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    Dave Keuning Confirms He's Back With The Killers After Four Years of Break

    WENN

    The lead guitarist of the Brandon Flowers-fronted band is reuniting with his bandmates, four years after he took a step back to spend time with his family.

    Apr 25, 2021

    AceShowbiz –
    The Killers co-founder Dave Keuning has confirmed reports he’s back with the band after stepping away from the spotlight in 2017 to focus on his family.

    The guitarist featured in a video the band posted from the studio earlier this year (21), leading fans to believe Dave was working with the group again after sitting out The Killers’ last album “Imploding the Mirage and opting not to tour, and now he reveals he’s back with his former bandmates while insisting life on the road is over for him.

    Keuning tells Rolling Stone magazine he quit the group because he was “sick of the touring, which is the other 22 hours of the day, when you aren’t onstage,” and wanted to be home with his young son.

    “I was done with that, just travelling and going back to the hotel or going back to the bus and going to the next town,” he explains. “I’ve done that a lot. Some people aren’t very sympathetic. But everyone’s situation is different at home, or how much they can take. Sometimes I felt like I was under a little, unnecessary microscope.”

    “It was like, ‘Why don’t you want to tour?’ I’d be like, ‘You mean why don’t I want to be gone 11 months out of the year? Do I need to come up with a detailed explanation? Are you gone 11 months out of the year?’ ”

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    “Everyone has a different threshold or motivation or personal situation… I really do miss the shows… and the fans and the crowds and all that stuff. But I did it a lot for 10 years. After a while, I just wanted to experience something else. I was fortunate to get a house, but I was never there. I wanted to actually live in it and have a normal life… I got tired of constantly feeling guilty because I was never home and I have a son.”

    Dave insists the break from the band has served him well, because he has been able to use a bunch of songs that never made it onto The Killers’ albums for his own solo project, adding, “At least it gives me a finished sense of satisfaction. And I’m happy that some of these songs are seeing the light of day instead of never being finished.”

    He admits the COVID pandemic brought the band back together again. “They were about to go on tour before the pandemic and that tour was cancelled,” he explains. “And then they reached out. They were working on a record because they had all this time on their hands, and they asked if I wanted to be a part of it… It hasn’t actually been super easy to get all four of us in a room because of the pandemic, but it got me talking to them again and recording with them again.”

    Keuning admits he’ll even consider touring with The Killers again – if he’s not away from home for 11 months of the year.

    “I’ll do 100 (shows),” he laughs. “What people don’t understand is that I’m only in their town one night of the year, but there were some years where (we did 200 shows) a year.”

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    Dave Grohl Releases Duet With Daughter to Pay Tribute to 'Family History'

    Instagram/Troy Conrad

    The Foo Fighters ringleader has released a collaboration with his daughter Violet Grohl, a cover of X’s song ‘Nausea’ to pay tribute to family ties with X drummer.

    Apr 25, 2021

    AceShowbiz –
    Dave Grohl has paid tribute to his “family history” by releasing a duet with his daughter.

    The Foo Fighters frontman and his eldest child, 15-year-old Violet, have teamed up for a cover of X’s 1980 track “Nausea”, with the song recorded at the “All My Life” singer’s home studio and featuring in his upcoming documentary “What Drives Us”.

    Dave explained on Instagram how he is connected to X both through music and family ties and how those connections ultimately “serve as the foundation to the soundtrack to our lives.”

    The rocker explained how, following Nirvana’s 1992 world tour, his grandmother told him he could be related to X drummer DJ Bonebrake because his surname was her maiden name and, in 2007 after a Foo Fighters gig, he and other members of his family had a reunion with the musician.

    He recalled, “After the show, Pat (Smear) brought DJ to the dressing room backstage, where my mother, sister and I were having drinks. As he came through the door, we all stood up and warmly greeted him like a long lost relative, inspecting every feature, desperately trying to identify the trademark family brow or chin, passed down over centuries.”

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    “Long discussions of distant relatives and our historic family tree ensued, and by the end of the night we parted ways feeling a bit more connected to the lineage that brought us to this place, musical and otherwise.”

    After finishing work on “What Drives Us” and watching it back, he felt it was important to commemorate those connections in some way.

    Dave wrote in the third part of his lengthy post, “I wanted to record a song that would not only pay tribute to the people and music that influenced me to become a musician, but also to pay tribute to my long family history.”

    “So what better than an X song? And what better person to sing it than my daughter, Violet Grohl, another descendant of Johann Christian Beinbrech. I picked up one of my favorite X songs, ‘Nausea’, from their 1980 debut album ‘Los Angeles’ and forwarded it to Violet, hoping that she would agree to my most impulsive idea.”

    “Anyone who has ever heard Violet sing knows that she was certainly capable of doing it, but it was just a matter of getting her in front of the microphone to record, something that the two of us had never done together before. It felt so meaningful to have the first song Violet and I record together be a tribute to our Bonebrake heritage.”

    Violet agreed and Dave recorded the instrumental tracks before she added her vocals and he then put harmonies over the top, and the “Everlong” hitmaker couldn’t be prouder of the track.

    He gushed, “We smiled upon listening to playback at full volume. It was a moment that superseded anything musical. A life moment that I will cherish forever. A family moment.”

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    Tom Jones Credits Late Wife for Saving Him From Ridicule for Attempting to Embrace Hip-Hop

    WENN

    The ‘It’s Not Unusual’ hitmaker recalls being advised by his late wife Linda against releasing a rap-inspired album after she listened to his experimental material.

    Apr 25, 2021

    AceShowbiz –
    Welsh crooner Tom Jones credits his late wife Linda with saving him from public ridicule after once attempting to embrace hip-hop in his pop music.

    The “It’s Not Unusual” hitmaker, who lost his longtime partner to lung cancer in 2016, recalls Linda wisely advising him against releasing his rap-inspired tunes after giving her a preview of his experimental material.

    “Every time I would record an album, she would be the first one I ever played it to and she would tell me what she thought,” Tom told U.S. news show “Today”.

    “I got a little, sort of hip-hop at one stage in my career and she said, ‘Who are you aiming this at?’ and I said, ‘Whoever wants to listen to it!’ ”

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    “She said, ‘There are other people who do that stuff, you don’t need to do that, do you…?’ and she was right, it didn’t really work.”

    Tom released “Surrounded by Time”, his first album since Linda’s passing, on Friday (23Apr21), and without having her as his sounding board, he can only imagine what she may make of the songs.

    “I would hope she would like it…,” he smiled.

    During the interview, Tom, who moved back to London from the U.S. following Linda’s death, admitted he still talks to his wife on a daily basis because he keeps her ashes in his bedroom so she will always be close by.

    He shared, “She wanted to be cremated… and I have her ashes in a box and I’ve got them in my bedroom on top of a chest of drawers with her photograph over the top, so she’s the last person I speak to at night, and the first person I speak to in the morning.”

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    Paul Weller Thinks He Would Be in 'Padded Cell' If He Didn't Make Music During Lockdown

    WENN

    The ‘Changingman’ singer jokingly said he might be committed to a mental hospital if he didn’t record music after his tour was called off because of Covid-19 lockdown.

    Apr 25, 2021

    AceShowbiz –
    Paul Weller thinks he’d be in a “padded cell” if he hadn’t been recording music through the coronavirus lockdown.

    The “Changingman” rocker has spent the last year working on new LP “Fat Pop (Volume 1)”, and he was grateful to still have a creative outlet when the world shut down because of the COVID-19 pandemic.

    Asked what it would have been like without access to a studio over this time, he told Uncut magazine, “I’d probably be in a padded cell. I’ve no idea.”

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    “I mean, perhaps I make it sound easier than it is. The songwriting part of it still involves an awful lot of finessing and chipping away.”

    And the star joked he made the record so he could get a “break” from his young children.

    Paul – who has adult kids Leah and Natt from his first marriage to Dee C. Lee, Dylan from a relationship with a make-up artist named Lucy, Jesamine and Stevie Mac with former partner Samantha Stock, and twins Bowie and John Paul and daughter Nova with wife Hannah – laughed, “I did the record so I could get away and have a f**king break! But I think I used (the time) wisely as well, you know?”

    Last year, he also released a new album called “On Sunset”. He previously said of his 2020 release, “Music is my obsession, it’s my education, it’s my entertainment, it’s the way that I communicate, it’s everything to me. Every track here reflects that obsession.”

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    Ed Sheeran Gearing Up for Music Comeback as He's Spotted Filming New Music Video

    WENN

    The ‘Thinking Out Loud’ hitmaker is expected to come out of his hiatus and release brand new music soon after he was spotted shooting a new music video in London.

    Apr 25, 2021

    AceShowbiz –
    Ed Sheeran is planning his music comeback.

    The singer has been on an 18-month hiatus to spend time with his wife Cherry Seaborn and baby daughter Lyra, but he has been spotted filming a new music video in London this week (begs19Apr21).

    A source told The Sun newspaper’s Bizarre column, “It was obvious something big was happening, there were camera crews and security cordons set-up.”

    “But you still don’t expect a superstar to be on the roof of the shopping centre.”

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    “He’s so recognisable straight away, and at that point he was just in his normal gear with his guitar so word got around fairly fast that Ed was filming – but he was cool about it, he was waving to some kids and laughing about it all, it was pretty surreal.”

    Ed was spotted playing his guitar on a rooftop in Catford, south east London and was also seen dressed up as a vampire for some scenes filmed in a cafe.

    The insider said, “There were quite a lot of fans later on and security were a bit anxious but he just knew how to do it, he posed for a few photos and then politely said he had to get back to work.”

    “He’s obviously planning for a big comeback. At times you could hear music playing which sounded great, but it wasn’t something I’d heard before.”

    Details of Ed Sheeran’s new music are still sketchy, but he marked his 30th birthday earlier this year with a hint about his next LP. “30 today,” he wrote. “Thank you for all your wonderful messages, I feel very loved. Currently dressed the same as I was on my 3rd birthday about to chow down on Colin the pirate caterpillar (cake), poor bloke. I’ll be back online with the 4th instalment in the series later this year, until then xx (sic).”

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    DMX Credited for Saving Def Jam Records by Lyor Cohen

    Instagram/Facebook

    In the wake of the ‘X Gon’ Give It to Ya’ rapper’s passing, the music executive recalls the time he was seriously considering retirement due to competition with Diddy and Bad Boy Records.

    Apr 24, 2021

    AceShowbiz –
    Music mogul Lyor Cohen has paid DMX the ultimate tribute, crediting the late rapper for saving his Def Jam Records label.

    The music executive admits he was seriously considering retirement – because he felt he couldn’t compete with flamboyant rival P. Diddy over at Bad Boy Records – when Irv Gotti introduced him to Earl Simmons.

    “I didn’t know if I could contribute anymore, especially since Puffy [Diddy] and Bad Boy were dominating the airwaves,” Lyor tells Billboard. “Bad Boy, at that time, was all about aspirational, high technicolor, Versace and Rolls Royces. Def Jam’s architecture is black-and-white, with shades of grey. For me, I was contemplating retirement at the time. There’s nobody who could compete with Puffy when it comes to technicolor and aspiration.”

    “When Irv invited me to go to Yonkers and I met X, I remembered one of the things we really enjoyed doing was getting really quick photo shoots of artists we’re interested in… just to see if the magic of what we thought the artist was could be captured by a camera… and it was at that moment I realized there was more [for us to contribute], because it was a black-and-white photo…”

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    “At that moment, I knew that the common person who wasn’t thinking about Versace suits… and the reality of their struggle came into play. That was a real moment that I remember. I think everyone was tired of the technicolor and wanted something more real and down-to-earth. It resembled a life they know.”

    Cohen’s former partner, Kevin Liles, agrees, adding, “I truly believe he [DMX] wasn’t just a rapper. He was a minister, and someone put here at that particular time to be a voice of the unheard.”

    Lyor admits it was so obvious X had the “it” factor even his mum would be able to tell he was a star, “I’d like to say that if my mother was in the room, she’d pull me aside and tell me, ‘That’s the one!’ It was so obvious that you didn’t need to be an expert.”

    “The molecules in the room changed. All the other rappers ran like cockroaches to light. It was night-and-day. We were waiting there for over an hour. We didn’t know what we were there for, but when he walked in, we realized precisely what we were there for.”

    DMX died earlier this month (April 2021), a week after suffering a heart attack. He will be honored by his family, friends and fans at a memorial at the Barclays Center in New York on Saturday, April 24.

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    Les McKeown, Lead Singer of the Bay City Rollers, Dies at 65

    Known for their catchy pop songs and their distinctive tartan outfits, the Rollers attracted a fanatical teenage following after Mr. McKeown joined in 1973.Les McKeown, the lead singer in the classic lineup of the Bay City Rollers, the Scottish pop group that enjoyed phenomenal worldwide success in the 1970s, died on Tuesday. He was 65.His family announced the death in a statement on social media. The statement said he died at his home, but did not say where that was or specify the cause.The Rollers — who were said to have gotten their name when they threw a dart at a map and it landed on Bay City, Mich. — were formed in the late 1960s but began attracting a fanatical teenage following only after Mr. McKeown joined in 1973, replacing the original lead singer, Nobby Clark.Known for their catchy, upbeat songs (many of them American oldies) and their distinctive tartan outfits, the Rollers sold more than 100 million records and were promoted as the biggest thing since the Beatles. Sid Bernstein, the American promoter who presented the Beatles at Shea Stadium in 1965, brought the Rollers to the United States in 1976.But they were never critical favorites, and they proved far less versatile and more musically limited than the Beatles. Their string of hits ended in 1978, the year Mr. McKeown left the band.The Bay City Rollers began their assault on the British charts in 1974 with “Remember (Sha-La-La-La).” Other hits, like “Shang-a-Lang,” “Bye Bye Baby” and “Give a Little Love,” soon followed.They had success far beyond Britain. It took them a little longer to crack the American market, but their first American hit, “Saturday Night,” reached No. 1 in late 1975. They went on to have five more Top 40 hits in the U.S. and appeared frequently on American television; they even briefly had their own Saturday-morning TV show.After Mr. McKeown’s departure to pursue a solo career, the Bay City Rollers shortened their name to the Rollers and continued performing and recording, but with little success. Various versions of the band, with and without Mr. McKeown, have done occasional reunion tours since then; three members of the classic lineup, Mr. McKeown, Stuart Wood and Alan Longmuir, reunited briefly in 2015. Mr. Longmuir died in 2018.A band billed as “Les McKeown’s Legendary Bay City Rollers” had announced a post-pandemic British tour beginning in July.Leslie Richard McKeown was born in Edinburgh on Nov. 12, 1955, to Irish parents, Francis and Florence (Close) McKeown. He is survived by his wife, Keiko, and their son, Jubei.The Associated Press contributed reporting. More

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    Past Students Say Professor of Rock ’n’ Roll Sexually Harassed Them

    Six former University of Michigan students have filed legal papers accusing a former lecturer of sexually harassing them and the school of not doing enough to protect them.During 16 years teaching at the University of Michigan, Bruce Conforth stocked his lectures with tales from a life filled with boldfaced names: He had rubbed elbows with Bob Dylan, played music alongside B.B. King, apprenticed for the abstract expressionist Willem de Kooning and befriended the poet Allen Ginsberg.Students clamored to enroll in his courses on blues music and the American counterculture, later raving about how he had changed their lives.A musician, scholar and founding curator of the Rock & Roll Hall of Fame, Mr. Conforth was a riveting lecturer who, in his trademark black vest and jeans, could discuss everything from Buddhism to psychedelics, and who, in 2012, was chosen teacher of the year by students.“There was almost a celebrity-like aura around him,” said Amelia Brown, who took a Conforth class called “Beatniks, Hippies and Punks” in 2016. “It wasn’t a normal class. He would go on these long tangents about life and spirituality.”But there was a dark side to Mr. Conforth, according to Ms. Brown and other women who said the teacher used his charisma and, sometimes, Svengali-like manipulation to sexually harass his students.Six of the former Michigan students have filed court papers saying they plan to sue the school, asserting it failed to protect them from sexual harassment.  Erin Kirkland for The New York TimesIn 2008, one recent graduate complained to the university that Mr. Conforth, a lecturer in the American Culture Department, had propositioned her when she was a student. The university put him on formal notice but quietly resolved the complaint. Two more women came forward, though, in 2016, to report that Mr. Conforth had worked to engage them in sexual relationships when they were his students, and, in the midst of the university’s investigation, he agreed to quietly leave his faculty position.Now six former Michigan undergraduates — the three women who previously complained and three others — have filed court papers announcing their intention to sue him and the university, asserting he engaged in a litany of sexual misconduct and the school failed to protect them.“He should have been fired,” said Isabelle Brourman, one of the women. “But they allowed him to thrive. They allowed him to win awards.”Ms. Brourman says, according to the court papers, that Mr. Conforth pressured her into a series of sexual encounters, some of them in his campus office, and later, after she had graduated, raped her in his Ann Arbor apartment.A second former student, Ms. Brown, said she was pressured into a sexual encounter with Mr. Conforth after he told her he had feelings for her and pursued her for several weeks. A third woman said he aggressively kissed her. The other plaintiffs say Mr. Conforth propositioned them to have sexual relationships, at times sending them sexually-charged messages or emails and persisting even after they said no. One woman said he gave her a raccoon penis, suggesting it was a talisman.Mr. Conforth declined to discuss the accusations. “I’ve tried to move on with my life,” he said in a brief phone conversation. “This is a past issue.”The university said it handled the 2008 complaint against Mr. Conforth appropriately and set firm restrictions on his behavior. When the subsequent complaints came in, it said it took swift action to investigate and that Mr. Conforth would have faced dismissal proceedings if he hadn’t agreed to retire in early 2017.“You will note in the separation agreement that the university took immediate and lasting action to assure that Mr. Conforth would not be in any further contact with U-M students, even after his employment ended,” a university spokesman said.Sexual misconduct allegations at universities across the country have sparked calls for policies that hold faculty and student offenders accountable. Last year, Michigan fired David Daniels, an opera star and voice professor, after he and his husband were charged with sexually assaulting a singer.Also last year, the university reached a $9.25 million settlement with women who accused Martin Philbert, then the school’s provost, of sexual harassment.The university said it is constantly working to improve its sexual misconduct policies in a statement that cited a number of changes it has made in recent years.Mr. Conforth arrived at Michigan in 2001 with a doctorate in ethnomusicology from Indiana University and a résumé that included his work as the founding curator with the Rock & Roll Hall of Fame and Museum in Cleveland, which he left in 1993.Since leaving Michigan, Mr. Conforth, 70, has co-written an award-winning biography of the blues singer and guitarist Robert Johnson and helped narrate a Netflix documentary about the musician.While at Michigan, Mr. Conforth was so popular that students chose him as the winner of the “Golden Apple” teaching award in 2012.But four years earlier, Katherine McMahan, a recent university graduate, had told the school about a disturbing incident the previous fall. Ms. McMahan, then 22, said she had attended a blues concert connected to Mr. Conforth’s course and, at a bar after the concert, she said he cornered her outside the bathroom, put his hand around her waist, pulled her closer to him and asked her to come home with him to sleep over. She said she declined but that he persisted until she pushed him away. (Ms. McMahan is a New York Times employee who works outside the newsroom.)Katherine McMahan, left, and Isabelle Brourman, both accuse their former teacher, Bruce Conforth, of sexual misconduct.Kholood Eid for The New York TimesMs. McMahan later received an email from a Michigan official that said the university was taking steps that “it feels are likely to deter future behavior of this nature towards students.” University records, obtained through a Freedom of Information Act request, show that after McMahan’s complaint, the school had Mr. Conforth sign a “Last Chance” agreement, which stipulated requirements he would need to fulfill to avoid termination.Other former students recount similar experiences, though they did not report them to the university. Cassie McQuater said that in 2007, when she was 20, Mr. Conforth, who was not her teacher and whom she had met only briefly, began sending her emails, declaring his love. In one, she said, he included an erotic drawing of a man and a woman with her name at the bottom. When she eventually agreed to get dinner with him, he asked her to return home with him; she declined.Lauren Lambert, who said she plans to join the intended lawsuit, said that starting in 2011, while she was his student and afterward, Mr. Conforth sent her sexually charged messages, saying he had fantasies about her.Two women said that as part of the effort to engage with them sexually, Mr. Conforth had employed the ruse of suggesting he was a member of the so-called “Order of the Illuminati,” a secret society whose mysteries were popularized in Dan Brown’s novel “Angels & Demons.” The women, Ms. Brourman and her friend, Maya Crosman, said they believed he was responsible for emails they received, purportedly from Illuminati leadership, that recommended they engage in relationships with Mr. Conforth, whom the emails called the “Chosen One.”Ms. Crosman kept a copy of one of the emails — sent from an email address designed to be anonymous — in which a person who identified themselves as Grandmaster Setis recommends she return the “intensely profound love” that Mr. Conforth had for her.The women said they thought Mr. Conforth had the potential to be a kind of spiritual and artistic mentor, but then things grew strange. In legal papers filed in a Michigan court, Ms. Brourman said Mr. Conforth invited them to an arboretum on campus where he engaged in a mysterious ritual that involved cutting off pieces of their hair and giving Ms. Brourman a series of objects, including the raccoon penis, seeds and some kind of medallion. She was warned to keep them with her, or there would be “repercussions,” the court papers said.Both women said they received what appeared to be homemade horoscopes in which it was predicted they were romantically compatible with Mr. Conforth.Ms. Crosman said Mr. Conforth inundated her with messages online, declaring his love. One included a Pablo Neruda poem that said, “I crave your mouth, your voice, your hair.” At the end of the semester, she said he forcibly kissed her and stuck his tongue in her mouth during a visit to his office.The two women said they feared reporting their encounters to the university at the time.“We were trying to protect ourselves in ways where we didn’t have to insult him, we didn’t have to fight him,” Ms. Crosman said.Maya Crosman, left, and Cassie McQuater, said that Mr. Conforth inundated them with messages, declaring his love. Ms. Crosman said he aggressively kissed her.Joyce Kim for The New York TimesThe court papers say Brourman felt intimidated by the strange emails she received, including ones that directed her to “service” Mr. Conforth. In 2014, she said they had a sexual encounter in his office on campus. After that encounter, Ms. Brourman and Mr. Conforth met regularly for “spiritual lessons” that required sex beforehand, the papers said. Ms. Brourman said in an interview that at the time, she was confused and thought she might have feelings for Mr. Conforth, but in retrospect, she said she recognizes that she was being manipulated.In fall 2017, after she had graduated, Ms. Brourman said in court papers that Mr. Conforth raped her at his apartment in Ann Arbor. She did not report it, she said, because she feared retaliation, but in February filed a complaint with the police.The two women whose complaints played a role in Mr. Conforth’s departure from Michigan approached the university after learning about each other’s accounts. Shaina Mahler had been 22 in 2014 when she said Mr. Conforth, her favorite teacher, began sending her messages on Facebook. She was flattered at first, but then the messages escalated into expressions of how attracted he was to her.When Ms. Mahler told him that she was starting to feel “confused and anxious” about his messages, Mr. Conforth apologized and said they could be friends, writing, “Please please don’t ruin my life here.” But a few days later, Mr. Conforth sent her more sexually charged messages, saying he wanted to “kiss” and “touch” her, according to court papers.Ms. Mahler let it slide until two years later, when she spoke with Ms. Brown, who recounted a nearly identical experience of being pursued by Mr. Conforth. Ms. Brown, then 21, told him several times his advances were “inappropriate,” according to notes taken by a Title IX coordinator who interviewed her. But one day in his office, when he insisted they hug, they ended up kissing too, she said.That semester, their interactions escalated into a sexual encounter in his office, and Ms. Brown told the coordinator that, at first, she believed it was consensual. She acknowledged having feelings for Mr. Conforth but told the coordinator that she quickly became anxious and conflicted after their sexual encounter. She soon recognized, she said, that she had been manipulated, especially after learning from a friend — another student in his class at the time — that Mr. Conforth had left a note for her saying that he found her attractive.Ms. Brown and Ms. Mahler reported their interactions with Mr. Conforth to the university at the end of 2016 and he retired shortly thereafter.The university said its policy is to share the school’s investigative findings with complainants and that it could not comment on individual cases. But both of the women said that the university did not alert them to the outcome of its review until last year, when Ms. Mahler said she checked in after hearing complaints from other women.“I let it go for a while,” she said, “but I always wondered.”Sheelagh McNeill contributed research. More