmed Mulaney’s most recent Netflix special, “Baby J,” as well as his Broadway debut, the 2016 comedy “Oh, Hello on Broadway.”“It’s a weird fantasy camp of things I always wanted to do with my very good friends,” Mulaney said in a video interview.The comedian, who has two Emmy Awards for his stand-up specials “Kid Gorgeous” and “Baby J,” will lead an ensemble cast of four actors portraying pirates, the Elephant Man, dogs looking for love and other characters: Initially, Mulaney will be joined by Richard Kind (“Spin City,” “Mad About You”), Renée Elise Goldsberry (“Hamilton,” “Girls5eva”) and the “S.N.L.” alum Fred Armisen.“We jump around between eras and countries and species, but they’re all love stories,” said Rich, a former “S.N.L.” writer who is making his Broadway debut with the play, which is adapted largely from tales that have previously been published in his 10 short story collections and in The New Yorker.The idea for the show, which will also feature songs from the indie band the Magnetic Fields, came about when Timbers approached Rich about adapting some of his short stories for the stage. And once Mulaney, who first met Rich when they were writing partners on “S.N.L.” from 2008-11, was on board, the built-in rapport between the two proved irresistible, Timbers said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    in Theater

    Julianna Margulies on ‘Left on Tenth’: ‘This Is the Play I’ve Been Waiting For’

    It was a meet-cute right out of a New York City rom-com.The actress Julianna Margulies was walking her dog near Fifth Avenue and 10th Street when a woman with her own dog stopped to ask if she was who she thought she was.“I love your book,” she said of Margulies’s 2021 memoir, “Sunshine Girl,” which follows her rather strange childhood and beyond, up through her time on “ER” and “The Good Wife.”The woman pulled down her face mask: “I’m Delia Ephron.” She, too, had written a memoir, “Left on Tenth,” about life, death and taking a chance on love for a second time, and it was coming out soon. Could she drop off an advance copy?“I plotzed because I’ve just always loved her writing,” Margulies said.While taking refuge from the heat last month, Margulies recounted this scene with Ephron, which happened a few years ago, over an iced cappuccino in the lobby of the Marlton Hotel in Greenwich Village.Then in January, Margulies went on, she received an email out of the blue from Ephron, saying she had turned “Left on Tenth” into a play — and she wanted Margulies for the lead.“So she emailed it,” Margulies said, “and I sat down, read it cover-to-cover within an hour, just raced through it, sobbed, laughed, emailed her right back, and I said, ‘This is the play I’ve been waiting for.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More